<a href="spotify:artist:5lsC3H1vh9YSRQckyGv0Up">Ellen Allien</a>'s favorite tracks. Updated regularly. Curated by Ellen Allien. More track IDs <a href="spotify:genre:track_id">here</a>.

Ellen Allien's track IDs

Order now: https://rawppl.bandcamp.com/album/gemstones-obsidian
Spotify, Youtube, etc: https://fanlink.to/RAWGEM1

Obsidian stone is hard, sharp and dark. It acts as a shield against negative energies. A Perfect symbol to represent the tracks of our black vinyl.

Catalogue: RAWGEM1
Format: 12" Vinyl & Digital
Mastering: Thomas P. Heckmann
Artwork: FEMUR

Tracklist:
A1. I Hate Models - Transcendental Fusion
A2. Under Black Helmet - Time Is Running Out
B1. ABSL - Strangle
B2. VII Circle - Brutal Void

C1. Perc - Melter
C2. Somniac One - Smoke Eater
D1. Makornik - A Prophet is Born
D2. Ghost in the Machine - City of Steel

E1. Hadone - Anthemic Thrust
E2. Julian Muller - Nebula
F1. JKS - Move Your Body
F2. Tim Tama - Charge Into the Depths

G1. Welt In Scherben - Faust Im Nacken
G2. Danilo Incorvaia - Seventeen
H1. Clouds - AKW Stränge
H2. Endlec - No Mercy

_________

RAW
https://raw-people.com​
https://facebook.com/rawppl​
https://instagram.com/rawppl​
https://soundcloud.com/rawppl​
https://youtube.com/c/RAWppl​
https://rawppl.bandcamp.com

Gemstones

I Hate Models - Transcendental Fusion [RAWGEM1]

Youth EP

Youth

DJ Europarking aka Dollkraut lands on UFO Inc. with his debut EP. The Dutchman has a penchant for spirited playful music…

‘Boompahpah’ gets things rolling with dense beats, a high-octane tempo and a choir-driven breakdown. ‘20inch Chrome’ is a madcap cut that uses a variety of hip hop-esque samples, sirens and a tribal chant. On the flip ‘Bitte Everyday’ utilises breakbeats and a mixture of rapping, chanting, and zany effects to enchant the listener. Finally ‘Like Trampolines’ features hefty beats alongside an incendiary riff that is sure to cause havoc on the dance floor.

FIND PLEASURE HERE

A2 - DJ Europarking - 20inch Chrome (UFO7)

Goldener Strom Remixes 1

Their Blood (Ellen Allien Remix)

Support the label: https://soinrecordings.bandcamp.com

Artist: Raär
Title: δοιή 
Label: Soin Recordings
Catalogue: SOIN002
Format: Vinyl 12”
Genre: Electronic
Style: #Techno #ambient
Release date: 21th October 2022

Tracklist:
A1. Sagra
A2. Lux Luces
B1. Do It For Yourself
B2. Tearing Down

Soin Recordings second release features Raär's lush and spacious sound design, starting with evocative IDM towards fast and modern grooves of nowadays techno bringing a touch of UK breakbeat inspiration.
 
Raär
https://instagram.com/raar_v
https://facebook.com/rawraar
https://soundcloud.com/11pmraar

SOIN
https://instagram.com/soin_recordings
https://facebook.com/soinrecordings
https://soundcloud.com/soin-recordings

Download

Premiere: Raär - Lux Luces [SOIN002]

Amnesia Scanner & Freeka Tet - STROBE.RIP
Label: PAN
Cat.No.: PAN 139
Release Date: 16 June 2023
Purchase: PAN.lnk.to/STROBE.RIP

Amnesia Scanner’s third full-length album titled STROBE.RIP is a collaboration with the artist and musician Freeka Tet, who joins the album and associated live performances as a vocalist and creative collaborator.

Released by PAN records, STROBE.RIP is part of a broader series of live performances, installations, videos and physical products created by the group.

Since its inception in 2014, Ville Haimala and Martti Kalliala have continued to evolve and redefine Amnesia Scanner through experimentation across online and IRL realms. This album brings them a step closer to the latter.

With French-born, New York City-based Freeka Tet on board, STROBE.RIP acquires a new array of influences that draw from the multidisciplinary artist’s hacker mindset, shaping the sound into new forms. As a programmer and technologist, Freeka Tet’s work straddles commerce and art, combining intuitive and performative modes of expression with emergent technology and creative coding. Much like Amnesia Scanner, Tet draws from online vernacular and techno-magic to create satirical, uncanny work – artificially augmented, and highly engineered sounds, textures, images and ideas that translate memes and code into a more human and affective language.

Haimala and Kalliala say, “Amnesia Scanner is now living in the world it has built,” signaling a sincere commitment to the act. The human dimension in STROBE.RIP is chaotic: a reverse hero’s journey that merges deep-fried baroque with the quasi-angelic into a psychotic megamix of tropes, lyrics, genres, and sonic palettes that are both disorienting and deeply resonant.

The opening track Tongue Demons perfectly summarizes this, with blaring synth stabs and frenetic drum patterns paving the way for a broken melody arranged through a digital brass chord progression. Giggle and Bounds follow right after: two outstanding pieces of introspection signaling the melodic turn of the album, with the latter almost posing as a weirdo 2-step ballad filled with deep pads and pitched-up and down vocals.

The 160bpm, 4-to-4 pulsing kicks of Ledge and the palm-muted chords of Disperse serve as a perfect build-up to Ride, right in the middle of the tracklist: a summer hit from hell, a crooked saxophone-graced tune carried by a crusty, Balearic acoustic arpeggio. The alt acoustics continue with Damon, or at least before the track turns from Nirvana’s Unplugged to Slayer’s double kick drum pedals and becomes thrashtronica with Tet on screamo duties.

Things get softer with Clown, specifically in the chanted refrain, and even more aetherial in the almost trip-hop timbres of abandoned.club, where chopped-and-screwed vocals sing “I lost myself in the club.” Scorpions, Bats & Spiders is the abstract gem declaring the death of Deconstructed Club Music—a genre created by journalists and pioneered by the duo, among others. The words “deconstructed,” “club,” and “panel discussion” are spelled out in a vortex throughout the track as if they were to be carved on the genre’s imaginary gravestone. Closing the album, the saw bass of Cat serves Euro-electro à la Benny Benassi’s Satisfaction, while the doomed outro Merge closes the album in a triumphant aggregation of noise and pixelated drums that render the image of a crust-punk ensemble.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Tongue Demons (PAN 139)

From the EP 'Oasis' out 25 October, 2023.

"Outskirts" by Bapari featuring Kidä
Mastered by Heba Kadry
Artwork by Louis F. Cota

Follow Bapari
Instagram www.instagram.com/bapari_
Twitter twitter.com/bapari_
Spotify open.spotify.com/artist/6kGbsX0ZLH2WP8BVTSZKjw
Apple Music music.apple.com/us/artist/bapari/1113620111
Soundcloud @bapari

Oasis

Bapari - Outskirts Ft. Kidä

That's Harakiri

Meshes

Sega Bodega's new EP is out now on Crazylegs.

http://smarturl.it/EssB-spotify
http://smarturl.it/EssB-apple
http://smarturl.it/EssB-itunes
http://smarturl.it/EssB-bandcamp

Check the 'CC' video here ☞ https://www.youtube.com/watch?v=iMZX24CsGww

Mastered by @ziro-uk
Art direction by Simon Whybray
Notes by @shygirl_93

Follow the artist:
http://facebook.com/segabodega
http://twitter.com/segabodega
http://instagram.com/segabodega_
http://soundcloud.com/segabodega

[LEGS017] Ess B

Sega Bodega - Ess B (Intro)

Music written, produced and recorded by @5_lin

Mixed and mastered by Jean-Stéphane Garbe @ 254Sound
Photography by Pierre-Antoine Mathieu
Graphic Design by Andreu Serra

Golin - Doki

For The Beasts

FREE DL

oklou & Casey MQ - DAWN

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

Let Me Thru

TOXE

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