Name: by t anderson ..In Steep... 52 , 24 by t anderson….. in 2020|04 - The Composer's New Music Playlist
Duration: 52 s
Description: Just a short little tune about gravy boats..

2020|04 - The Composer's New Music Playlist

Short Fusion ..We toe 2 and plus .. t anderson

Pantoclast + R.S.Stropharia + A.Schwarzer -  Premonition Of A Dark Time- Live Impro-Set (06.03.2020)

a slapper from najjariff kountry black and mista revenue

dreams

Definitely not classical but i do utilize similar if not the same instrumentation.Avant-garde sensibilities.  Through composed…

Untitled Feb 17, 2020 2 (1) (3)Minute Lips.wav

Setting of Flora Leask Arizpe's love poem "Skylight Sex" for Soprano and Chamber Ensemble.

Conductor - Max Todes
Soprano - Eilidh Bisset
Flute - Lalleh Memar
Clarinet - Anthony McKenna
Bassoon - Freya Edington
Piano - Dida Condria

Engineered, Produced and Mixed by Oscar Dash.

Cover art is "Skylight" (1948) by American Painter Loren MacIver.

Recorded in RCS Studio A on 21st May.

Skylight Sex

Copyright - Eric Schultheiss
https://www.youtube.com/user/951tech
https://www.facebook.com/eric.schultheiss.1

-----------------------------------------
IONIATE MUSIC PUBLISHING
http://www.ioniate.com/
https://www.facebook.com/Ioniate-1023092597795587/
https://www.youtube.com/channel/UCYK05Qc7j5xj8YtX2M_UWrg

Short But Sweet | IONIATE Sketches In Progress | Eric Schultheiss

Left in reverse

Soon if you dont mind......t anderson..

Tell me  what im like

Just a short little tune about gravy boats..

by t anderson ..In Steep... 52 , 24

You Mean So Much To Me

That's my submission to 5 Notes Melody Contest in "Composers Challenge" Facebook Group. I just choose a simple chanson style.

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/
If you like my music – share it with your friends!

Five Notes Chanson

A reflective piece of mourning for the dead using my Haken Continuum for the drone and melodic components.


Visit my Bandcamp site to listen and purchase my music.
https://jamesnewman.bandcamp.com/

Drone For The Dead

Untitled.其の⑴

For Miss Crystal     T.anderson . jazzy piano outline..

I write orchestral music and jazz. Experimental i suppose would accurately describe a portion of it , but mostly im using techniques proven to work for this… I play bass as well ..


Thanx 
Tracy Anderson

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

by t anderson ..In Steep... 52 , 24

t anderson…..

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