20 Best Tracks June 2014

Ferry Light Switch

With the cinematic and sparkling new track ‘Until Then’, FLAU honcho aus awakens from its long slumber to showcase its unique realm.

The original works from aus arrives as a rich blend of instrumentation coming from a plethora of global influences. Unique vocals partner with deep synth swells and a chugging percussive groove. The vocals — recorded, destructed and re-synthesised — point to his interest in language as the track, tropical and floating as it is dark and distorted, engines forward. 
mixed by Matt Karmill
mastered by Matt Colton

aus - Until Then

Field Mouse's "Hold Still Life" available everywhere on CD, vinyl and digitally July 22, 2014 through Topshelf Records.

topshelfrecords.com/artists/field-mouse
topshelfrecords.com/artists/field-mouse/products

A Place You Return To In A Dream

Two Ships

Buy CD, vinyl, digital

Field Mouse - "Two Ships"

Conceived as a commissioned work for Japanese integrated art brand WARA, Hiroshima-based composer Meitei created SHITSURAI as music to embody the collective’s ideology centered around age-old Japanese traditions and sensibilities. Meitei, whose real name is Daisuke Fujita, and WARA’s artistic director Eri searched for a new dialog with sounds reflecting the Japanese aesthetics of 24 sekki that mark nature’s perpetual cycle of ever-changing seasons. Meitei’s entrancing ode to the 24 sekki expresses Japanese lyricism through minimal piano, environmental and electronic sounds. 

In Japan, each of the four seasons of the year is experienced in six phases and all have their own distinct characters. Unveiling a reverence for the Japanese passage of time, the 4-track EP explores the ebb and flow through the twenty-four seasons of Japan as nature awakens, blossoms, matures and settles into a slum from the beginning of spring (Risshun), the first day of summer (Rikka), the first day of autumn (Risshū) to the beginning of winter (Rittō). 

Symbolizing the Japanese concept of shitsurai (to arrange) with an emphasis on ma (the sound of silence), the compositions were designed as a collage of delicate piano sounds that the composer played, recorded and subsequently meticulously cut and rearranged. The piano serves as a metaphor for the artist’s individual existence in the shifting landscape of time throughout the record. With each passing season, surrounded by new environments and colors, various textures were drawn with subtle glitchy electronics embedded within natural sounds, gradually unfolding as the album unravels. Transient, sparse and boundless at once, for fifteen minutes, the four tracks cycle through small variations, the album paradoxically, expands with each listening loop: it’s one that can be listened to endlessly.

With this album, Meitei’s unique sound universe is observed from yet another new perspective, as the artist has demonstrated in prior albums. SHITSURAI exemplifies Meitei’s brilliance with motifs, minimalism and movement as he seeks to meet a new realm of sonic romanticism in his never-ending quest to reinterpret and recapture lost Japanese moods.

Meitei releases SHITSURAI at the beginning of spring, 4 February 2023, on all digital formats. Gen Tanabe mastered this record at Studio Camel House in Japan.

Meitei - Risshun (SHITSURAI, 2023)

The first single from The Hertz Complex's debut EP 'A New Habit' - Out Now

Maybe I Know (single edit)

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http://open.spotify.com/artist/0SAZwJNfoUXphE9UmjFwjA

Symmetry

Help Yourself

From Album "Bird at Sunrise" (epcd 137)
February 14, 2025 on sale

more info : https://7ep.net/item/epcd137/

Bird at Sunrise

Kid Wave

I Am Robot And Proud / Kid Wave

Outside (Soto) - From THE FIRST TAKE

Outside (Soto) (From THE FIRST TAKE)

In the final month of 2024, Meitei arrived in Beppu, a city long steeped in vapor, myth, and mineral memory, invited to create Onsen (hot spring) music commemorating the city’s 100th anniversary through sound. Known for his Lost Japan (Shitsu-nihon) works, which weave together vanished eras with the ambient residue of the past, Meitei took residence in the warehouse of Yamada Bessou, a century-old inn perched near the bay.

Over two weeks, Meitei listened to steam, stone, and history. The resulting work, Sen’nyū, traces the spirit of onsen culture. Like water seeking its path, the music unfolded with natural inevitability, shaped by Meitei’s synesthetic sensibility and deep reverence for place. Equipped with a microphone, he ventured into Beppu’s famed sites: Takegawara Onsen, Bouzu Jigoku, Hebin-yu, and the private baths of Yamada Bessou — capturing bubbling earth, hissing vents, wind over bamboo, and the voices of regular visitors. These field recordings became the bones of the composition, an attempt to sonify even the rising mist and subtle temperature shifts felt on the skin.

Sen’nyū unfolds as a single, continuous piece. Meitei’s score moves like fog through sulfur and stone, traversing the veiled madness of Bouzu Jigoku, the spectral hum of Yamada Bessou’s inner bath, and the voices and atmosphere of Takegawara Onsen. At its heart is a gesture of quiet reverence — for water’s patience, for the land’s memory, and for the hands that have bathed here across generations.

Meitei has always expressed his own views on things and events that are self-evident to the Japanese people but are now perceived as subtle impressions. On this occasion, however, he does not create music based on his own unique themes of Japan. Instead, he launches music into the world that has been created in actual places of Japan, music that can be felt with the hands.

During the project, Meitei also conceived a two-day public sound installation at Takegawara Onsen, culminating in a live performance on the final day. Bathers immersed themselves in hot spring water while listening to the piece through speakers embedded inside the bathhouse — a ritual fusion of body, place, and sound.

The album marks Meitei’s first work centered entirely on onsen, and also introduces a new phase of his Lost Japan project under the title “失日本百景” (One Hundred Lost Views of Japan) — a series focused on existing places of longing, still breathing within contemporary Japan. Alongside the album, Meitei will release his first-ever photo book, a visual documentation of this journey. A new layer is added to the world he has built through sound alone until now.

Sen’nyū continues Meitei’s devotion to Japan as subject, while opening new terrain: both ritual and remembrance, an immersion into the mineral soul of Beppu.

The album will be released on 25 July 2025 on 180g LP and CD, with mastering by Stephan Mathieu.


Sen'nyū - Yon-no-yu

brand new car (broken embraces remix)

new nmesh single '𝐌𝐑𝐎 𝐂𝐑𝐈𝐁 𝐌𝐎𝐕𝐄 𝟓' is out today on most platforms - lucy is pretty psyched about this, mainly because her grumpy 5-year-old visage is on the cover and she can brag to her friends about it - she's less concerned with the third act of the track which features her maniacal robot karaoke shrieking.

enjoy some weird sample-centric house music.

the new album drops 07.18.25 on doom trip records.

🍍: nmesh.bandcamp.com/album/the-molokai-compendium

PRE-ORDER VINYL

Nmesh - MRO Crib Move 5

I Remember (Franko Remix)

2015 Released by cold fiction music.
cfmlabel.com/releases/cfm067/

Tane.

Released by https://soundcloud.com/fusz

Currently recorded in str013 https://seiji-takahashi.bandcamp.com/album/str013

vocal & lyrics: Sawa Ichihashi https://soundcloud.com/kokowater
composition & mixing: Seiji Takahashi

fusz V.A.  phos - Blur (cyanotype)

An independent record label releasing whatever we like. Started in 2006.

Deadly Music! is an Irish music blog featuring the best in electro pop, indie pop, post rock, indie rock

Field Mouse - "Two Ships"

Topshelf Records

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