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Lucienne Delyle - Je Suis Seule Ce Soir

Guilty Ella Fitzgerald

Once (w Pat Tuzzolino)

from CD "The Island" (Radio Katowice S.A., 2003)
Beata Przybytek - vocal
Dorota Zaziąbło - piano
Robert Szewczuga - bass
Ryszard Balcer - drums

I'm A Fool To Want You

1968. France société anonyme. L’incendie est déclaré et tout l’immeuble est entrain de s’effondrer. On ne sauvera rien. Des décombres du vieux monde les enfants de Marx et de Coca Cola surgissent pour arracher le bleu et le blanc au drapeau tricolore. Le fond de l’air est rouge et la musique n’adoucira plus les mœurs. Le chantier peut commencer.

Si les Stones, les Who, les Kinks ou le MC5 composent la bande son de la revolution à coups de singles Molotov, ce sont des noirs américains qui ont fait sauter les digues durant les sixties. Contre le jazz à papa et la tradition occidentale Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler ou Archie Shepp libèrent alors la note, explosent les formats, se lancent dans des improvisations furieuses qui redessinent un territoire sans frontières, aussi spirituel que politique. Avec le free jazz, le saxo devient lui aussi une machine à détruire l’ordre établi.

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1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people’s behavior. It was time for innovation.

While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was Black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers’ generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries – neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order.

MORE INFOS HERE : http://www.bornbadrecords.net/releases/bb057-va-mobilisation-generale-protest-and-spirit-jazz-from-france-1970-1976/

V/A MOBILISATION GENERALE Protest and Spirit Jazz From FRANCE 1970-1976 > TEASER

Dance Of The Sugar Plum Fairy - Trumpet & Sax

Dean Martin-That's Amore

from the compilation "Francoise's favorites"

iTunes

Stormy Weather

Nostalgias  -Tango-  CADICAMO-COBIAN  Arreglo Musical de Andrés Lima (Guitarra) Carlos Acosta (Saxo Tenor). CD "Tangos con Saxo. ONO Music Argentina.  www.musica-artesanal.blogspot.com 

Nostalgias -Tango- Andrés Lima (Guitarra) Carlos Acosta (Saxo Tenor)

~ Autumn In New York ~

Chocolate Genius- Life

Pan Flute - Memory

Adiós Hotel Caños

Henrique Band- baritone sax
Gabriel Geszti- accordion and piano (Insólito)
Claudio Andrade- piano,rhodes, hammond, clavinet and synth.
Adalberto Miranda- bass elect/ac.
Carlos Cesar- percussion and drums
Mafram do Maracanã- percussion

Arevalito (to Astor Piazzola and Gerry Mulligan)

Louis Armstrong - La Vie En Rose

Astor Piazzola - Libertango - www.szabokrisztian.net

TONY GUERRERO has established himself in a variety of areas over the last twenty years. His work as a contemporary jazz flugelhornist, trumpeter, composer and producer has garnered him both critical success and a world-wide audience. He has toured the United States and much of the world as a headliner in major jazz festivals, concert venues and clubs and has enjoyed commercial radio success not only with his own releases but with music he's written for other artists. To date, he has released 9 solo CDs as well as a variety of special releases and has appeared on countless other artist's recordings (trumpet, flugelhorn, piano, guitar, producer, composer, arranger and more).

His latest CD, “Blue Room”, is currently receiving rave reviews and substantial radio airplay around the country, and is enjoying its 15th week on the National Jazz Charts.

Tony’s resume reads like a who’s who of contemporary music. He’s worked with a diverse roster of artists, including jazz legends like Freddie Hubbard and Joe Sample, rock icons such as Brian Wilson, Slash and Billy Idol and pop sensations like The Jonas Bros and High School Musical. (Click “Resume” for a more complete list) 

Aside from his work in the contemporary and classic jazz fields he has produced albums in a variety of arenas, from jazz to rock to country. Most recently he has been establishing himself as a producer in the Christian Pop & Worship fields. His own worship songs, most notably "(I Will Not Be) Shaken" have been recorded and used in churches around the world. He has spoken and hosted at worship conferences in the U.S, South America and Eastern Europe. His monthly articles for Worship Leader Magazine have also been well received and has recently published a book entitled “Attracting Quality Musicians”, aimed at attracting quality musicians into the ministry. Tony served as a Music Director and as the Director of Creative Arts at Saddleback Church in Lake Forest, California (Rick Warren, Senior Pastor) from 1999-2010, where he worked with literally hundreds of musicians and singers on everything from weekly services to recordings to concerts. During several Christmas seasons, Saddleback successfully presented an original musical by Tony & Shawn King entitled “The Journey”, an original stage play entitled “The Christmas Station” and many other concert and theater events.

Dance Of The Sugar Plum Fairy - Trumpet & Sax

TonyGuerrero

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