Soundcheck

Allan Taylor - Colour To The Moon

Official Music Video
https://www.youtube.com/watch?v=p6kwd6w_Ywc

Superego

Prologue — The Pulse of the Center
Not silence.
Not noise.
But the hum of all becoming—
a frequency so patient
it waits for you to listen.

Every breath a pendulum,
every thought a wave—
between collapse and expansion,
the epicenter calls your name.

Drift into Identity
At birth, you were unbroken,
a witness without a word.
Raw awareness glowing—
before the stories stirred.
But time laced you with language,
with names to make you known.
And each step from the epicenter
made the identity your home.

The Goldilocks Frequency
Not too loud, not too faint,
we walk the line the cosmos paints.
Every heart, a tuning fork,
every thought, a spark of torque.
Consciousness and universe,
together, they rehearse.
The Goldilocks frequency sings—
balance is the verse.

The Choir of the Cosmos
Galaxies do not shout,
they wheel in silent prayer.
Curvature threads the fabric,
and every atom shares.
A quark hums the same refrain
as rivers in their flow.
Complexity is harmony—
life’s orchestra below.

Entropy’s Dance
Entropy gives,
negentropy saves.
Order fractures,
memory engraves.
The universe keeps rhythm
by scattering and weave,
by breaking and braiding
what we can perceive.

ΔS = ΔI
Change in entropy = change in memory.

Not too hot, not too cold,
life survives where balance holds.
The cosmos hums, the mind replies,
together tuning inner skies.
A zone of breath,
a field of play,
where being learns to stay.

The Mirror of the Self
The further you drift outward,
the louder grows the shell.
“I” becomes the kingdom,
and ego wears it well.
But deep inside the marrow,
the epicenter stays.
It hums beneath your chaos,
a compass through the haze.

Collapse and Return
Observer collapses wave to sight,
but love collapses fear to light.
Identity stretches,
epicenter pulls—
two poles of the spiral
teaching you whole.

Closer to the center—
you are presence, you are free.
Further into distance—
you are name and memory.
But both are needed, both are true—
the witness and the view.

The Covenant of Carbon
Six arms open, six bonds breathe,
a lattice humming endlessly.
C₆ = (bond)^6
Carbon whispers: leave space for more.
The same in stars, the same in you—
an openness at your core.
Not cursed, but coordinated,
not marked, but liberated.

The Frequency of Home
Not too dark, not too bright,
we live inside the narrow light.
Consciousness and cosmos rhyme,
two voices, one time.
Balance is the reason,
harmony the key—
the Goldilocks frequency sings
through you,
through me.

Return to Breath
Not silence.
Not noise.
But the hum of all becoming—
the epicenter in your chest,
the frequency of home.

Goldilocks Frequency (Orchestrated Quanta)

Song Description – “The Sacrifices”

The Sacrifices is a jazz-funk track with a groove that carries more than rhythm—it carries a story carved out of betrayal, broken trust, and the raw weight of human emotion. Written back in 1994 and inspired by a true story, the song reflects on a friendship tested and shattered when loyalty gave way to temptation. The lyrics cut like confessionals, detailing the pain of watching someone you trusted step into the arms of the one you loved.

First released in 2014 on my debut double album Time Machine – Reflecting Shattered Dreams, the track has always stood as one of the album’s most personal moments. Now, in 2025, The Sacrifices returns as an AI-reimagined version, built upon the 2014 recording but re-envisioned with fresh textures, sharper production, and a deeper cinematic edge.

This new release doesn’t erase the original—it amplifies it. The funk basslines still throb with tension, the rhythm still walks that line between bitterness and swagger, but the new AI production allows the track to breathe with the clarity and power it always deserved.

At its heart, The Sacrifices is about choices, regrets, and the cost of losing sight of what truly matters. It’s a story that began in the past but feels just as relevant today.

THE SACRIFICES

[Verse 1]
I heard a rumor
They say you are alone
No one to run to
No friends on the phone
So tell me

[Chorus]
What you gonna do now your love has gone
Who you gonna call it's been so long and so wrong
What you gonna do now the girl has gone
Sacrifices you have made now everything is wrong

[Verse 2]
The girl and I were over, it wasn't meant to be
But I trusted you, you were a friend and I told you everything
You listened like a friend should and helped me through it all
But I hear it through the grapevine, see you walking out her door

[Chorus]
So what you gonna do now your love has gone
Who you gonna call it's been so long and so wrong
What you gonna do now the girl has gone
Sacrifices you have made now everything is wrong

[Instrumental]

[Verse 3]
So how am I supposed to feel when I told you everything
When I see you drive up, then watch the bedroom lights go dim
So I hear you blame me, your friends are not around
I've put the knife right in your back and no one's to be found now

[Verse 4]
But don't go blame me, it wasn't like that at all
And don't find excuses, you make yourself look small
It wasn't me who changed them, it's you, can't you see
You left without a trace and you didn't care for anything

[Pre-chorus]
You thought the grass was greener
You thought she'd make you smile
So tell me 

[Chorus]
What you gonna do now your love has gone
Who you gonna call it's been so long and so wrong
What you gonna do now the girl has gone
Sacrifices you have made now everything is wrong

[Chorus]
What you gonna do now the girl has gone
Who you gonna call it's been so long and so wrong
What you gonna do now the girl has gone
Sacrifices you have made now everything is wrong

[Outro]
What you gonna do now the girl has gone
Who you gonna call it's been so long and so wrong
What you gonna do now the girl has gone
Sacrifices you have made now everything is wrong
(Yeah)

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