This is  Great  one of the best!  Thanks  guys!

damn mane one of my favorite songs by u. your allegations are highly disappointing. this why u gotta always keep artistry and the actual person separate smh

amo esta para sempre🌅🌅🌌🌌💘💘🏩

God I really wish they left this album on spotify... its so good 😭

why is this not on spotify anymore >:( </3

Taken from the album, Spell #6, released on 2nd November via Tough Love (Europe) and Burger (R.O.W.). The European pressing is available on limited edition green vinyl (500 copies). Pre-order here - smarturl.it/PartTimeSpell6

Follow Part Time
Facebook - www.facebook.com/parttime623/

Nearing a decade old and with a discography reaching deep into double figures across several different labels (Mexican Summer, Burger, Plastic Response Records) David Loca’s work under the Part Time moniker really shouldn’t require any introduction. Nonetheless, the release of what is officially his sixth album, fittingly titled Spell #6, does signal something of a re-birth and provides a compelling entry point for anyone new to Loca’s prolific output.

Whereas previous albums were notable for a charming lo-fi production, Spell #6 takes Part Time uptown. "I describe this album as 'my studio album', because it was entirely re-recorded at my drummer Walter Byer's studio, unlike most of my past releases being bedroom experimental pop recordings." Loca produced the record himself, impressively appropriating a classic 80s pop sound that recalls some of the more grand productions of that era - think Stephen Street’s expressive production on ‘Last Night I Dreamt Somebody Loved Me’, Crowded House and The Church’s widescreen interpolation of Paisley Underground jangle, and there's even traces Gerard McMann’s grandiose ‘Cry Little Sister’. In that sense, the record stands as an outlier in Loca’s catalogue, and in doing so sheds the sometimes limiting trappings of bedroom recording

Though it is Loca’s project, Spell #6 sees him joined by a consistent supporting cast of fellow writers and performers who add a poise and deftness to his vision, most notably Ariel Pink, who makes a guest appearance on lead single, ‘I Can Treat You Better’.

A lead single for its obvious earworm qualities, it also functions as an ideal snapshot of the lyrical themes that run through the entire record: romantic gestures and unrequited love, bad decisions on hot nights/hot decisions on bad nights, and unpinning it all, LA. For this is evidently a West Coast record, like a 2018 take on To Live and Die in LA: expansive, grand, and not a little crazy (in love) from the heat.

Part Time - So Far Away

Comments

I HATE SLEEPING ALONE

⭒ jo ⭒

jackie

☆

tiny_kangaroosh

rachel

steph

user150086986

Kev's jam session

Nuage ZD