neue 3 Uhr

Secretary

I'm Your Man

Every Month on Soho w/ Golsa & Sardar Sarmast

ALLE PRESE CON UNA VERDE MILONGA COVER PAOLO CONTE

Khruangbin - Maria También live in the KEXP studio. Recorded April 26, 2018.

Khruangbin - Maria También (Live on KEXP)

تشکر از میلاد حاتمی و جوان برای همکاری ....

گیتار الکتریک: مسعود دلجو ، ماهان فرزاد .رامین وفایی،
درامز : محمد احمدی
پیانو الکتریک : نیما علیزاده
سینت سایزر : وحید قادری
بیس : کامیار دادخواه
ترومبون : علی ضا ملکزاده
 ماهان فرزادآواز : نازنین دست افکن میسا عامری 

کاور آرت : گابریلا گیلانوا و محمد جوان
میکس و  مستر : پیام توکلی 

#مون_هد
#در_جاده
#ایسلند
#آلترناتیو_پرشین_دیسکو
#موسیقی_بی_کلام
#موسیقی_آلترناتیو
#موسیقی_راک
#موسیقی_ایرانی
#موسیقی_جدید
#موسیقی_الکترونیک

#Moonhead
#OntheRoad
#iceland
#AlternativePersianDisco
#InstrumentalMusic
#AlternativeMusic
#RockMusic
#PersianMusic
#NewMusic
#Electron

On The Road

Tom Waits - The Piano Has Been Drinking

Introducing

Dream A Little Dream

No Angel

My Life

Push the Sky Away

The Mercy Seat (Live from KCRW)

Skybound

Tell Her Today

Blood Money

All The World Is Green

Real Gone

Green Grass (Remastered)

Nighthawks At The Diner

Warm Beer And Cold Women

Crack of Doom

Jazz has played a marginal and yet significant role in Iran’s music history. The perception of the genre, however, has been in flux since it first arrived in the country: It's commonly believed that the history of Jazz in Iran began during the 1960s with the likes of Duke Ellington visiting and performing in the country. But earlier compositional principles of jazz and big band music were increasingly traced in the music of the 1950s. As Iran's oil industry was ‘booming’, Iranian musicians’ relationship with jazz music moreover further intensified through the presence of American expat clubs in oil-rich areas where jazz was played throughout the 1960s. Jazz is undeniably linked to the country's relations with the United States, intersected by a colonial dynamic and notions of 'modernization', but also with visions of freedom, sociability through collaboration, and the identification of oppressed people internationally. The primetime TV show on (improv) Jazz 'Kourosh Ali Khan va Dustan' (available on youtube) on Iranian national television in the 1970s, was an initiative of the American musician and ethnomusicologist Lloyd Miller - also known as Kourosh Ali Khan. Miller's show contributed to the confluence of Iranian music culture and jazz as he worked in Tehran for seven consecutive years, studying classical Persian music. By the early 1970s, the principles of jazz music were commonly integrated in pop music of the time, popularized through the repertoire of iconic and master female vocalists such as Elaheh, Googoosh and Giti. The musical confluence of jazz (and related music) with popular and traditional Persian music, its modal systems and its rhythms, alongside its long historical relationship with Persian poetry, at the time, gave birth to a genre of Iranian ‘Jazz fusion’* that didn’t necessarily mix the two distinct musical genealogies but placed them alongside each other. 

The tracks selected for this show include big bands, Mexican bolero influences, and an occasional twist like a Cuban-style Cha cha cha track. 

*Also referred to as 'Oriental Jazz'

Female Vocalists from Iran. 'Big Band / Jazz' (02.12.2020 Operator Radio)

Warm Beer And Cold Women

Tom Waits

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