The darkness that dwells within me, the pain and fear that dominate me, and the passage of time that ruthlessly steals my dreams. It seems that darkness has the upper hand, but I have been disarmed by goodness!
https://duskenharmony.bandcamp.com/
https://www.instagram.com/dusken.harmony
https://www.facebook.com/dusken.harmony/

Milk Bone

NEMESIS OBSCURA 
2024

Composición y Producción: 
Farid Abud Hoyos

Ceguera

Can't Forgive

300.m4a

WELTKLANG - LoFi Anarchy

Boundaries Instrumental

Крок яшчэ

Body (Demo)

Bled

Возвращение после длительной паузы. Этот альбом был записан на советском синтезаторе "Маэстро", купленным в мае 2025 года. Альбом выполнен в стиле электронной танцевальной музыки, ритмичный, живой, не заставит сидеть на месте. Все партии кроме ударных, записаны на синтезаторе Маэстро, на аналоговый рекордер Yamaha MT8x на кассету TDK AD90. В качестве драм-машины используется винтажный Alesis HR-16 1989 года выпуска. Надеюсь вам понравится звучание этого альбома и унесёт дальше в суету быстрого темпа жизни, без возврата назад... хотя... альбом завершается тем что звучит в не типичном стиле, как другие композиции, возвращаясь к привычному мне sovietwave и retrowave.

Инструменты:
- синтезатор Маэстро (СССР);
- драм-машина Alesis HR-16 (США);
- Лель РЦ, в качестве сэмплера (СССР);

Эффекты:
- Лель ЦЗ (Россия);
- Лель РЦ (СССР);

Оборудование для записи:
- аналоговый рекордер Yamaha MT8x (Япония);
- аудиоинтерфейс AKAI EIE Pro (Китай);
- кассета TDK AD90 (Европейский рынок)

*Альбом записан без использования DAW

Return after a long break. This album was recorded on a Soviet synthesizer "Maestro", bought in May 2025. The album is made in the style of electronic dance music, rhythmic, lively, will not make you sit still. All parts except drums, recorded on the Maestro synthesizer, on an analog recorder Yamaha MT8x on a TDK AD90 cassette. The drum machine is a vintage Alesis HR-16 from 1989. I hope you enjoy the sound of this album and that it will carry you away into the bustle of a fast paced life, without turning back... although... the album ends with something that sounds in a non-typical style, like other compositions, returning to my usual sovietwave and retrowave.

Instruments:
- Maestro synthesizer (USSR);
- Alesis HR-16 drum machine (USA);
- Lel RC, as a sampler (USSR);

Effects:
- Lel CZ (Russia);
- Lel RC (USSR);

Recording equipment:
- Yamaha MT8x analog recorder (Japan);
- AKAI EIE Pro audio interface (China);
- TDK AD90 cassette (European market)

*The album was recorded without using a DAW

MOVE 3

The German-Swiss friendship is further established with BiGOTT, the collaborative project between Berlin-based Sneaker and Zurich's Scannoir. After their previous releases as ½GOTT and GOTT on Uncanny Valley and some remixes, the duo returns with a third solo EP, marking their first appearance on the Berlin-Basel-based label Reach Another System. Their passion for EBM, Synth Pop, and New Beat comes to life with a fine array of classic drum machines and FM-synths, topped with Teutonic lyrics and archival samples. The A-side opens with a bang: "Magnet" critiques social expectations and pressures, backed by hard-hitting snares and tom fill-ins in Front 242 fashion. Next up, "Tschernobyl" warps the listener back to 1986 – a musical report of the Soviet nuclear disaster. Equally dystopian, the B-side hymn "Matrix Leben" depicts life inside a structured system that continually shapes and restricts us. The final track "7 Minuten" pushes the limits of restless staccato EBM madness. Mission accomplished!
@sneakerdj / @scannoir 

Release Date: 26.09.2025
Pre-order via www.rasrecords.bandcamp.com
Distributed by WAS – Word and Sound Medien GmbH & Reach Another System.

A1, A2, B2 - Aufnahme: Scannoir & Sneaker. 
B1 - Aufnahme: Scannoir. 
Text, Gesang, Mischung, Arrangement, Mastering und Bandtransfer: Sneaker. 
Fotos: Felix Adler. 
Grafik: Niklas Wille. 
Konzept: Carl-Johannes Schulze.

Boundaries Instrumental

Tomorrows Letters

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