Under Siege EP

Above the Law

Currently taking a shit while this uploads tbh.

It Never Ends

I'm a bad boy and used a sample from a song that some fuckass ex-folk-punker bailed on because he realized that communism and anarchy are just not really that great...  anyway I got a red-flag for it on RouteNote and had to chop it out.  soooooo here's the original version.  Download it for free!  Definitely some of my best work of the time.

Art, Production, Sounds, Mixing, etc... by Ricky Deuce
Mastered by 81MASTERING

two cents of purpose

9 should be an even number

fuck the system

toontheory - 9 Should Be An Even Number

TERR116: "Bride Stones / False Vacuum" culls two new electro-acoustic works by Luke Lund: https://terraneanrecordings.bandcamp.com/album/bride-stones-false-vacuum

The idea of sonifying events occurring over geological and cosmic timescales unites the longform soundscapes of this double header. From the sense of tectonic mountain-birthing forces and gentle millennia-long microscopic erosion of rock formations in "Bride Stones," to "False Vacuum's" mental imagery attempting to fathom a theoretical collapse of the universe and death of time itself, they serve as entry to an extraordinarily vivid yet alien soundsphere.

"Briganti," the first section of "Bride Stones" is a slowly evolving, poetic journey performed in Todmorden, West Yorkshire. Created live, although largely airy and ethereal, its delicate synthesizer movement is combined with a dynamic and unpredictable generative technique that completely disintegrates environmental recordings made around the craggy peak of Snowdon and rocky beaches of Llandudno. Together they create a narrative of deep naturalistic planes that penetrate each other and metamorphose into thick swells of tonal, near melodic vapor; the hush of air and rain sculpting rock over eons; vistas of isolation on desolate tectonic plates of stone grinding and crashing into sonorous metal... The later-recorded second and third sections employ the same approach but in studio.

Next to the triptych piece sits the volatile two-part "False Vacuum." Created from synth parts based off a performance at New River Studios, it is fused with abstracted urban London field recordings, dissociated spectrally to maximum extent. The dread-raising pendulum-like drone pushing and pulling sets up a menacing pulse within which fluid interweavings and manifold clusters of textural apparitions burst and dissipate. A sensory overwhelming, dense mesh of haunting crescendos of discordant howls and a vicious microscosm of screeches darting through the stereo field and the human audio range.

Two dramatic narratives — both highly dynamic and abound with precise details of psychological subtlety. Both engrossed in wayward energies and wilderness of pure sound.

[TERR116] Luke Lund - Bride Stones I: Briganti

Written & Produced by bxrnadetth
Artwork by bxrnadetth
Mastered by RAββeAT

sniffing glue

artwork by me
mastered by Rabbeat


artists should never really explain their art i believe, but i kinda feel like i owe you guys a little bit of a statement about my music direction. if you talked to me at any form in the last half, - or even a year or so - you know i could not even talk about anything else than how much i’m vibing into slower ‘classical’ techno tunes, and how i’m feeling myself way more comfortable playing these kind of stuff than harder/fast music. early this year i’ve got my first few opportunities to play in this style in front of a crowd, the first one was thanks to 'kindergarten' party series in budapest, which really became a milestone in my path, and confirmed my thoughts that this really is the direction i want to go for.

and here we are now, you’re hearing a wannabe hypnotic 150bpm new track from me instead of a 190’ish industrial hardcore that u probably were used to. bit radical change i’m aware. i love, and will always love hardcore, but i realised during my little beginner experience in the harder side of the scene - which i’m extremely grateful for - that it is not the thing i can fully give myself into, or what properly represents what i want to express in my music personally. soooo that’s all i guess. it’s a long way to go, and loooads of things to learn about this ‘new genre’ producing wise, - but i’m more than ready for these kind of challenges (｡•̀ᴗ-)✧

bxrnadetth

digital sacrifice

fill up

fill

LYRICS : 

At a glance I know it's over
All these lights on your face
I feel the music so harder
My heart beats on your pace

Please take my time and waste it 
Take my mind and hount it
Take my soul and own it
Hold me closely on the beat

And you could hurt me 81 and hundred times or even more
Now I've got only numbers on my mind to tell you that I am yours
And you could hurt me 81 and hundred times or even more
Now I've got only numbers on my mind to tell you that I am yours

I can jump into my darkest part
Euphoria is my partner 
I can give you my all heart 
Just for being your an hour

Please see me
Please help me
I could fuck up myself just for your eyes on me
Please kiss me
Please own me
I could be your slave and feel there lucky

And you could hurt me 81 and hundred times or even more
Now I've got only numbers on my mind to tell you that I am yours
And you could hurt me 81 and hundred times or even more
Now I've got only numbers on my mind to tell you that I am yours

81 FOR LIFE

𝐅𝐑𝐄𝐄 𝐃𝐋 ⚡

Onlynumbers - Euphoric Night Ft. Lucifer / 𝐅𝐑𝐄𝐄 𝐃𝐎𝐖𝐍𝐋𝐎𝐀𝐃

Jaxed - Graveyard

Where Is My Mind

where is my mind

"I HATE MODELS' record label shoulda been "I HATE LABELS"

toontheory

CONTACT - toontheory [at] gmail [dot] com

toontheory - 9 Should Be An Even Number

I Hate Labels

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