a whole mess of psychedelic and afro grooves. 

mattienodj: rhythm sections

In The Raw

Prowlin'

Know You Better

Africa Reverb Mix

Easy Street (Reverb Mix)

The Budos Band

The Volcano Song

T.I.B.W.F.

The Anthology 1992-2003

Discern/Define

Flight of The Ancients

Kilimanjaro

Moanin'

Wolf Eats Wolf

Artist: Web Web
Title: Land Of The Arum Flower
Catalog No: CPT 524-3
Format: Digital only
!!! This upload is in low resolution quality... (128mp3)

NEW 2nd ALBUM "Dance Of The Demons" RELEASE: 14.09.2018
PRE-ORDER HERE: CompostRecords.lnk.to/WebWeb_DanceOfTheDemons

What a beauty! „Land Of The Arum Flower“ is the opener of the forthcoming second Web Web album “Dance Of The Demons”. The “german jazz super group” (Süddeutsche / SZ) invited the famous singer and Gembri player Majid Bekkas, who is singing and playin his Gembri here. The track is already supported by DJ Koze, Gilles Peterson, Mr Raoul K, Rainer Trüby, Michael Rütten and others. Watch out for some remixes of „Land Of The Arum Flower” coming later this year.

Dance Of The Demons

Land Of The Arum Flower

Web Web - Land Of The Arum Flower

A musician since the age of six, Ebo Taylor is one of the most achingly honest voices in African music.  His songs have a timeless quality to them, and continue to reach new audiences worldwide.  His album Love And Death on Strut will be his first internationally distributed solo album.  Backed by Berlin's Afrobeat Academy, the album is packed with pure fire from a true original.  Enjoy the title track.  More info at http://www.ebotaylor-loveanddeath.com

Love & Death

Love and Death

Ebo Taylor- Love And Death

See You On The Other Side

Stone by Stone

Dram

Nubya's 5ive

Lost Kingdoms

I Told You So

Call Your Mom

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”

Moanin'

Tony Allen

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