Central Processing Unit

The latest offering from Glasgow based imprint Life Forms sees label head Gavelman drop a seriously strong EP of Acid-Electro. Hints of the Dutch West Coast throughout ☠

Release date: August 6th 
Format: 12" Vinyl + Digital 

Buy the release here:
https://lifeformsrec.bandcamp.com/album/future


PREMIERE • Gavelman - Future [Life Forms]

Cyclic Melancholia

Eddie Symons’ fine recent run for Central Processing Unit continues. The NULLPTR mastermind makes it four releases on the Sheffield label in five years with Recursor, a six-track EP which balances precision-engineered machine-funk grooves with an overarching aura of gracefulness.

Recursor finds its lane from the opening title-track. On the quicksilver ‘Recursor’ we get Drexciyan punch, a needlegun bassline and staccato arps offset by eerie washes of synths. There’s a tension between the two elements of the track, and this yin-yang combination means that’ Recursor’ will work equally well for both the rave’s darkest corners and also the euphoria of a sunrise set.

After the title-track begins the record at breakneck speed, ‘Pulsar’ puts proceedings into cruise control. There’s still enough punch in the drum programming to ensure that ‘Pulsar’ will deliver in the dance, but this mid-paced tune is dominated by its warping bassline and keening keys, all of which comes together for a pretty and strangely wistful number. ‘Pulsar’s energy persists into following cut ‘Phase Function, though there’s a twitchiness to the bassline here which gives this track a nervier, more neurotic feel. As well as the golden age of Detroit electro, you’re also looking at Silicon Scally and Annie Hall as ballpark references, though there’s a winning idiosyncrasy to the production here which is all NULLPTR’s own.

The groove which kicks off the second half of Recursor is one of the most focussed on the whole EP - ‘Seil’ has a bassline which moves with the intent of a heat-seeking missile. When combined with the distant snap of 808s and twinkling arps, the whole thing very much maintains the shadowy feeling of ‘Phase Function’, and it’s an energy that Recursor rides into ‘Stone Tape’. ‘Stone Tape’ boasts another stellar bassline, but rather than the low-end barrelling forward intensely as it does on ‘Seil’ the bass here skips all around the mix, pleasingly erratic and playful. 

‘Portal’ is an apt title for Recuror’s sixth and final track. Indeed, the whole vibe of ‘Portal’ makes it a perfect closer for this EP of detailed electro jams. This tune really does feel like a portal being opened, the bass and drums busying themselves on the floor while chemtrails of synth in the upper-end of the mix intimate something enticing beyond the threshold.

Sparky yet sleek, Recursor is the latest fine machine-funk collection from NULLPTR.

RIYL: Annie Hall, Silicon Scally, Legowelt

Recursor

NULLPTR - Recursor

TL Premiere #1432 (2023.11.17) : Global Goon - Calcula [Central Processing Unit]

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For this 297th Premiere of 2023, we have a track by "Global Goon" (@globalgoons) titled ‘Calcula’ from his forthcoming mini-LP "Nanoclusters" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit (@cpurecords).

The mini-LP will be available on December 1, 2023 in Limited Edition 12" Vinyl + Digital.

▶︎ Pre-order : https://shop.cpurecords.net/album/nanoclusters

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Release Info :

Global Goon - Nanoclusters [Central Processing Unit]

While this may be the first release on Sheffield’s Central Processing Unit from Global Goon, the one known to friends and family as Johnny Hawk brings a whole heap of experience to the Nanoclusters mini-LP.

Hawk started dropping Global Goon records on the legendary Rephlex Records back in the 1990s. The project’s subsequent releases have taken in imprints as esteemed as WéMè and Balkan. Factor in a whole host of other aliases which have delivered missives via the likes of Planet Mu, and you know even before you press play on this witty, wily record that you’re dealing with a master at work here.

The confidence with which Global Goon approaches Nanoclusters shines through in Hawk taking much of the mini-album at midtempo. Cuts like ‘Khroxic Mould’, ‘Metallik’ and ‘Syntheseers’ sound like Bochum Welt heading down a dark alleyway. The former in particular is a seasick lope, the tuned synths lurching around like sailors on deck in a storm as bass ebbs and flows underneath the mix.

The influence of Kraftwerk comes through prominently at times here, particularly in the way ‘Calcula’ and ‘Digit Six’ play pensive, slightly sombre synth chords off some simple but effective forward motion in the drum programming. That is not to say that Nanoclusters is not full of invention, though. None of the productions are overly flash, but this approach allows the little details to shine through more clearly, from cleverly panned hi-hats to hissing synth counter-melodies which flit in and out of the mix. Enthralling and packed full of ear candy, they’re further evidence that Nanoclusters is the work of an expert craftsman.

While the pulse of Nanoclusters remains relatively steady throughout, it’s still a rather lively record. Plenty of these tracks will get the dancefloor moving if deployed correctly - though whether they’re heard at home or in the dance, it’s the attention to detail which makes them stand out.

‘Snapterisk’ is as perfect an example of machine-funk as you’re likely to find - the drum programming is razor-sharp but rubbery with bongos, the bass a lithe burble, and those wobbly stabs of keys that put a bit of wiggle in the beat? Delightful stuff. Elsewhere the ever-looping arpeggio of ‘Metro Esc’ has hints of Frankie Knuckles’ house classic ‘Your Love’, though an array of interesting sonic nuggets - snippets of vocal, radar-like bloops, a gently insistent low-end pulse - soften the track’s clubbier elements with a pillowy sheen. And Hawk throws us a curveball right at the end of Nanoclusters, tapping back into that old Rephlex sound for the fizzy, braindancing ‘Metal Glass’. 
 
Global Goon doesn’t need to show off on Nanoclusters - from brilliantly slick machine-funk to Kraftwerkian reveries, the CPU debutant lets the music do the talking here. It makes for a confident and vivacious mini-LP, one which wears its expertise lightly. 

Tracklist :
1. Khroxic Mould
2. Snapterisk
3. Metallik
4. Syntheseers
5. Calcula
6. Metro Esc
7. Digit Six
8. Metal Glass

releases December 1, 2023

All tracks written and produced by Jonathan Taylor.
Mastered at Computer Club Sheffield
Design by Human / www.humanstudio.com

Nanoclusters

Calcula

Pre-order

TL PREMIERE : Global Goon - Calcula [Central Processing Unit]

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean.

'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally.

Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night.

'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro.

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

RIYL: Cardopusher, Silicon Scally, Annie Hall, Cygnus

Space Threat

Larionov - Space Threat

TL Premiere #1471 (2024.01.05) : Larionov - Vimana Ride [Central Processing Unit]

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For this 1st Premiere of 2024, we have a track by Russian DJ/Producer based in Voronezh "Larionov" titled ‘Vimana Ride’ from his forthcoming EP "Space Threat" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit (CPU Records).

The EP will be available on February 2, 2024 in Limited Edition 12" Vinyl + Digital.

▶︎ Pre-order : centralprocessingunit.bandcamp.com/album/space-threat

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Release Info :

Larionov - Space Threat [Central Processing Unit]

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean. 

'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally. 

Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night. 

'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro. 

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments. 

Tracklist :
1. Space Threat
2. Asteroid Attack
3. Flying High
4. Vimana Ride

releases February 2, 2024

All tracks written and produced by Dmitry Larionov.
Mastered at Computer Club Sheffield
Design by Human / www.humanstudio.com

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Follow Larionov :
Bandcamp : www.larionov.bandcamp.com
Facebook : www.facebook.com/Larionovmusic
Instagram : www.instagram.com/larionovmusic
Linktree : www.linktr.ee/larionovmusic
SoundCloud : www.soundcloud.com/larionov

Follow Central Processing Unit :
Facebook : www.facebook.com/cpurecords
Instagram : www.instagram.com/cpurecords
SoundCloud : www.soundcloud.com/cpurecords
Website : www.cpurecords.net
YouTube : www.youtube.com/user/cpuoutput

Vimana Ride

TL PREMIERE : Larionov - Vimana Ride [Central Processing Unit]

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

@larionov

https://beacons.ai/looselipsmusic

PREMIERE: Larionov - Flying High [Central Processing Unit]

Cultivated Electronics starts off its 2024 release schedule with an all electro family affair from father and son duo The Advent and Zein Ferreira. ''Elektronically Minded EP'' is the first of two releases scheduled on the label from them this year. For this first instalment the pair turn in two tracks of expertly crafted production that pays homage to the history of the genre with their own modern twist. The A side's ''Basic Channeling'' is given remix treatment from Robert Witchoski a.k.a. The Exaltics who steps up the gears with a 4/4-esqe rework in his signature style. To close out the EP, remix duty stays in the family with a rework of ''Syncopated'', a track that features on the next EP, nephew of Cisco and cousin of Zein, Torai, who shows that high end electro production definitely runs in the veins of the Ferreira family.

Elektronically Minded

CE046 - The Advent & Zein Ferreira - Elektronically Minded

We are pleased to present you our new EP “Codes & Symbols”, created by two Ukrainian artists. This album is a look at the classic electro style with new ideas and solutions, delving into the theme. Codes and symbols built into our reality. From beats to robotic voices, it captures the depth of how everything becomes digitized, right down to the original DNA code. We are immersed in a world where art and technology converge.”

This release turned out to be a great symbiosis of two talented artists from Ukraine. It was an accident acquaintance which has lead to 4 track EP in deep electro sound. In these tracks you can hear synths and voice support from Alex Gordiy to accompany great ideas from newly emerging artist Grid User.

Alex Gordiy x Grid User - Unknown Voices

CHIP13: https://erhalder.bandcamp.com/album/chip-stress-13

Chip Stress 13 A - about the track
Instruments used:
Drums: Roland TR-8S
Bassline: Roland TB-03
Lead Synth: Roland JX-3P
Strings: Arturia Microfreak

Stahl on the 303, Erhalder on drums & lead synth, arrangement & mix.

Chip Stress 13 B - about the track
Instruments used:
Drums: Audio Realism Drum Machine
Lead Synth: ReFX PlastiCZ
Bass: SimSynth
Hoover: Rob Papen Albino 3 Legend

Composed in 2003, with 909 drums, never released, now rearranged and updated with 808 beats and some other krimskrams.

Chip Stress 13 C - about the track
Drums: Roland Cloud TR-808
Bass: Arturia Augmented Strings
Chords: Arturia Augmented Strings
Strings: Arturia Augmented Strings

Bandcamp

CHIP13 Erhalder - Chip Stress 13C

Introducing entry number 3 in Analog Concept Records dynamic Various Artists Series. The fast track to long lasting electronic prowess begins with Fasme “Crying Robots” a fusion of atmosphere, permeating pad emotions, electro and even some breaks layers all serenaded by choice bits of dialogue and analogue phone dials and full of stimulating style. Navigation continues with CCO “Solar Sail” where ominous waves of percussion driven House prevail, beneath moody analogue acid basslines heavier than whales, while its chords leave the listener in a hypnotic groove spell. 

We continue to fill your cup of tea on side B adding the nutritious ingredients from the mysterious duo UNWONTED with “Frontier”; it's an all out electrofunk affair, punchy and layered with sharp claps, dark dialogues, and an ice cold acid marinated bassline that will heat up the dance floors when it attacks. 

The Ep concludes with Serge Geyzel “Flash” a photographic listening experience into relentless electrobass full of atmosphere, fine highs in sonic experimentation, and a doomsday bassline that bangs the speakers and your mind. 

Curated carefully for plenty of encores, Analog Concept's Various Artists 3 is here to captivate the souls and floors.

Buy link:
https://www.deejay.de/Various_Vol_3_ANCPT011_Vinyl__1073027

www.analogconcept.bandcamp.com

*PREMIERE* Serge Geyzel - Flash

🟢 Download / Stream: https://hypeddit.com/5hxl1j

🌏 Stay in touch:
www.instagram.com/analogconcept
www.analogconcept.bandcamp.com
www.facebook.com/analogconcept


Electro Nautica

🟢 Download / Stream

FFriend - Electro Nautica (Original Mix)

Now available on Bandcamp. Mastering by Frederic at A Working Studio.

Scott Artex - Endlings

Free Download

Kenopsia (FREE DL)

Leipzig's Interviews returns to Bitterfeld for his second EP of power electro, techno, EBM and new wave. Release date: 07.08.2020 

https://soundcloud.com/inter_views

Bandcamp link: https://bitterfeld.bandcamp.com/album/bitterfeld-06-interviews

TL PREMIERE : Larionov - Vimana Ride [Central Processing Unit]

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