Sam Smith - I'm Not The Only One (Live) (Honda Stage At The IHeartRadio Theater)

sou rica muito rica na minha conta tem milhões

Streetlights paintin' the city gold, 
same shade as the memories we hold
Remember whispers in the dark, promises etched upon my heart?
Tried to reach you, time and time again, 
but the distance grew, a bitter wind.

Pride and stubbornness,
hid the truth that burned behind my eyes
Knew I messed up, knew I played the fool

It's too late to apologize, yeah, 
The bridge we built is crumbling, nothin' left to do
It's too late to apologize, yeah, 
Now all that's left are these ghosts of yesterday.

Raindrops fallin' on the window pane, 
mirrorin' the tears I can't restrain
Every song we used to sing, every shared dream on the wing
Tried to rewrite the ending in my head, 
but the story's over, the final chapter read.

hid the truth that burned behind my eyes
Knew I messed up, knew I played the fool

It's too late to apologize, yeah, 
The bridge we built is crumbling, nothin' left to do
It's too late to apologize, yeah, 
Now all that's left are these ghosts of yesterday.

Maybe someday, down the dusty road, 
our paths will cross, lightenin' the load

It's too late to apologize, yeah, 
The bridge we built is crumbling, nothin' left to do
It's too late to apologize, yeah, 
Now all that's left are these ghosts of yesterday.

Too late... too late... 
Just ghosts of yesterday...

Ghost of yesterday

My Memories . . . 

About the song

"Where Memories Breathe" was born from the idea that every photograph holds more than just an image: it captures the air of a moment, the silences between words, the exact light that will never exist again. This composition is an attempt to translate what photos do not show but quietly whisper — what remains suspended in time, invisible to the eyes, yet alive within us. Every chord carries someone’s breath; every pause shelters an unspoken feeling. It’s a song about absences that still touch us, about the subtle beauty of what once was and insists on staying — not as a memory, but as an intimate presence.

Whose presence would you frame in this photograph?

Where Memories Breathe

over-and-out

A reflective acoustic ballad about regret, unspoken love, and a life half-lived. A man sits with memories of what could have been.

Raindrops on the Porch

Stores

My Mind’s Made Up

Descrição Bíblica – "Anunciando a Salvação"
Esta canção é um chamado profético à proclamação do Reino de Deus sobre toda a terra, inspirado por passagens que falam da urgência de anunciar a salvação, do clamor dos perdidos, e da promessa de que o Senhor se revela àqueles que O buscam.

Temas Centrais:
Chamado à pregação do evangelho:
"Mas como ouvirão, se não há quem pregue?"
— Romanos 10:14-15

Clamor pelas almas perdidas:
"Há muitas vidas... procurando luz no fim do túnel."
— Isaías 9:2 / Mateus 9:36

Presença de Deus nos montes santos:
"Andando com Ele sobre os montes santos."
— Salmos 87:1 / Salmos 24:3 / Isaías 52:7

Convocação divina aos que O conhecem:
"Entre os que conhecem o Meu nome, Eu direi: Vai!"
— Daniel 11:32 / Salmos 91:14-16 / Isaías 6:8

Sião como fonte da vida e da palavra:
"Todas as Minhas fontes estão em Sião."
— Salmos 87:7 / Joel 3:16-17 / Hebreus 12:22

Mensagem Profética:
A música clama aos que conhecem a verdade que não se calem diante do mundo em trevas. É um apelo à Igreja para que se levante e proclame que Jesus é a salvação, pois o tempo é breve e o Reino está às portas.

ANUNCIANDO A SALVAÇÃO

Carreg yn cofio, tân yn canu,
mynydd yn sefyll, hiraeth yn aros gyda ni.

Llechi ar y tô, llechi dan draed,
tân yn y lle tŷ, sŵn llwch a gwres.
Lludw yn y cornel, sbarc yn yr awyr,
amser yn y cnawd, yn y cerrig i gyd.
Mae’r waliau’n dal enwau, wedi’u graffu’n glir,
mae’r bryniau’n dal cân yn y glaw di-ddiwedd hir.
Bob ember yn sibrwd, bob carreg yn dweud,
etifeddiaeth yn llosgi, lle mae’r tawel yn lledu.

Llechi a fflam, carreg a thân,
caro’r dydd, dal y nos yn llawn.
Wreiddiau dwfn, yn codi’n fry,
tân yn isel, a llechi’n y nen fry.

Dwylo’n codi, dwylo’n torri,
lle tân o drugaredd, to llechi’n storïau.
Glo a chopr, gwythïen a llif,
dyffryn yn ffurfio breuddwyd o fyw.
Mynydd yn anadlu mewn tafod mwg,
hen weddi yn codi pan ddeffrôdd y nos.
Ac mae’r lle tân yn adrodd beth mae’r bryn yn gwybod:
tân yw’n fyr, ond mae carreg yn aros.

Llechi a fflam, cenedl a chartref,
dal ni’n effro, cadw ein cysgu’n hedd.
Esgyrn caled, anadl tân,
bywyd mewn carreg, cariad hyd angau’n lan.

Plant yn chwerthin lle’r chwarel fu,
tanau’n dawnsio yn y coed gwlyb du.
Cenedlaethau’n casglu, cylch mor llawn,
carreg i’r cnawd, a thân i’r enaid yn dawns.
Trwy stormydd, trwy’r blynyddoedd,
bryn yn sefyll, tân yn glanhau’r holl brodd.
Hiraeth yn aros, distaw, yn rhydd,
wedi’i grafu mewn llechi, wedi’i ganu mewn fflamau’r byd.

Llechi a fflam, cân a chreigiau’n un,
rydym lawer, ond yn galon un.
Mynyddoedd gwreiddiol, lle tân yn aros fan hyn,
calon Cymru yw llechi a fflam o fewn.

Carreg yn cofio, tân yn canu,
mynydd yn sefyll, hiraeth yn aros gyda ni…

slate and flame

Just Me and You performed by Cadence Road

Pinduca - Garota do Tacacá

UK songwriter. Featured songs have been produced thanks to the talent of Cadence Road, Ryan Arthur, Donna Hazelton, Esther O'Connor, Tim O'Connor, Graeme Duffin, Sandy Jones, John Harley Weston, Kim Copeland, Erin Caldwell, Rachel Williams, Tim Buppert, Pete Dymond, Marcie Summers, Stuart Brayson, Buddy Hyatt, Jim Hyatt, Brian Fullen, Glen Duncan, Bob Britt, Wayne Killius, James Mitchell, Doug Grieves, and Ray Curtis. 

All music and lyrics © Tony Gibbs unless shown otherwise

Just Me and You performed by Cadence Road

Tony Gibbs

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