Name: Void by Reneé
Duration: 5 min 7 s
Description: You can't run from the past, only learn from it

Join us for “Bailando Footwork” a Chicago Footwork music and dance event happening on Zoom on Saturday March 27th at 7pm Mexico City Time. Bailando Footwork is presented by Chicago Footworkology in direct partnership with Juke MX @jukemx and Pound It Hip Hop Dance Studios in Mexico 

Guest DJ’s:
Deeplinkin
Golden
Cybereality

Event Hosted by Eric Uh

Creation Global dance instructors King Charles and Miki Ishizaka will be spotlighted during the DJ sets to lead any interested dancers in learning Chicago Footwork foundation.

Email chicagofootworkology@gmail.com to register and receive the event Zoom link. Bailando is an open and free event, so feel free to spread the word. 📲

Flyer by: zero_graphic 🔥

Ta Encendio (Bailando Footwork Version)

Pre-order Uprooted 🔗 orcd.co/bjf-uprooted
Premiere on PAM  🔗 pan-african-music.com/bjf-uprooted

Uprooted is the second EP from Parisian DJ and producer BJF. It follows Iridescent, his debut EP released in 2020.

On Uprooted, BJF affirms its musical direction more than ever: percussive, hybrid, completely club-oriented; full of perfectly mastered samples, carefully articulated with each other.

Baloya opens the EP “gently” with its elegant synthetic horns before a storm of tamborzão and coupé-décalé claps descend. It is a very personal tribute to maloya, traditional music from Reunion Island, where BJF is from.

If since its first releases BJF has made percussion its signature, his drum kit on Uprooted has been considerably enriched. Baile funk, dembow, drill, UK funky or dancehall have no secrets for him as a DJ set, but in his productions, the producer defragments these genres and reassembles snippets of them with surgical precision, thus composing his own riddims, blurring labels and boxes. 

This new EP also marks a real evolution on the melodic part and on the atmospheres, like the synthetic brass of Baloya, the inimitable grime synth on Jump Riddim, or the Japanese flute on Fogo. The EP includes for the first time a featuring with an MC in the person of the Brazilian AKA AFK on the title Fogo.

Uprooted

Pre-order/Download

Baloya

The title "Walang Hinga" is in Tagalog and translates loosely to "without breath". It is a play on words from the common Tagalog phrase "Walang Hiya" which means shameless or bold.

I wanted to combine elements from genres I love and respect, such as club music, gqom, brazilian funk, and others - in a shameless manner :). Also, being from New Jersey, I always end up putting some jersey club flavor in my tracks.

I wanted these tracks to feel fresh and new, but at the same time clearly contain familiar elements of well-known and respected genres.

I've always loved sounds of respiration, or breathing in music. Sighs, gasps, airy vocals, or whatever etc. I weaved this concept throughout all three of the original tracks (hence the title).


Please enjoy and keep dancing!


Artwork: "Spirit" an original piece by Olivia Kope

WILHELMINA - Purificação

MARIA AMOR - INNER CHILD

DJ Babatr, DJ Yoiser - Fuma Con Los Panas ( Florentino Rmx )

You can't run from the past, only learn from it

Void

Bogotá, Colombia. Year 2069. 


10 Colombian hackers have escaped from the matrix using digital tools and analog synthesizers. They are hidden in different latitudes of the world. Their misión? Hack the dancefloors dominated by the mediocre audio and visual programming to free MINDS & BODIES through DANCING. Manizales, Pereira, Bogotá, Medellin, y Berlín are the cities where the music signals come from and we have recopilated them for our first music delivery. 


This V.A consolidates a gang of sound artist that Renata Traxx has the pleasure of bringing together, betting as always the TECHNO-ELECTRO-TRANCE trinity pushing limits forward and mixing a lot of influences acquired the last 5 years, ending in 10 tracks including INDUSTRIAL-REGGAETÓN, GHETTO-CHAMPETA, DUB, BASS RAVE explorations.  For this premiere we have the amazing Colombian artist KXK with his track "Un Pelao Con Un Botso" a mix of Electro with Champeta, a traditional colombian music genre that will blow your mind!



Join the resistance!

https://soundcloud.com/kxk373 https://soundcloud.com/rntrave

Mastering: Audio Gasolina (Juan Charry) 

Artwork: Gecko Bogotá (Sebastian Blanco)

NÜ PREMIERE : KXK - UN PELAO CON UN BOTSO  (RENATA TRAXX)

Sticky Dancefloor is a tribute to those moments of euphoria on the dancefloor, at three in the morning, when a new drop takes the already-heated crowd by storm. This first EP from Marseille-based DJ and producer Trae Joly is an uncompromising proposal for the club. The three tracks, all at 140 bpm, are like a DJ set by the co-founder of the Moon Squad collective: unpredictable, eclectic and full of energy. Sticky Dancefloor pays homage to Trae Joly's multiple influences, as he strives for originality while acknowledging his references. With a strong UK inspired base, between Grime and Breakbeat, the EP also draws on references to Dirty South, Gqom and Brazilian Funk. 

Brass Wayne is a reference to producer Lex Luger's bangers, with its menacing synths and forward-thrusting energy. Add to this the repetitive beat of the snare and the percussive melody of the log drum, and you've got the spark to set the dancefloor alight. 

Gabian Riddim functions as a DJ tool that can be played at peaktime, or as an instrumental to accompany an MC during a freestyle session. A big UK-style bass line alternates with breakbeat and tomborzão elements. 

The final track, The Thrill, is a new burst of acceleration, blending Grime and Carioca funk, as if Skepta was taking an expressway to Rio de Janeiro. Rhythmic elements and tense synths add the ingredients needed to make the dancefloor even stickier.

Credits :
Vincent Kulesza (composer and mix)
Qant (mastering)


Trae Joly addresses special thanks for the support, trust and love to : Ange, Antoine, Brice, Juliette, Léo-Paul and Teddy <3

Trae Joly - The Thrill

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Budalagi - HAPA NI WAPI 
Vief Records, 2025
𝓑𝓾𝔂 👉🏾 https://viefrecords.bandcamp.com/

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://www.instagram.com/budalagi/?hl=en
https://soundcloud.com/budalagi

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/viefrecords
https://www.instagram.com/vief_records/

#newmusic #electronicmusic #BassMusic #Gqom #Jersey #Gengeton

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#375 📢 Budalagi - BOTULISM [Vief Records]

BUY: https://ffm.to/enfpartout

A special collaboration with Partout records from Paris. Break 3000 dug deep in the archives for this one and found some old unreleased music on his dusted DAT tapes ranging from 1993 to 2002. Now released for the first time ever on vinyl 12” and digital.

“Human” and “Komputerok were produced in the same project in his Maastricht bedroom studio back in 2002 and reflect to great influence artists like David Caretta and The Hacker had on his sound back then, a mix of banging Electro Clash meets EBM, 80s Proto House.

“Overdrive” opens the B-side and a window to the late 90s. This track was produced together with his classic “Plastique People” around 98/99 and was an instrumental track luckily found again, Break 3000 added a new vocal and made a fresh shorter Edit. Thanks to the
excellent mastering by Salz Music this one is back in today’s sound standards.

The next pearl from the past is a real favourite and is the oldest track featured on this EP. “Ambizone” was recorded back in 93/94 and marks the transition from his first musical project Amazone to becoming Break 3000. Recorded in an amazing analog studio in Venray Netherlands where Break 3000 worked on a full album. More music will follow from these old sessions! Stay tuned.

Closing out with “Nature”, a true homage to the early Rephlex sound and produced around 97/98. Acts like Bochum Welt, D’arcangelo and µ-Ziq had an immense influence on Break 3000 and are a reason why he started to make more electro orientated music.

All tracks mastered by Salz Mastering in Cologne.


Human Nature EP

Buy Here!

Break 3000 | Human | Partout

Inspired by Vimbuza, a traditional dance used for spiritual healing by the Tumbuka people of Zambia’s eastern region, "Drums of Affliction" is meant to slowly lull listeners into a trance-like state, thereby escaping from pain, worry, and sorrow.

Read SHE Spells Doom's full FWD Transmissions write up here:  https://www.electronicbeats.net/fwd-transmissions-she-spells-doom-drums-of-affliction

FWD Transmissions: SHE Spells Doom - Drums Of Affliction

🌈🎶⭐️🦊🍄

How heavy is your heart?

Void

Reneé

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