Huge Thanks to the https://soundcloud.com/thegats . Please check him out

Mistakes And All - The Brass REDUX By TheGat(s)

Hey you
Do you know where you’re going?
Hey you
Do you know what you want?
Hey you
Do you know
How to find it?
Or are you lost in the clouds?
Are you lost in the clouds?
Hey you
Do you know where you’re going?
Hey you
Do you know what you want?
Hey you
Do you know
How to find it?
Or are you lost in the clouds?
Are you lost in the clouds?
Hey you
Do you know where you’re going?
Hey you
Do you know what you want?
Hey you
Do you know
How to find it?
Or are you lost in the clouds?
Are you lost in the clouds?

clintmusic 5

Lost in the Clouds

A session done originally in Nanoloop made in the last year and edited in ableton on the fly.

version update of 22/09/2022 edited in cubase 
i think that is more accurate than the first in ableton.

Work in progress

Many Thanks to the freesound.org users: 
https://freesound.org/people/benjammin2006/
https://freesound.org/people/Mystikuum/
https://freesound.org/people/koutino/
https://freesound.org/people/Jagadamba/
for their rainstick samples

Night prayer © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Night prayer

night prayer

Beyond the Pale

Suite et fin de notre exploration de la carrière méconnue de Robert Folk, avec peut-être encore plus de partitions remarquables à découvrir que dans l'épisode précédent. Qu'attendez-vous donc pour vous jeter à l'eau ?

Robert Folk – Chapitre #2

Un troisième et dernier volet en forme de climax tant John Powell s'est magnifiquement accompli dans le cinéma d'animation des années 2010. En compagnie, bien entendu, de l'équipe de Total Trax, aussi enthousiaste à vous en parler que vous allez l'être à l'écouter. 

John Powell et l'animation #3

Marin - vocals, lyrics & piano
Sirius @uv-cappuccino - bass, drums & production

" Will you be there when I reach the other side?
   It's been so long, I wonder if you're still alive
   Was if fate or was it just coincidence
   just a sudden change of plans led to the incident
   it seemed you were expecting me
   it was a strange synchronicity
   You must have seen me when I yelled and ran off stage
   when my song was interrupted and I felt betrayed
   People there they didn't want to hear me sing
   it was another band they were demanding
   You were standing by the door
   when my ego crashed and hit the floor
   you didn't have to say a thing
   your eyes conveyed what you were thinking
   all my hopes were sinking
   Does it always happen when worlds collide
   when your mind shuts down has a mental suicide
   no one's there to comfort you or hold your hand
   when you want, you need someone to understand
   and I won't forget that night 
   when you offered me a light
   I should have followed your advice
   now I know I wouldn't think twice
   wouldn't think twice
   Will you be there when I reach the other side?
   it's been so long since I felt alive
   will you be there waiting for me at the door?
   meet me somewhere on that cosmic shore
   will you be standing there, where we parted
   to greet me by the Delaware. "

Strange Coincidence © - Marin Gale & Ultraviolette Cappuccino

1週間DTM お題➁PLAYLIST : カフェで流れてほしい自作曲３選

カフェでの演奏をイメージしてシンプルな構成(スリーピース)で作りました
生活感満載のメロウなポップスです

#重音テト
#花隈千冬
#Korggadget
#１週間DTM

SynthesizerV 重音テト SynthesizerV 花隈千冬
ライト版を使用

ぐるぐる洗濯(GuruGuru Washing)

This is an asynchronous duet with https://soundcloud.com/dandante and https://soundcloud.com/blaaroed. 

I really enjoyed the Suborbital Hang Glider piece from @tt16tt and @dandante. I hope they forgive me for making the abstract approach of the drone a bit more tangible. I added a bassline with Generate, some strings with with Blisko Viola, metallic noises from Kinetic Metal, and a simple ping with AAS Chromaphone. The additions sit right in the middle of the mix. 

* * *
Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0637). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began, filling the space between them. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. 

(...)

When choosing a track, consider checking out the two previous projects’ discussion threads, as there may be additional information in them that could be of use, such as BPM or key signature:

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5:  In normal circumstances, Junto projects have a one-track-per-participant limit. However, as with the preceding project that led up to this one, you can contribute more than one track this week. You can do up to three total this time. For your first, you can choose any track from the duets, no matter how many times others may have employed it. If you choose to do a second or third, you should do a track no on else has used yet (it’s understood that between when you select a duet track and finish your trio, someone else may have popped up and used it, which is perfectly fine). Throughout the project I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Tasks Upon Completion:

Label: Include “disquiet0638” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). 

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

Discuss: Listen to and comment on the other tracks.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 25, 2024, 11:59pm (that is: just before midnight) wherever you are.


More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Midways (with dandante and blaaroed) [disquiet0638]

Armbone

Grisettish

Total Trax est LE podcast consacré à la musique de film, animé par un trio d’irréductibles passionnés : Rafik Djoumi, Olivier Desbrosses et Misteur D.

Robert Folk – Chapitre #2

Total Trax

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