“All Blues”, a reinterpretation/cover of Miles Davis by MONODUKE & I.

Dashgo asked us to make a track for an amazing official Miles Davis tribute project about a year ago and I’m honored to be a part. I immediately knew I wanted to collaborate with MONODUKE on this one. The full album is coming early 2023 👀

We chose to use “All Blues” as a blueprint / inspiration, because it is one of the most prolific jazz compositions of all time. Its the testimony of nothing less then Miles’ innovative spirit in full force. Merging the roots of jazz and blues with modern impressionist sounds from the 20th century. 

Miles teaches us so much. To always stay fresh and remain open to everything new. 
He is the blueprint for creative bandleadership letting all his bandmembers shine at their full potential.

At first it felt like sacrilege to touch upon a composition this prolific but while creating this track together we tried to keep it very simple and it felt right for both of us.

#milesdavis #allblues #jazz #beats #hiphop #lofi #monoduke #sebastiankamae #regardingmilesdavis #dashgo

Regarding Miles Davis

All Blues

Spotify

All Blues (Miles Davis Cover)

Neo-Soul guitars, smooth sax & lofi beats from @toshiki-soejima & Nakohimama

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Toshiki Soejima, Nahokimama - Hug

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“lo-fi for getting by” is a 11-track, long-form instrumental album built for resilience, comfort, and slow progress. Each piece stretches to six or seven minutes, unfolding across clear movements that shift between piano-driven calm, classical guitar textures, avant-garde experiments, and warm jam-band progressions. Occasional wordless scatting blends into the instrumentation as another layer rather than a lead. The album follows the arc of a long day—small struggles, small victories, and steady forward motion—designed to help the listener focus, breathe, and get through whatever they’re working on. Subtle vinyl grit, soft drums, warm bass, and evolving motifs keep every track alive and moving without breaking the quiet atmosphere.

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