🎞️ A BEAUTY THAT LEAVES NO ESCAPE / UNA BELLEZZA CHE NON LASCIA SCAMPO

(Official bilingual album description — ready to copy & paste)

🇬🇧 ENGLISH VERSION

🎬 A Beauty That Leaves No Escape
Original soundtrack from the motion picture.
A chamber orchestra and vocal ensemble give voice to the story of two artists — a composer and a musician — whose human and creative relationship unfolds through the language of sound itself.
Written for string quartet, oboe, voices, and chamber ensemble.
Genre: Soundtrack / Contemporary Classical

🇮🇹 VERSIONE ITALIANA

🎬 Una bellezza che non lascia scampo
Colonna sonora originale dall’omonimo film.
Un’orchestra da camera e un ensemble vocale raccontano la storia di due artisti — un compositore e una musicista — il cui rapporto umano e creativo si esprime attraverso il linguaggio stesso del suono.
Scritta per quartetto d’archi, oboe, voci e altri strumenti cameristici.
Genere: Colonna sonora / Musica contemporanea

SOLA

PRELUDIO OP. 28 N. 4 (CHOPIN)

ITA: Questa traccia è presentata qui per finalità culturali e promozionali. È disponibile integralmente su Spotify e sulle principali piattaforme digitali. Il CD Vinyl Style può essere acquistato qui: https://soundtrackrecords.shop/products/iii-movimento-extended-version-2023-tony-carnevale

ENG: This track is presented here for cultural and promotional purposes. It is fully available on Spotify and major digital platforms. The Vinyl-Style CD can be purchased here: https://soundtrackrecords.shop/products/iii-movimento-extended-version-2023-tony-carnevale

INCOMPIUTA 2nd part - excerpt

INCOMPIUTA 1st part - excerpt

IL CAMMINO - excerpt

ENG: Quadri was born as a reworking of the original piano version of Pictures at an Exhibition by Modest Musorgskij. It stands apart from both Ravel’s celebrated orchestration and the “historic” Symphonic Prog version by Emerson, Lake & Palmer. I worked on Musorgskij’s thematic materials, recomposing them into a new structure — a mini-suite that alternates reconstruction, orchestration, and authentic fragments.
At certain points, I also included a quotation from A Night on Bald Mountain, as a symbolic echo of Musorgskij’s most visionary side. The result is neither a transcription nor a mere orchestration, but a structural reinterpretation — a journey through the sonic memory of the work itself.
The SIAE officially recognized its semi-original nature, classifying it among the creative derivative works and allowing me to sign it as Musorgskij – Carnevale.

ITA: Quadri nasce come rielaborazione della versione originale per pianoforte solo di Quadri di un’esposizione di Modest Musorgskij. Diversa sia dalla celebre orchestrazione di Ravel, sia dalla “storica” versione Symphonic Prog degli Emerson, Lake & Palmer. Ho lavorato sui materiali tematici originali, ricomponendoli in una nuova struttura: una mini-suite che alterna ricomposizione, orchestrazione e frammenti autentici. Ho inserito anche una citazione da Una notte sul Monte Calvo, come richiamo simbolico al lato più visionario di Musorgskij. Il risultato non è una trascrizione né una semplice orchestrazione, ma una reinterpretazione strutturale — un viaggio nella memoria sonora dell’opera. La SIAE ne ha riconosciuto la natura semi-originale, collocandola tra le opere derivate di carattere creativo e permettendomi di firmare l’opera come Musorgskij – Carnevale.

QUADRI (MUSORGSKIJ - CARNEVALE) - excerpt

IGRAYNE - excerpt

DANZA SUL VULCANO - excerpt

AL TEMPO MERAVIGLIOSAMENTE PERSO INSIEME - excerpt

LA VITA CHE GRIDA - SYMPHONIC VERSION - excerpt

PAGINE DAL LIBRO DEI SOGNI - excerpt from 2nd part

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

PRELUDIO OP. 28 N. 4 (CHOPIN)

Tony Carnevale

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