First single from Vanessa Amara "Music for Acoustic Instruments & Feedback" Out May 28th as Posh Isolation 249

The beguiling yet inviting music of Vanessa Amara has long presented studies and invocations of ambient music and experimental sound practices with a graceful relief. Their  latest album, 'Music for Acoustic Instruments & Feedback,' is a collection of unedited live recordings from 2016-2020. It charts a formal path for creation, and in doing so manufactures their most dazzlingly beautiful album to date.

Vanessa Amara is a duo from Copenhagen. More recently they've forged links to Coomkeen, Ireland. Together, Birk Gjerlufsen and Sebastián Santillana have released a small plenty of recordings, with their 2016 album 'You're Welcome Here' bringing them into a critical orbit with contemporary experimental music and earning them much-deserved recognition. A cluster of releases followed that took their intricately rendered worlds into new constellations and alignments with the suite of instruments that they recurrently call upon. Last year's 'Leopards' and 'Poses' introduced a daring alacrity to the dreamy forms one may associate with Vanessa Amara, suggesting a wealth of silhouettes and wicked suns.

'Music for Acoustic Instruments & Feedback' hints at a similar mischief through its inventive formal strategy, accompanying ideas, and charged theatre, yet it pursues the melancholic kernel at the heart of the project more intently than any previous release.

The album's title is descriptive of the album's process. Utilising an arrangement of microphones, speakers, and tape machines, Vanessa Amara created a system that allowed them to work with acoustic feedback. In the group's own words, "We don’t have a studio or a piano, so instead we work briefly in other peoples' homes or in any room made available to us. Each of these rooms, what is within them and how the instruments resonate there, is what generates the sound." With piano, accordion, pipe organ, carillon, and bells, this system generates an exquisite space of delicately placed harmonics and sweet ricochets.

The track 'Accordion' captures a passing all-terrain vehicle from inside a church—it's these kinds of bizarre juxtapositions that are found at the edges of the album, refracting the heart-aching meditations and formal constraints with a novel spontaneity. However, at the core of the album's making is feedback. As Vanessa Amara explain, "The autonomy of the feedback is critical as it demands an improvisational relationship to the shaping of sound. We wish to trigger a capacity for refusal of perfection forcing awareness. Our hope is that the transparency that we believe improvisation holds a capacity for can at once connect and nourish solidarity, provoking movement as well as continuity in and between our, as well as our audience's, collective and individual labour in life."

The resulting shapes and figments rustle a new wonderous bearing, making 'Music for Acoustic Instruments & Feedback' an elegant transformation in the project's evolution.

Posh Isolation 249 
Mastered by John Hannon

Tracklist
1. Bells 01:11 
2. Piano & Accordion I 07:35 
3. Accordion 06:52 
4. Piano & Two Tape Loops 05:47 
5. Pipe Organ 07:22 
6. Piano & Accordion II 02:19 
7. Cembalo & Carillon 05:27 
8. Piano, Bells & Two Reversed Tape Loops 05:32

Music for Acoustic Instruments & Feedback

Vanessa Amara - Piano, Bells & Two Reversed Tape Loops

Lorelei

Last Pieces

kolya - Last Pieces

Listen & download

qwqwqwqwa  - Fashion Music For Scammers

As a response to the war in Ukraine, Janushoved is releasing a relief compilation in order to raise funds for the people of Ukraine.

All proceeds will go directly to support the work of Red Cross inside Ukraine, helping children and their families with relief, food and medical care.

Janushoved no. 146

Hviledag & Asger Langberg Søndergaard - Elegy For The Victims Of Geopolitical Powers II

I as a slash symbol

short cut from live sesh, played and recorded via heavy culture festival in Kyiv. 
charity fundraiser for the 67th brigade and a walkie-talkie for the 95th ODSHB.

HEAVY CULTURE live_cut

Taken from the album 'Teal
Available to order direct here - 
http://skirethree.blogspot.co.uk/

Tom James Scott - Ariel

Minimalist Melbourne duo HTRK created a soundtrack to take Pageant's girl gang down the runway and into a subterranean rave for MBFW.
Featuring: 
Loke Rahbek / Croatian Amor (Denmark)
Sky Walkers - From the Posh Isolation album 'Finding People' 2017
Dale Cornish (UK) 
Aqal Pattern 1 - From the Entr'acte album 'Aqal' 2017
​Cut - From the Halcyon Veil EP 'Cut Sleeve' 2016
HTRK (Aus) 
Summer Rain - unreleased 2017
​untitled - unreleased 2017​

htrk x pageant runway soundtrack

``I can't feel anything, but you inside of me
It's nothing physical, It's only mentally
I can't eat anything, because you're inside me
I feel fulfilled with you, with you inside of me

I can't do anything, without you inside me
It's not that I don't do a thing
In my mind, you're always here with me

I don't need anything, with you inside of me
I'm completely satisfied, with what you bring to me
I can't sleep anymore, though, day and night I dream
In my dreams, it's only you and me

I can't feel anything, but you inside me
In my dreams, there's only you and me
It can't be mutual, because you are my dream
Impossible for you to feel for me, what I feel for thee

No matter where I look, only you I see
Even when my eyes are closed,
I see you inside me
I don't love you the most, I love you, only``

nothing physical

Велика ріка Хєнь-Юань

Цукор Біла Смерть – Велика ріка Хєнь-Юань (John Object Edit)

Digital hosting of the PL 7" lathe release that never surfaced outside of the Angels in America fan-club. Features a wonderful cover of the Coil class , "Cold Cell".

Mastered by Jack Callahan.

Tom James Scott - Ariel

Tᴏᴍ Jᴀᴍᴇꜱ Sᴄᴏᴛᴛ / Sᴋɪʀᴇ