‘i85mixx21-22’ is the second studio album from Atlanta-based experimental hip hop producer and rapper Material Girl, a follow-up to his acclaimed 2020 album ‘Tangram’.

This album is intended to be listened to in one sitting.

[NA_035] / [NMDD_XIII]
credits
releases March 25, 2022

Artwork by PB
Mixed and Mastered by Phonebox
Executive Production by City Light Mosaic & PB

Additional Credits:

Track 1: Co-Production by Prismadoll, Vocals by PK Shellboy
Track 3: Co-Production by bliss3three, Vocals by zombAe
Track 5: Vocals by Amir Bilal
Track 6: Vocals by Krullebol & Murrumur
Track 8: Clarinet by Krullebol, Vocals by zombAe
Track 9: Viola by Ex Aquis
Track 10: Vocals by zombAe
Track 12: Turntables & Percussion by Codex
Track 13: Drums by Mondegreen, Field Recording by PB, Harmonica by Charlotte Crosby

i85mixxclubmix

dj porcelainblunt - know abt u (raw as)

cover by HKE

https://dreamcatalogue.bandcamp.com/album/i-was-gone-but-now-im-back-man

AN NWO PRODUCTION

Chinatown B - combat ft. JAK3 And 38KEA produced by JAK3

two40

the shape of future

remix of olivia kramer's (@oliviakramermusic) cover of "hey ya" by OutKast

pop music...

heyy ya:3

In her early years of childhood, mxliōn was raised on mainly Reggae and EDM music, which heavily inspired many 90s DnB tracks. Now in her first-ever single mxliōn discovers the wonderful world of old-school Jungle with a twist of modern DnB.

Stream Everywhere! https://fanlink.to/3ambreaks

3am breaks (Single)

3am breaks

in the gutter

I've been away for a bit since I am working on a larger album with better techniques.  I found the other day that Itch.io is starting to do Composer Jams and I made this song in about an 18 hour period for that JAM. 

I have always been fascinated with LCD Soundsystem's "All My Friends" and doing something really cool with a single simple idea.  So in order to facilitate a quit turnaround I built everything around a simple keyboard stab that turned into this song over the day.  I'm gonna try to do more of these.  

I also got some new plugins this last week and experimented with them.  Specifically Valhalla's reverb and delay, and then a UA pack that had the Moog Mini synth that I used for the lead.  

Walking Away and Never Looking Back

I  loved and identified with Emily Bronte's Wuthering Heights ever since seeing the 1970 film version with Timothy Dalton and Anna Calder-Marshall and  also reading the book. So from the beginning of starting this piece, I wanted to try capturing those using cinematic elements  and with its many movements and moods using the sounds of electronic and orchestral instruments I hope I have achieved that. But that will be up to you to decide. It's a long listen, so I hope you can sit back and let the music take you to the Yorkshire moors and imagine Heathcliffe and Catherine walking its craggy paths on high.

the shape of future

tony stracciatella

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