Cosmo Vitelli (Ft. Fantastic Twins) - A Brand New City (Alternate Version)
(P)& (c)I’m a Cliché 2021
BUY : https://cosmovitelli.bandcamp.com/album/as-she-rolled-another-ep

I’m a Cliché presents Cosmo Vitelli’s As She Rolled Another, a digital-only EP featuring an original track and gathering alternate versions from the Berlin-based artist’s vaults. It comes a few months prior to his new album planned in February 2022 and entitled Medhead.
 
As She Rolled Another is born out of Vitelli’s desire to share a newly produced track along with significantly alternative versions of existing music, which were created for pleasure. Indeed, Vitelli wanted to play with existing material to take it in strikingly different directions, prior to his album's release.

The unreleased track features singer Izzy Lindqwister and additional production by Krikor. It is a plodding post-punk, dub-infused affair, intimate and insidious at the same time.

The EP also includes two club-oriented tracks he released on Les Disques De La Mort and Malka Tuti along with an alternate take in a kosmiche mood of his collaboration with Julienne Dessagne of Fantastic Twins, also found on his 2019 Malka Tuti EP

CLICHE068 - As She Rolled Another EP

Cosmo Vitelli (Ft. Fantastic Twins) - A Brand New City (Alternate Version)

Infinity Machine - COEX System

Tabu

Fed Liquid Gold 2

Listen to our exclusive premiere of 'Cascades’, which  sees @contoursmusic and @yadavasoflute take you on a spellbinding journey of glorious flutes, keys and rain-line percussion notes. Read more @ https://wp.me/p471L0-b0l

Cosmic Echoes

Contours & Yadava - Cascades (TS Premiere)

◉ La Ola Interior : Spanish Ambient & Acid Exoticism 1983​-​1990 | BJR059 | March 05 , 2021  ◉ 

Following “La Contra Ola” (BJR015), Bongo Joe is pleased to present LA OLA INTERIOR, a compilation exploring the ambient side of the Spanish electronic music produced in the 80’s. It gathers musicians from various horizons and of many generations, who shared the desire to create an immersive soundscape and to combine electronic music with non-Western musical traditions. As a general rule, the Anglo-Saxon tropism did relate the spanish peninsula’s ambient music to the Balearic Sound, that is to say to the relaxing music played in Ibiza’s nightclubs. But this music takes place in the productive territory of experimental musics, and particularly in its two main breeding grounds: the tape recording underground and the independent musicians-producers scene.

LP & Digital album preorder : https://lesdisquesbongojoe.bandcamp.com/album/la-ola-interior-spanish-ambient-acid-exoticism-1983-1990

Finis Africae - Hybla

Vida Eterna

O Som de Ossos

Dekmantel 10 Years 10.2

Asiko (In a Silent Mix) (Original Mix)

Kerrier District - Ce Porte

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”

Asiko (In a Silent Mix) (Original Mix)

Tony Allen

Recent comments

MassMusic

Related tracks