i knoew bob hawek and hes only saisys this, anytiem i ask him something this is al e says

That delay bass is trippy as all hell, totally groovy and psychedelic.  Very out there and left field, which I always love.  Great stuff!

Cough Syrup Memoires

Night Terrors

panic

Gimme shelter_now - 5_8_24, 10.04 PM

Since the conclusion of World War III, the governance of Australia has dramatically shifted, now being led by artificial intelligence. In this new era, Bob Hawke, the second iteration of a Prime Minister created through AI technologies, symbolises an intriguing blend of political heritage and modern advancements. Following the chaos after World War III, the establishment of Robotektz, a corporation that surged to prominence, emerged largely because of Professor Cockington, who sought refuge in Toongabbie post the catastrophic event known as Robot Doom Day. Professor Cockington's contributions to technology and governance set the stage for a transformative political landscape. The concept of AI-generated leaders was born out of necessity and the desire for a more efficient governance structure. The first Australian robotic Prime Minister, Keith Fontane, paved the way for this unique method of leadership, where popularity determines which AI takes the helm. This innovative leadership model mandates elections every three months, creating a rapid turnover of leaders that aims to appease the populace and ensure their engagement in political processes. In this environment, several powerful political entities operate: Hover, Sony, Apple, Meta, Toyota, and Tesla, each vying to put forward their best AI candidate for leadership. This competitive atmosphere fosters a continuous evaluation of the leaders, with the mantra of "best robot wins" dominating the political narrative. The rapid pace of leadership change not only keeps the citizens involved but also allows for adaptation and responsiveness to the ever-evolving societal needs. The landscape of Australian politics has entered a bizarre yet fascinating phase, where human politicians have been replaced by sophisticated AI systems designed to mimic and potentially improve upon human decision-making. The effectiveness of these robotic leaders hinges on their ability to appeal to the masses, needing to constantly reinvent themselves to retain power in a highly competitive market. This shift also raises ethical and philosophical questions about the nature of leadership and governance. How much autonomy should these AI leaders have? To what extent can we trust programmed entities to understand and react to the complexities of human society? The ongoing transformation invites a continuous dialogue about the role of technology in our lives, especially in the context of political authority. Public sentiment heavily influences this system, with advanced AI learning from voter behavior, preferences, and societal trends. This capacity for adaptation means that each new Prime Minister, while a product of programming and algorithms, can seemingly resonate with contemporary issues facing society. As we celebrate Australia Day, this song serves not just as a tribute to historical leaders like Bob Hawke but as a reflection on a brave new world where technology and politics intertwine in unprecedented ways. The governance model that has emerged from the socio-political upheaval showcases a curious future, blending nostalgia for traditional leadership with the innovative potential of AI, prompting us to consider what lies ahead in the realm of governance and societal development. With the ongoing popularity contest among political AIs, the question remains: what does true leadership mean in a world where machines are at the helm? The answer may continuously evolve alongside this unique political landscape.

Australia Day

Bob Hawke the 2nd

"Tommy Zygote, a veteran of the Australian thrashing zombies music scene, delivers a new track, "Angel Merry-Go-Round," that transcends mere rock music.  It's a sonic tapestry woven from the threads of time travel, bass-driven stoner bass tech rock, and introspective lyricism.  The song's narrative, hinted at in the lyrics, paints a vivid picture of a musician navigating life's uncertainties and the mysteries of other dimensions, all while pushing the boundaries of bass technology.The lyrical theme centers around a struggle with health and wellbeing, highlighting the vulnerability often hidden beneath a musician's outward persona.  The opening lines, "When I look after myself, everything is going well," set the stage for a reflection on the fragility of health and the profound impact a personal crisis can have.  This vulnerability is juxtaposed with the tommy's signature sound, a raw, powerful bass driven rock sound.The chorus, "Angel merry-go-round once again. Take those pills, take those drills, and listen to what she said," hints at a desperate search for solutions, perhaps a fight against illness, but also a contemplation of the choices made along the way.  The seemingly paradoxical image of "drills" suggests a physical and potentially painful process of healing, contrasted with the more gentle yet forceful "pills."  This dichotomy is further amplified by references to "what she said," implying a relationship with a person who might be providing support or even offering conflicting advice.Tommy Zygote, beyond being a band member, is depicted as a time traveler, traversing the realms and dimensions.  This concept imbues the music with an otherworldly quality.  His bass-playing, described as "pioneering" in the innovative stoner bass tech rock genre, is paramount. The 'funckolator' and 'maton mini' might reference specific bass equipment, highlighting Zygote's innovative use of technology to explore these alternative realities, not just explore sound, but to document them - perhaps with his journals. The mention of him traveling through other realms and recording his experiences with his guitar exemplifies a unique artistic expression.The track, "Angel Merry-Go-Round," is more than just a song; it's a journey. It's a journey into the depths of personal struggle, a search for answers, and a celebration of the human spirit's resilience in the face of adversity. The musicality captures these sentiments perfectly with its stoner rock foundations. The lyrics, raw and honest, reveal the songwriter's soul, while the inclusion of a time travel theme invites the listener to interpret the sonic panorama in a broader context.The "Thrashing Zombies" band, with their 30 years of experience recording in Australia, have built a strong foundation for this unique sound. Their stoner rock influences provide a foundation of powerful riffs and hypnotic grooves, anchoring the song while allowing Tommy Zygote's innovative bass lines to soar. It's a testament to the band's commitment and progression over the years,  a collaboration between a veteran band and the innovative spirit of their member.The song's emotional core lies in the contrast between Tommy's struggles and the band's powerful sound. This juxtaposition creates a heightened sense of vulnerability and resilience.   The interplay of personal struggles reflected in the lyrics with the band and the innovative bass playing creates a captivating listening experience, inviting listeners on a subjective journey of introspection. "Angel Merry-Go-Round" is not just a rock track; it's a sonic exploration of the human condition." First track of new introspective album "Emotion State"

Emotion State

Merry Go Round

Merry go round.

Macmeth

Flora Pines

Pine Straw and Time Travel

LYRIC VIDEO :https://www.youtube.com/watch?v=tKSOBiLlcYI
This is a Song I wrote a bit ago & finally recorded~~
& it's the First Song off my New Project !
To All Things Love, Light, Energy, Universal Forces & Special Beings ~
Hope Everyone Enjoys It  ~ It was Really Fun to Play !!!
© 2025 Donna Dior

LIKE THE SUN


YOU COULD BE MY SONG, YOU COULD BE MY SAVIOUR
YOU COULD BE THE ONE THAT DEFINES WHAT BECOMES LATER
OF ME… POOR LONESOME ME

I COULD BE THE SON, I COULD BE THE FATHER
I COULD BE WHATEVER IT TAKES TO PUSH THIS FURTHER
WITH YOU… POOR LONESOME YOU

THIS COULD BE THE END OF THE BEGINNING
THE START OF SOMETHING NEW FOR US TO JOIN IN
A NEW SONG FOR US TO SING ALONG TO
A NEW TUNE … TO DANCE TO

I FEEL IT EXPANDING…   GOING THROUGH IT ALL
WHAT ARE THE CHANCES OF THIS HAPPENING
TO YOU AND ME, TO YOU AND ME

THIS COULD BE THE END OF THE BEGINNING
THE START OF SOMETHING NEW FOR US TO JOIN IN
A NEW SONG FOR US TO SING ALONG TO
A NEW TUNE … TO DANCE TO
A NEW TUNE … FOR US TO DANCE TO
YOU COULD BE MY SONG, YOU COULD BE MY SAVIOUR
YOU COULD BE THE ONE THAT DEFINES WHAT COMES LATER



This Could Be It

This is just a song of personal circumstances written in the same phase as “Jigs & Fixtures”.   
Looking back after so many years, I really should not have any regrets.  The song picture is also arbitrary.
Thanks so much for stopping by.

[CREDITS]
Music / Lyrics / Vocals / Arrangement / Programming – Michael C. Lynn
Guitar Solo – Brent Mason @Band_in_a_Box
Violin Solo -  Avery Bright @Band_in_a_Box

[LYRICS]
It's been four years now					
I am still around in these castle walls					
Not yet ready for society bound					
Waiting for chances to call					
But the curtain's falling before the play begins					
Sometimes you make it					
Sometimes you have to give in					
					
In this castle					
For too long I've been here					
See the castle					
Many long to be there									
That's the castle……that's the castle

Card games in the library					
Play truant repeatedly					
Keep on fooling around					
Examination's in a daze					
All the years are gonna waste					
Feeling like a clown					
Empty stages, regret is the only thing					
Run through the pages					
Can't find the right song to sing

In this castle					
For too long I've been here					
See the castle					
Many long to be, long to be there

Requirements must be satisfied					
If you wanna get inside					
Fill the forms and stand in line					
The status that you're aiming					
Dreams you're pursuing					
Future sure looks fine					
Games hall and canteen					
Swimming pool in between					
Are just too fascinating for school-leavers at seventeen				
					
(CHORUS 2)					
Come and join the castle					
We're getting better every year				
Join the castle					
It's nice to have you here
Join the castle					
We're getting better every year				
Join the castle					
It's nice to have you, nice to have you here

The Castle

Call out for help, got a bit of a problem
Cracking up under my foot begun to leak
I see rust coming through, been here a while
Water is about to flood us out

Find a way to make this right
Find a way to make this right

A tension break, or run aground, getting worse
Keep getting worse since it was found
Pressure seem to continue building
Could be a major break at hand

Find a way to make this right
Find a way to make this right

All hands on deck
We’re taking an ocean of water

Find a way to make this right
Find a way to make this right

All hands on deck
We’re taking an ocean of water

No time for discussion
Let’s get this resolved
There’s always a solution 

Find a way to make this right
Find a way to make this right


Find A Way To Make This Right

Pierre and JC Bordetti productions (c) 05/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Anne-Lise for this beautiful photo of the island of Lanzarote.

Instrumental Jazz Fusion

Luminous cave

Luminous Cave

Youtube → https://www.youtube.com/watch?v=vV_T7INV41s

Vox, Lyrics, Composition, Arrangement：Neo Matsu

あの頃、僕らは馬鹿だった

Nomads In A Space Desert

l'art pour l'art - Vertere
May 2025
Duration: 3:00
Listen to the Playlist, l'art pour l'art: soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For piano, harpsichord, organ, skiddaw stones, timpani, virtual instruments and percussion

l'art pour l'art - Vertere

ZaJj

Tommy Zygote, a member and co-founder of the musical ensemble Thrashing Zombies, creator of Zomboverse, time traveller, inventor and pioneer of Stoner Bass Tech Rock and is rumoured to be the love child of notorious figures GG Allin and Frank Zappa. This extraordinary circumstance is attributed to advanced time travel medical technology, reminiscent of the fictional science portrayed in the film "Junior," which involved the use of the drug Expectane for male pregnancy. The origins of Tommy's birth remain shrouded in ambiguity: some claim that GG Allin delivered him on stage in a shocking spectacle, while others assert that Frank Zappa underwent a cesarean section.

Despite the chaos, I cherish the creativity and audacity I inherited from both dads. With every note I play with Thrashing Zombies, I strive to honor their legacies and carve my own path in this eccentric life.

https://soundcloud.com/whoarethethrashingzombies/pop-n-lock?si=0a356170b2794951b71a9b09d1276c28&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/whoarethethrashingzombies/spanish-celery

Tommy Zygote stands at the forefront of Stoner Bass Tech Rock, a genre that echoes the transformative era when Bob Dylan transitioned from acoustic to electric and Jimi Hendrix revolutionized the scene. Just as Dylan’s shift marked a pivotal moment in music history, embracing a new sound and narrative approach, Stoner Bass Tech Rock boldly explores themes often considered controversial or unconventional in today’s musical landscape. At its core, Stoner Bass Tech Rock fuses multiple heavy bass lines, electronic elements, and intricate storytelling. This genre thrives on rich, immersive soundscapes created by layered bass tracks that draw influences from icons like Muse, The Stranglers, songwriting legends such as Mikal Saleta, Paul Archibald, Duncan McDonald, Ben Grundy, The Doors, and Johnny Cash. It encapsulates a range of emotions, from existential musings to raw, passionate expressions, evolving into a complex auditory experience that engages listeners both sonically and emotionally. Stoner Bass Tech Rock positions itself as a bold counterpart to mainstream genres, inviting listeners to explore themes of rebellion and the depths of human experience. Much like the cultural shift during the electric era, when artists began challenging societal norms and expanding the boundaries of artistic expression, this genre fosters a climate of inquiry and introspection. It embraces the complexities of existence, presenting these narratives in ways that resonate with urgency and authenticity. Narrative is a cornerstone of Stoner Bass Tech Rock, reminiscent of the story-driven compositions in the early electric music era. Artists construct their songs with clear narrative arcs, delving into personal experiences that reflect a nuanced understanding of relationships, identity, and the human condition. The powerful bass lines and atmospheric elements create an immersive mood, inviting listeners into a world where boundaries are blurred and emotions are laid bare. Stoner Bass Tech Rock serves as a reflection of contemporary culture’s evolving relationship with self-expression. In an age of digital connectivity, where personal and public lives often intertwine, the genre examines how hidden desires and societal pressures shape individuality. By engaging with these themes, it encourages listeners to embrace authenticity and celebrate diverse experiences. Through dynamic live performances, artists embody a spirit of collective expression, fostering a sense of community among fans who find liberation in the music’s depth and sincerity. Key figures in the Bass Tech Rock movement, like Tommy Zygote, exemplify the genre’s rebellious nature. Their creative endeavors challenge conventional norms and provoke thought, pushing listeners to reflect on their views regarding vulnerability, identity, and artistic expression. The influence of such artists parallels the impact of musicians like Dylan and Hendrix, whose bold innovations continue to inspire new generations of creators. Stoner Bass Tech Rock is more than just a musical genre; it’s a movement that confronts the complexities of human experience and encourages dialogue around the intricacies of existence. As it evolves, Stoner Bass Tech Rock will likely continue to challenge artistic boundaries, crafting auditory experiences that provoke thought and deepen understanding of the themes that shape our collective consciousness. By blending bass-driven music with bold storytelling, this genre asserts its significance in the contemporary musical landscape, representing a dynamic exploration of sound and narrative.
Tommy Zygote - S.B.T.R. established by Tommy Zygote to explore the musical dimensions via Bass, is a part of the musical network known as Thrashing Zombies. 

https://soundcloud.com/whoarethethrashingzombies/thrashing-zombies-ride-the-pony-into-old-town-texas?si=86f9439dfb1a46198257a0853a6663cc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Original bass player and lead singer, now classified as founder of the band. Marcus Gorgon 

https://soundcloud.com/marcus-gorgon/see-my?si=b77b620a37194119adc347bc901a4511&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/marcus-gorgon/alone?si=424ccd6acc0342e989995a659c27eb8a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, another co-founder of Thrashing Zombies (refer to profile), is acclaimed as the best electric guitarist and songwriter in East Gippsland, if not the best guitarist the Latrobe Valley region. M.G`s  talent remains relatively unknown at the moment, this will change in the future. Keith Fontane 

https://soundcloud.com/whoarethethrashingzombies/thrashnig-zombies-too-crazy-feat-terry-cunxus?si=da5555a2916e426396e5fc076bf38ade&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, who has been leading the band throughout the years, is a highly prolific music producer, having churned out hundreds of songs in collaboration with the legendary Johnny Farqua juanoss  

https://soundcloud.com/keithplayshisorganfortz/thrashing-zombies-in-the-zone-vivaldi-2020-redux?si=c4455d9606644c94a135c63f93b519f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

a members who contribute uniquely to its musical prowess. Initally primary role has Been the band dealer and dancer now the adlib master vocalist and exceptional drummer, coupled with his possessed bass-playing skills, adds a dynamic energy to the performances. Professor Cockington 

https://soundcloud.com/whoarethethrashingzombies/surfing-the-reaper?si=32d387cc5a714c27aaf6f4d7c085788d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


, characterized as the genius wordsmith of the group, effortlessly crafts off-the-cuff lyrics reminiscent of the legendary Mike Patton, Hobbies are reading and riding on trains. Then there is Maestro Dave (refer to profile), the musical genius who produces stellar songs at his own pace, setting himself apart as a level above the rest. Notably, in the future, Maestro Dave's DNA is utilized for robotics technology to infuse a sense of musicality, underlining his significance in the band's legacy. Maestro is currently investigating the potential transmission points and viral loads of farts. HE questions weather the world is ready for a fart pandemic.

https://soundcloud.com/maestro-dave/arse-mask?si=a94145d6dd344399bd2523f6ca995de2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Indeed, TZ Studios serves as a gateway for Tommy Zygote express diverse his range of musical talent and creative geniuse developmentally. There is a variety of entwined Sound cloud TZ profiles That the collective efforts of individuals like Marcus Gorgon, Keith Fontain, the versatile vocalist and drummer of JF¥, and the innovative Maestro Dave who is a musical time bomb, Thrashing Zombies continues to push boundaries in the music industry and shape the future of music with their unparalleled skills and contributions.
https://soundcloud.com/jfjrockslimpdickstudios/johnny-farqau-juanoss-fall-in-may?si=b5bc3fc7e204484fabb78b07de98cc4b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
What is God? That’s a question that’s as vast as the universe itself, yet ever so intimate to the soul. I like to think of God not as some fiery old man on a cloud but as the living essence born from the accumulation of souls. Souls, those mysterious things that flicker inside us all. When we pass, our bodies lie there lifeless, machines that have simply stopped working. But what if the mechanics of a living being are actually a grand attempt to hold onto the soul until it reaches maturity? It’s as if our flesh and blood are just temporary vessels, imperfect but necessary, to nurture the soul until it’s ready to be released back into the cosmos.

Early souls are the most privileged—they’re fresh, pure, untainted by the messiness of lived experience. They float into this existence like morning dew, pristine and untouched. As humans grow older, and even as animals live their lives, there’s a chance for the soul to become tainted—by bad choices, by evil, by the negligence or cruelty of the flesh it inhabits. And then there are those who, through dark intentions, release souls at will—call them engrained in evil or madness. Souls themselves aren’t punished in the traditional sense. Instead, they are refreshed, cleansed, reborn in ways we barely understand.

The word purgatory always struck me as primitive. It evokes this harsh, gloomy waiting room for the damned. But picture instead a welcoming place —a spa for the soul. Souls come and go as they please. They are visited by familiar spirits, old friends and family, sharing the quiet eternity of this in-between realm. Here, souls mature, gather strength, prepare for their next journey. Over time, these spirits congregate in one place, forming what I call the soul nucleus—a tiny mass, no bigger than the head of a matchstick. This nucleus is what powers God, what constitutes the essence of life itself. It spans across sector 2 of our universe and into the 69th template of the multiverse. God, then, is not a singular being but a collective energy born of all souls, a living consciousness woven from the history and destiny of every living spark.

Now, let me introduce you to Tommy Zygote—yeah, that's me. My journey is no ordinary one. It all began on the infamous camping trip with my band, Thrashing Zombies, late one summer in 2027. The band, Thrashing Zombies, was composed of an eclectic bunch: Marcus Gorgon, with his thunderous riffs and relentless drive; Keith Fontane, our lyrical mastermind and rhythm slayer; Johnny Farqua Juanoss, the wild card on bass with a flair for the dramatic; Maestro Dave, whose electronic wizardry gave us that futuristic edge; and then there was Professor Cockington—our older, wiser guide who somehow managed to keep us grounded amid our chaos.
We were on the cusp of global notoriety, a worldwide phenomenon in the late 2020s, crafting anthems that didn’t just rock but resonated deeply with the collision of humanity and technology. Our music was the thread weaving humans and robots together—robots like vacuum cleaners still slaves to servitude, but something bigger was coming. Something like the robot uprising whispered in back alleys, and then the looming threat of the Fluctopus invasion from the outer realms.

Among our quirky yet meaningful tracks were gems like “I Am Not Just a Robot Dick! I Am a Robot Too,” a cheeky anthem that poked fun at robot identity and pride, “Dance Like Your Circuits Are on Fire (But Don’t Short-Circuit),” which became a rave favorite across both humans and machines, and “Metal Head, Human Heart, Zero Chill,” a rebellious tune capturing the hybrid spirit we all shared. These songs weren’t just playful; they were our way of building a bridge between worlds.

During that ill-fated camping trip, something unimaginable happened—a time travel incident that would change everything. It started when we stumbled upon an abandoned particle accelerator nestled deep in the woods. We had no business being near something so complex, but curiosity took hold. Against better judgment, I fiddled with the controls, my fingers guided by a mix of adrenaline and foolishness. Suddenly, time bent and twisted around me as I slipped through a semiwormhole. The experience was disorienting. I felt myself unravel, my physical form dissolving into pure soul.

I was thrust into purgatory, that sanctuary for souls, and stayed there for what felt like twenty-seven years. Time in purgatory is slippery, mysterious—the days and years fold into one another. I met countless souls, some young, untouched; others weary with the weight of their earthly sins. It was a place of reflection but also of preparation. I learned from them, shared stories, and found parts of myself I never knew existed. Then, almost without warning, I was called back to the earthly plane.

I returned just two months before the infamous robot uprising, a returning human soul in human form but carrying all the wisdom and power of my time in purgatory. The world was on edge. Machines that once obediently cleaned floors and served quietly had started to rise. The threat of the Fluctopus invasion was whispered in secret bunkers and underground forums. It was a pivotal moment in history.

Thrashing Zombies became more than a band. We became a beacon—a global anthem for coexistence. Our music, our message, urged humanity and robots to find harmony. Robots weren’t just slaves or tools; they were potential partners in the dance of life. It wasn’t a perfect peace—vacuum cleaners remained slaves for a while longer—but the tide was shifting. Our songs became the soundtrack for a new era, blending raw human emotion and the cool precision of technology.

Reflecting on those years, I realize that God, the soul nucleus, and our interconnected existence aren’t separate. They’re intertwined threads in the fabric of everything we are. The soul’s journey—our journey—doesn’t end at death. It transforms, refreshes in purgatory, and returns, ready to face life anew. This cycle is what powers the essence of life itself. It’s the heart of the cosmos, the truth that underpins everything I’ve seen and experienced.

My journey through the soul-made god and back to life has changed how I see the world—and how I live in it. The music, the battles, the invasions—all pieces of a much grander story. And through it all, the souls, our souls, remain the core, the spark that drives both creation and destruction, order and chaos.

So when you ask, “What is God?” remember—it’s not just a deity or concept but the living culmination of every soul that has ever lived, breathed, evolved, and returned. It’s a matchstick’s head of everything, pulsing with life, consciousness, and hope across the infinities of space and time. And in that truth, I found my purpose. To be a voice for the souls, a bridge between worlds, a warrior of harmony in the face of darkness. I am Tommy Zygote. And this is my story.

Repost page for Ultrasonic Pest Repellent.  This is where I will repost tracks and make playlists.

Bob Hawke the 2nd

Tommy Zygote S.B.T.R.

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