Name: Quadrant - Infinition by tonaljedi in ☠ Techno 90s ☠
Duration: 7 min 43 s
Description: Early release from the duo behind Basic Channel. 1993

this is one of the most hypontising tracks that i know. this originally on r&s.

Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built. Stylistically, techno is generally repetitive instrumental music, oftentimes produced for use in a continuous DJ set. The central rhythmic component is most often in common time (4/4), where time is marked with a bass drum on each quarter note pulse, a backbeat played by snare or clap on the second and fourth pulses of the bar, and an open hi-hat sounding every second eighth note. The tempo tends to vary between approximately 120 to 150 beats per minute (bpm), depending on the style of techno. As the original sound evolved in the late 1980s and early 1990s, it also diverged to such an extent that a wide spectrum of stylistically distinct music was being referred to as techno. By the late 1980s and early 1990s, the original techno sound had garnered a large underground following in the United Kingdom, Germany, the Netherlands and Belgium. The growth of techno's popularity in Europe between 1988 and 1992 was largely due to the emergence of the rave scene and a thriving club culture. By 1994 there were a number of techno producers in the UK and Europe building on the Detroit sound, but a growing range of underground dance music styles were by then vying for attention. Some drew upon the Detroit techno aesthetic, while others fused components of preceding dance music forms. This led to the appearance (in the UK initially) of inventive new music, some of which bore little, if any, relation to the original techno sound.  Producers from Detroit, frustrated by the lack of opportunity in their home country, looked to Europe for their future livelihood. This first wave of Detroit expatriates was soon joined by a number of up-and-coming artists, the so-called "second wave". Developments in American-produced techno between 1990 and 1992 fueled the expansion and eventual divergence of techno in Europe. Although eclipsed by Germany, Belgium was another focus of second-wave techno in this time period. The Ghent-based label R&S Records embraced harder-edged techno by "teenage prodigies" like Beltram and C.J. Bolland, releasing "tough, metallic tracks... with harsh, discordant synth lines. 
Wikipedia - Techno: https://en.wikipedia.org/wiki/Techno

Enjoy guys! and check out my eclectic flavas 2 savour in my assortment of playlists and liked tracks etc... Frank ;)

☠ Techno 90s ☠

DBX - Losing control

Vapourspace - Gravitational Arch Of Ten ´93

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Maarten Mittendorff - Time is Space - aera 001

Taken from the "Heuristic EP" by Eric Cloutier on Palinoia.

PRESALE LINK : http://www.juno.co.uk/products/eric-cloutier-heuristic-ep/622240-01/

Heuristic EP

Heuristic

04 Digital Excitation - Pure Pleasure (Pure Bonus Mix)

Having only a scant few releases to its name, L.B. Dub Corp, one of Luke Slater's lesser used guises, slinks in and out of the scene, dropping off quality EP's and remixes when you least expect it. Finding a new and appropriate home on Ostgut, the Take It Down (In Dub) EP has two spacey hitters. A slappy bass, a noise wash, and a growling kick are what kick off the title track, slowly giving way to a slightly pitched down vocal drop of "take it down." 

Not nearly as high in the BPM's as Slater's Planetary Assault System productions, "Take It Down" is a slyly warping beast. It has a pristine sludge to it that begs for an eyes-closed demonic shuffle, its brooding drone perfect for early hour madness. More than halfway through, though, the entire thing shifts to reveal a grimey, rinsed out synth that opens the entire 11+ minutes of the track up to a new feel and intensity. 

Where things really get interesting is on flipside "It's What You Feel." One of the most inviting basslines in a while partners with a steady synth pad for a cleverly produced house track. A steady groove paves the way for a classic piano line summoned from Chicago. This B-side monster is the perfect counterpart to the A, and makes this one of Slater's best efforts since his PAS EP on Ostgut last year. 

http://www.residentadvisor.net/review-view.aspx?id=7702
http://www.ostgut.de/label/record/53

L.B. Dub Corp - It's What You Feel - Ostgut Ton

Early release from the duo behind Basic Channel. 1993

Quadrant - Infinition

Lhasa - The Attic
EP - Vol. 1(1990)
Label:MusicMan Inport


Lhasa - The Attic

Basic Channel as Maurizio - Label: Maurizio;MCD or M-3 (vinyl)

Maurizio - Domina Edit

Suburban Knight - The Art Of Stalking

And Then We Planned Our Escape, Robert Hood

I'm uploading the old stuff that got me into electronic music many years ago...


Loved DJing back in the 90s and early 2000s, as well as raving, when I was dropping those badass tunes! amongst other things! ☺ Now I'm very content in just listening to many genres of music. Why limit yourself to one particular genre when there's so much to discover and love, and also rediscover and love even more? Don't brand yourself! let loose, feel the boundless vibe of life! ☺ Enjoy guys! ♥  d(∩_∩)b 

You can also check us out on mixcloud: https://www.mixcloud.com

Quadrant - Infinition

tonaljedi

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