All submissions to Haiku 366:

https://www.naviarrecords.com/2021/01/06/naviarhaiku366-an-old-carousel/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #366: An old carousel / Riding peacocks and dragons / Distant memory

Little improvised song for Tanaka Hiroaki haiku:"
Whenever we meet
it’s raining
green walnuts"

We meet (naviarhaiku616)

lirbefyl

A reworking for this track in my archive originally created in autumn 2024, after a few versions in the last year i  find it fits well with the context of Haiku Music Challenge Naviarhaiku 617



an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki



Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

more info here: https://www.naviarrecords.com/

an autumn nightfall (Naviarhaiku#617)

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

In 1994 i build a few experimental aleatoric Art-Robot Sound Machines:
youtu.be/fRzDNKt1MnE

Rec.name : " Tricks  "
credit :digitakt1 ,ipad9,plugdata

date : 3-11-2025

Live : 10/ 2022
https://www.youtube.com/watch?v=rRIlhgl2oeQ

Sleep Still Sleep

the harp player
moves under cover
market day

kjmunro cultivates poetry on the traditional territories of the Kwanlin Dün First Nation & the Ta'an Kwäch'än Council in Whitehorse, Yukon Territory, Canada. She founded & facilitates ‘solstice haiku', a monthly haiku discussion group in Whitehorse, & manages a weekly blog feature for The Haiku Foundation called Haiku Dialogue. She is the recipient of the 2023 Borealis Prize – The Commissioner of Yukon Award for Literary Contribution, her work has been nominated for the Pushcart Prize, & her debut poetry collection is contractions (Red Moon Press, 2019).

haiku by kjmunro

Picture by Indira Tjokorda

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 125 - NaviarHaiku618 - The Harp Player

Part of the Naviar Records Haiku Music-Challenge:
https://www.naviarrecords.com/naviarhaiku618-the-harp-player/

the harp player-naviarhaiku618

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Rif S3- Fuck off AI Cover Design  "
credit :

date : 9-11-2025

Great Machine :
https://silhouettesynthesizer.cargo.site/SHOP

Discharges V Light

Prima cosa, un doveroso ringraziamento a Remo De Vico, che ha offerto gratutamente diversi AMXD di sua progettazione.  Grazie soprattutto per i 4 progetti di Ableton riguardanti varie tecniche di Musica Generativa.

https://www.remodevicocomposer.eu/maxforlive/generative-music-techniques/

Per questo pezzo ho usato il primo progetto, che ha pilotato vari strumenti, tra cui i soliti piani preparati, 3 contrabbassi e un clarinetto.
IL tutto filtrato da reverberi, delays e altri FX.


First, a heartfelt "thank you" to Remo De Vico, who freely offered several AMXDs of his designs.
Thanks especially for the four Ableton projects covering various Generative Music techniques.

https://www.remodevicocomposer.eu/maxforlive/generative-music-techniques/

For this track I used the first project, which drove various instruments, including the usual prepared pianos, three double basses (with different settings), and a clarinet.
All filtered with reverbs, delays, and other FX.

De Vico's Theorem - disquiet0724

phonenomical

2025-12-03

under the starry sky

7Jan21

My Naviarhaiku366 submission
https://www.naviarrecords.com/2021/01/06/naviarhaiku366-an-old-carousel/

An old carousel
Riding peacocks and dragons
Distant memory

:D

Boson Spin - An old carousel, distant memory [Naviarhaiku366]

This track was created for the Naviar Haiku group.
366 week haiku
naviarlab.tumblr.com/

2021-01-07

an old carousel ( Naviarhaiku 366 )

One track of an E minor chord performed on a Fender Telecaster Guitar
Six tracks of the same chord performed on the same guitar each string recorded separately , performed with eBow.

Composed and performed by DD, January 2021

For this haiku:

naviarhaiku366⠀
⠀
An old carousel⠀
Riding peacocks and dragons⠀
Distant memory⠀

Poem by John Hinks, aka @FlownBlue
Photo by DD (Santa Monica CA, 2007, Kodak Tri-X)
@naviar-records

A Distant Memory (naviarhaiku366)

Reminder [NaviarHaiku 366]

Mix of enhanced recorded sounds & electronics.

Memory of Dragons (naviarhaiku366)

naviarhaiku366 – An old carousel

An old carousel
Riding peacocks and dragons
Distant memory

haiku by John Hinks https://soundcloud.com/flownblue

Distant Memory (naviarhaiku366)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Distant Memory (naviarhaiku366)

Torsten Goerke

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OneAmbient4

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