kukorica – ceramic tears

live sets

mush tracks

big drop drip omg
not going anywhere
notes: below 200hz it shoud be mono

Barany 1 allomas

Fehér Ambrus: Trap beat
baba: elképesztő voca

kolitreki

Mashup

Merre Az Ég Futyul

heheh asdasdasdasd sssssukk my bráneeeer hihihihi

Useless Bruh

fenekxddddddddddd
trafik xdddddddd
hehehe zsiráff XDDDD

Fenek

Stort

Alesya nagymaros

Aprilis?

Streszben Vok

Turje

pogoforget2

Ezust

143°golyastamp

durdurr u dup dup emcsi es kukorica

finelive

Bubu

kukorica (Barnabás Tóth) is a Budapest-based musician and sound artist, and an alum of the Electronic Music and Media Arts program at the University of Pécs. After contributing his work to compilations such as ‘EZMVA’ by 111records (‘bukdácsol és megérkezik’) and ‘Healer’ by EXILES (‘how i found my peace today’), he returns to our label with his debut album ‘ceramic tears’, a 7-track collection that came to be in the autumn-winter period of 2023.

The main focus of kukorica’s work is recreating nature-like behaviors using artificial sounds, and this effortless aim to merge the organic with the synthetic is evident from the first seconds of ‘gritty frogs’ all the way to the last notes of ‘middle tear’.

‘ceramic tears’ is a deeply personal, matured record, one that is also an experiment in observing: after setting up generative systems and stochastic processes, kukorica tries to only step in as gentle arranger, to guide sounds rather than force them in a certain direction. By blending volatile ambient textures with synthesized frog croaks, imperfect choirs with metallic cricket chirps, feedbacked percussive elements with deep roars or quirky vintage synths with the airy rustle of leaves, the artist creates (or allows?) digital imprints of nature-like states that are unique in their imperfections – and that reward deep listening.

―Dávid Gerlei

music by @tothbar
mastered by @fausto_mercier
artwork by Tereza Hlaváčová

www.instagram.com/terhlavacova

Buy EP

kukorica – when suddenly content strikes you

kukorica (Barnabás Tóth) is a Budapest-based musician and sound artist, and an alum of the Electronic Music and Media Arts program at the University of Pécs. After contributing his work to compilations such as ‘EZMVA’ by 111records (‘bukdácsol és megérkezik’) and ‘Healer’ by EXILES (‘how i found my peace today’), he returns to our label with his debut album ‘ceramic tears’, a 7-track collection that came to be in the autumn-winter period of 2023.

The main focus of kukorica’s work is recreating nature-like behaviors using artificial sounds, and this effortless aim to merge the organic with the synthetic is evident from the first seconds of ‘gritty frogs’ all the way to the last notes of ‘middle tear’.

‘ceramic tears’ is a deeply personal, matured record, one that is also an experiment in observing: after setting up generative systems and stochastic processes, kukorica tries to only step in as gentle arranger, to guide sounds rather than force them in a certain direction. By blending volatile ambient textures with synthesized frog croaks, imperfect choirs with metallic cricket chirps, feedbacked percussive elements with deep roars or quirky vintage synths with the airy rustle of leaves, the artist creates (or allows?) digital imprints of nature-like states that are unique in their imperfections – and that reward deep listening.

―Dávid Gerlei

music by @tothbar
mastered by @fausto_mercier
artwork by Tereza Hlaváčová

www.instagram.com/terhlavacova/

kukorica – bored workers

kukorica – got something

kukorica (Barnabás Tóth) is a Budapest-based musician and sound artist, and an alum of the Electronic Music and Media Arts program at the University of Pécs. After contributing his work to compilations such as ‘EZMVA’ by 111records (‘bukdácsol és megérkezik’) and ‘Healer’ by EXILES (‘how i found my peace today’), he returns to our label with his debut album ‘ceramic tears’, a 7-track collection that came to be in the autumn-winter period of 2023.

The main focus of kukorica’s work is recreating nature-like behaviors using artificial sounds, and this effortless aim to merge the organic with the synthetic is evident from the first seconds of ‘gritty frogs’ all the way to the last notes of ‘middle tear’.

‘ceramic tears’ is a deeply personal, matured record, one that is also an experiment in observing: after setting up generative systems and stochastic processes, kukorica tries to only step in as gentle arranger, to guide sounds rather than force them in a certain direction. By blending volatile ambient textures with synthesized frog croaks, imperfect choirs with metallic cricket chirps, feedbacked percussive elements with deep roars or quirky vintage synths with the airy rustle of leaves, the artist creates (or allows?) digital imprints of nature-like states that are unique in their imperfections – and that reward deep listening.

―Dávid Gerlei

music by @tothbar 
mastered by @fausto_mercier
artwork by Tereza Hlaváčová

www.instagram.com/terhlavacova

kukorica – gritty frogs

@tothbar
instagram.com/tothbar

@exiles-electronics
instagram.com/exileselectronics

music by Barnabás Tóth
mastered by Fausto Mercier
artwork by Tereza Hlaváčová 

kukorica (Barnabás Tóth) is a Budapest-based musician and sound artist, and an alum of the Electronic Music and Media Arts program at the University of Pécs. After contributing his work to compilations such as ‘EZMVA’ by 111records (‘bukdácsol és megérkezik’) and ‘Healer’ by EXILES (‘how i found my peace today’), he returns to our label with his debut album ‘ceramic tears’, a 7-track collection that came to be in the autumn-winter period of 2023.

The main focus of kukorica’s work is recreating nature-like behaviors using artificial sounds, and this effortless aim to merge the organic with the synthetic is evident from the first seconds of ‘gritty frogs’ all the way to the last notes of ‘middle tear’.

‘ceramic tears’ is a deeply personal, matured record, one that is also an experiment in observing: after setting up generative systems and stochastic processes, kukorica tries to only step in as gentle arranger, to guide sounds rather than force them in a certain direction. By blending volatile ambient textures with synthesized frog croaks, imperfect choirs with metallic cricket chirps, feedbacked percussive elements with deep roars or quirky vintage synths with the airy rustle of leaves, the artist creates (or allows?) digital imprints of nature-like states that are unique in their imperfections – and that reward deep listening.

―Dávid Gerlei

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kukorica – dried up tears [EXILES] ✦ Marmint Premiere

nap pali

lumen_impro_reszlet

A piece that stands on its own, although it started from 2 Parmegiani samples, showing its teeth two times.

parmegiani aftershock

without v1

klasszik beat

trekkek a balokanybol. a to melyerol. 
original mush tb kuki mix 100 %%%% unreleased kuki hangokbol

0 perc --> gameljunk trerk!
2 perc --? akuszztikus?
5 perc 30 másodperc --> sihuhu track
8 perc --> kuki trek
11:30 --> nyugi trekk

garantalt szorakozas
garantalt jokedv
ko projekt 1

PECSCITYMIX

ambientes2

hullamzos

harangos

ambientes

gollobos

halacskas

Hege - fejlődünk

hali 2

A jövőben még az is lehet hogy éneklek rá valamit, de egyenlőre maradunk a jól megszokott semminél.

Szoveg Kene Lassan

marci csodálatos hangjaival elso probalkozas az aaxerap feldolgozására

tothbar

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