Name: Microscopic Eye of Horus (2011) by Trackermatte in 25.11.2024
Duration: 5 min 57 s
Description: Lost and found on my iBook. 6th version of this track.

great track. love the little beeps and blips in the middle, chords are on point

25.11.2024

starting the new tysk raider records with tysk001.
tysk raider logo stamped and numbering stamp numbered (x/100)
black vinyl with printed insert, designed by tysk raider
housed in a pvc bag, limited edition of 100 copies

vinyl version via mindcolormusic here:
https://mindcolormusic.bandcamp.com/album/tysk-001

digital version available here:
tyskraider.bandcamp.com/album/tysk001

music, logo & artwork by tysk raider 2021

B2 awake

No Place To Go (Original Mix) - Layla Benitez, Eynka

Lost and found on my iBook. 6th version of this track.

Microscopic Eye of Horus (2011)

Stream/DL: https://f93.co/-betterthanuthought
Factory 93 Selects: f93.co/SpotifySelects

Connect with Layton Giordani
https://soundcloud.com/laytongiordani

Connect with Factory 93
linktr.ee/thefactory93

Better Than U Thought

Stream/DL

Layton Giordani - Better Than U Thought

On the Infinity of Rain and Its Effect on Mood (Late Night Jam)

Sateburg

1Xmas beat'19

Stream/DL: https://f93.co/reasonstoloveyou-space92remix
Factory 93 Selects: f93.co/SpotifySelects

Connect with Nicole Moudaber
https://soundcloud.com/nicolemoudaber

Connect with Space 92
https://soundcloud.com/space92

Connect with Factory 93
linktr.ee/thefactory93

Reason To Love You (Space 92 Remix)

Nicole Moudaber - Reason To Love You (Space 92 Remix)

Romez - Hypno (Originalmix)

BERLIN DARK TECHNO - Novembr 2024

SCHEINTOT is a new trio consisting of Mats Gustafsson (sax, flute), Henrik Rylander (no input mixing desk) and Joachim Nordwall (Korg MS20) and this is a track off their new split LP with JOHN DUNCAN. 200 copies made. Head over to Sound OHM, Rumpsti Pumsti, Boomkat, Discreet Music or something, will you? They will hit you up.

SCHEINTOT - ERWEITERUNG

7 Kayu Fax.demf

The Tuss - Information Trough

Let this inspire you to make laws that protect all types of good people out there in the world no matter if you are poor, middle class, or rich. As long as you have a benevolent heart just believe that everything will be just fine!

Deja que esto te inspire a crear leyes que protejan a todos los buenos ciudadanos en el mundo, sin importar si eres pobre, de clase media o rico. !Mientras tengas un corazón benevolente nada mas tenga fe que todo estará bien!

Thinking About Leyes

vin dit

Uploaded with AudioShare app - http://kymatica.com/audioshare

at ostracism

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Microscopic Eye of Horus (2011)

Trackermatte

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