PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Hasan Poppu - Kodō (Barnt & Jens-Uwe Beyer Remix) [Osàre! Editions] (2024)

Artist » Hasan Poppu - https://soundcloud.com/jens-uwe-beyer

Remix » https://soundcloud.com/barntofmagazine

Ep Name »   OE 021 - Hasan Poppu - Hasan Poppu  

Label » Osàre! Editions - https://soundcloud.com/osare-editions

Hastings, UK

Format: TAPE  + DIGITAL ALBUM

Release date:  March 01, 2024

💲 BUY HERE 💲>>> https://osare-editions.bandcamp.com/album/oe-021-hasan-poppu-hasan-poppu

The project by Jens-Uwe Beyer and Thomas Venker boasts a remarkable origin story. In 2017, Venker, co-founder and co-editor-in-chief of Cologne’s Kaput magazine, hosted a gathering at Beyer's house, bringing together journalists, creatives, and musicians. To mark the occasion, the pair decided to join forces for an impromptu ambient-electronic performance, presenting themselves as a two-man band. That evening, donned in special costumes designed by artist Sarah Szczesny and fuelled by a generous amount of Japanese whisky, Hasan Poppu was born.

Over the course of the pandemic, the duo thought about creating a record based on the live recording of their premiere show. However, the synergy of their collaborative creative energies led them in entirely novel directions. Their self-titled, double-sided album traverses a wild and raucous terrain, moving swiftly from hybrid noise-techno to giddy party ecstasy, to strange and shadowy atmospheres. Including remixes by YPY, Hibotep, Lena Willikens, Efdemin and Barnt, the 11 tracks span a dizzying array of experimental dance-facing styles. 

'Die-Biden' kicks off as a high-vibrational vocal experiment seemingly voiced by a sentient German vocoder. 'Kodō' follows, featuring Venker's playful mantra set against a stomping beat. Willikens' reimagining of 'Teiko' transports the track to obscure realms inhabited by strange creatures emitting ungodly sounds. Meanwhile, Efdemin's take on 'Ekusutashī' pulsates with a kinetic buzz.

Flipping over to the B-side, 'Sakura' is a euphoric wall of drone punctuated by eerie whispers and mystical singing. Then, the second installment of 'Kodō' takes a fresh trajectory with a touch of Barnt’s electronic groove stylings. Finally, Hibotep's 'Shojo no yo ni flp' serves as the finsher – an unrepentant trance belter that disintegrates into sampled fragments.

Loosely translating to "broken pop music," Hasan Poppu is informed by Beyer and Venker's shared love for Japan. The band takes their cues from the country’s rich sonic cultures while also drawing on Venker's wordsmith background and Beyer's flair for melding melodic tech-house with song-based synth-pop. 

Originally out on Beachcoma Recordings, Hasan Poppu’s debut album gets a new lease of life on Osàre! Editions with a digital and limited edition cassette tape release. Sarah Szczesny reprises her role in shaping the visual identity of Hasan Poppu by creating beautiful, painterly artwork for the record.

words by Hannah Pezzack 

All music by Jens-Uwe Beyer and Thomas Venker
Cover Artwork by Sarah Szczesny
Layout by Manuel Sepulveda
Distributed by Rush Hour, Netherlands
Manufactured by T.A.P.E. Muzik, Leipzig
Riso print cassette covers by drucken3000, Berlin
Compiled + Art Direction by Elena Colombi 

YT: https://www.youtube.com/channel/UCciZZCgKfHeu99C5kKYFXwQ
FB: https://www.facebook.com/osare.editions
IG: https://www.instagram.com/osare.editions/

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#folk
#osareeditions
#hasanpoppu
#minimalsynth
#electro
#commedeslarmes
#tape
#cassete
#80s
#electronicmusic
#industrial
#ambient
#techno
#ebm
#newbeat
#london
#Amsterdam
#Netherlands
#leftfield
#idm
#Hastings
#uk
#avantegarden
#musiqueconcrete
#synth
#elenacolombi

OE 021 - Hasan Poppu - Hasan Poppu

PREMIERE CDL || Hasan Poppu - Kodō (Barnt & Jens-Uwe Beyer Remix) [Osàre! Editions] (2024)

💲 BUY TAPE 💲

META MOTO podcast is derived from outward and inward influences, combined circumstances of temporal things and forms. From existence to succession generating things according to the natural order.

@Yuega, the pseudonym adopted by Nicolò Stefanelli, a DJ and Producer based in Bologna, Italy, began his musical journey prior to the 2020 pandemic, initially focusing on releasing limited-edition DIY tapes. His sound is a contemporary interpretation of the experimental electronic music of the 1980s, seamlessly blending elements of current club culture with the foundational roots of electronic music. Through his music, he embarks on a nostalgic yet forward-thinking voyage, melding vintage impulses with modern concepts. Constant exploration of record store shelves has forged a profound, raw vision of his artistic identity. Yuega's project resides at the intersection of Electro, Industrial, and Wave genres. In this podcast, he shares an hour of both new and old records that reflect his unique musical perspective.

Follow him:
SC: https://soundcloud.com/yuega
IG: https://www.instagram.com/yuega_/
BC: https://yuega.bandcamp.com/

MMP122- Yuega - META MOTO PODCAST

Italian label ALLEY VERSION continues its 'Tracks From The Alley' series of releases with a fourth instalment in which it continues to explore the oblique edges of the jackin zone, dragging recognisable primitive elements of dance music through the narcotic madness; a possible soundtrack for sleepless nights at the skate park. 

In this new volume, the Japanese producer Takeshi Kouzuki, who besides having participated in the previous instalments, has been, together with FLML, the most collaborative artist in this project, is missing. We should bear in mind that the first volume of 'Tracks From The Alley' was a split album between both projects. On the other hand, this new 4-track mini-compilation features the Greek DJ/producer DimDj, the Italian producer based in Berlin and part of Sons Of Traders, TANS, the Brazilian based in Portugal and owner of the Unrealistic Expectations label Nothing Was There, and the FLML brothers, owners of ALLEY VERSION.

Nothing Was There is Edvan Marques Ferreira, aka MVQX. The project was born to be the output of all his live-cassette recordings and that's the case of the track 'The Owl (House Slaughter)', a raw combo of jackin beats and industrial music, recorded with two machines and a delay pedal directly into a cassette tape.

Release date: March 20th, 2024.

Premiere: Nothing Was There - The Owl (House Slaughter) [ALLEY VERSION]

TL Premiere #1547 (2024.03.11) : Lab Personnel - Conveyor Belt [Bella Ursa Recordings]

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For this 77th Premiere of 2024, we have a track by the Croatian collective "Lab Personnel" titled ‘Conveyor Belt’ from their forthcoming album "Marked For Dissasembly" on the French label managed by Letherique (@letherique) : Bella Ursa Recordings.

The album will be available in limited edition numbered UV printed cassette tape (50 copies) + digital from March 20, 2024 on all digital platforms. 

▶︎ Pre-order : https://bellaursa.bandcamp.com/album/marked-for-dissasembly

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Release Info :

Lab Personnel - Marked For Dissasembly [Bella Ursa Recordings // BUR-016]

Hailing from Croatia, Lab Personnel is a musical collaboration turned collective and label between many like-minded artists such as Goran Lautar (aka Neon Lies), Jasmin Mahmić (aka Le Chocolat Noir, Fiume & more), Luka Kurjan (aka Man of Cloth), Marijan Katić, Nikola Kos (aka Ikonal) and Saša Rajković (aka Zarkoff, part of Sumerian Fleet, part of Neugrau & more). Over the years, they would occasionally meet for and record lengthy sessions of improvisational music. 'Marked for Disassembly' is their latest output.

This time, deep within the skeletal remains of an abandoned chemical processing plant, eight of their members captured the disquieting essence of a world suspended between haunting melodies and forgotten industry. Immersed in an atmosphere of palpable musical anxiety, their machines oozed up a sonic alchemy of experimental EBM where strange syncopated drums meet with eerie acid lines and gooey textures.

"Marked for Disassembly" is set to be released on Mar 20th across all digital platforms, accompanied by a beautiful UV printed cassette.

Tracklist :
1. Marked For Dissasembly
2. Conveyor Belt
3. Grinder Malfunction
4. Collapse
5. Conspiracy
6. Swift Getaway
7. Contraband

releases March 20, 2024

Analog Collage by Bapt Man
Mixed & Mastered by Zarkoff @ Sensorium

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Follow Lab Personnel : 
Bandcamp : https://labpersonnel.bandcamp.com
SoundCloud : https://soundcloud.com/labpersonnel

Follow Bella Ursa Recordings :
Bandcamp : www.bellaursa.bandcamp.com
Facebook : www.facebook.com/bella.ursa.recordings
Instagram : www.instagram.com/bellaursa.rec
SoundCloud : www.soundcloud.com/bellaursa

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Marked For Dissasembly

Marked For Disassembly

Pre-order

TL PREMIERE : Lab Personnel - Conveyor Belt [Bella Ursa Recordings]

Dalmata Daniel ‎– DDS09
Timothy J. Fairplay / Norwell
[12" Vinyl / Digital]

Neither Timothy J. Fairplay, nor Norwell are strangers to the Dalmata Daniel family: both of them are trustworthy contributors to DD compilation albums of earlier years, plus Norwell has released his 'ODD' EP and ‘Joint Spaceflights’ EP back in 2017 and 2019 on the label. So this time, it’s a return for Norwell, and a debut for Mr. Fairplay: their DDS09 split EP is here to present 4 tracks full of outer space lights, eerie vibes, mesmerizing beats and cosmic energies.

Timothy J. Fairplay’s side A starts with the explicit kicks and ominous basslines of ‘Caliber 9’. Slowly and steadily, the laser blasts and relentless drums all add up to define a world of space cadets on the run, where any odd-looking figure can turn out to be a malignant, speedy alien. ‘TV Tower’ takes us to another planet with an even higher rotation velocity. Fast percussion elements and squished lower frequencies take center stage in this intergalactic episode, but the whistle-like melodies and descending, bubbling robot signals make the journey complete. 

Flip to side B, and enter the contemplating, otherworldly atmospheres of Norwell. ‘Midnight Rituals’ gives you the chills with its breath-like swooshes, grievous sirens and deadly asteroid belts. Yet, there is no need to worry: after an intense ride with your spaceship, eventually you end up in the same spot, where you started: in the stable and steady mid-tempo beats of an expertly-programmed drummachine. The orbital mission comes to an end with ‘Natives’, a dense and heroic hymn with emotive structures and well-crafted harmonics. The track starts with the bittersweet, lamenting synths of a solo voice, pouring their heart out in the spotlight, all alone on the stage. All of a sudden, a hard-hitting, rhythmic groove commences its last rush of dedicated cadences. It is full of breaks, it is full of 303s, completed with airy echoes and dreamy, light gestures. ‘Natives’ keeps on building its structure with elegant paces, providing a massive, yet delicate experience of Norwell’s defined aesthetics. The track lets the last strokes of its gloomy synths roll out, along with the final round of looping drums, thus putting an end to DDS09.

– Gabor Nemerov

A1* ‎– A2* Written & Recorded by ‎– @Timothy-J-Fairplay in Kingston Upon Hull, 2022
B1** ‎– B2 Written & Recorded by ‎– @Norwell in Pilisborosjenő, 2020

*Published by House Of Klart
**Aditional Vocals by Angela Santa

Art Direction‎ – Daniel Jani (Studio Jetski)
www.instagram.com/studiojetski

Mastered by ‎– A.P (GS Mastering & Post)
www.ghostsounds.net

Executive Producer ‎– @maximilliansinclair

Dalmata Daniel: https://dalmatadaniel.com
Triple Vision Record Distribution: https://distribution.triplevision.nl

DDS09

DDS09: Timothy J. Fairplay / Norwell [SNIPPETS]

BUY VINYL: https://crashcourseinscience.bandcamp.com/album/near-marineland
Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years - yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981 but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions - this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

Near Marineland

Crash Course In Science - Near Marineland

MM PREMIERES are meant to transcend the ordinary and immerse themselves in the sacred realm of music, beholding the unseen and embracing the new melodic tapestry even before it unveils itself to the world.

Meta Moto premieres Machine Cult, an electronic music platform based in Amsterdam, helmed by Déandrah and Garçon Taupe. This multifaceted endeavor serves as both a record label and an event series, showcasing cutting-edge talent within the electronic music scene. Edition Two's release party is set to electrify OT301 in Amsterdam on April 6th, featuring exhilarating DJ sets by VOLPEVOLPE, Böhm, Aroy Dee, Freek Fabricius, Fast Ram, and Déandrah, who will also be overseeing visual duties, promising an immersive experience for attendees.

Dive into the surreal world of Machine Cult where sound and vision collide, evoking a sensory journey that transcends boundaries. Brace yourself as you step into a realm where the unexpected reigns supreme, donning pollution goggles and your finest attire. Prepare to be enveloped in the pulsating beats of Böhm's latest creation, "EVOL," a testament to experimentation and pushing artistic boundaries. Crafted during the depths of winter, this track emerges as a raw, headbanging anthem, born from the symbiotic dance between the SH101 and 303, promising an auditory experience that defies conventions and invites listeners to explore uncharted sonic territories.

Credits:
Produced and mixed: @bohm
Label: @Machinecult_Amsterdam 
Mastering by @Deandrahsmusic
Artwork: Garçon Taupe and Déandrah
Format: Digital
Release date 6th of Apr / 2024
Pre-order: https://machinecult-amsterdam.bandcamp.com/album/edition-two

Böhm:
https://soundcloud.com/bohm 
https://www.instagram.com/djbohm030303/
https://www.facebook.com/jeroen.bohm.9/

Machine Cult:
https://soundcloud.com/machinecult_amsterdam 
https://www.instagram.com/machinecult_amsterdam/Facebook https://www.facebook.com/events/878629570128645/
https://www.mixcloud.com/Machine_Cult_Amsterdam/
https://machinecult-amsterdam.bandcamp.com/album/edition-two

Pre-Order

MM PREMIERE 044 | Böhm - EVOL [Machine Cult]

Bulgarian dark mastermind MANASYt/Sam Lowry (Petar Tassev) has been rocking his own brand of Nurolektro since 2003. He’s responsible for a vast array of menacing titles on labels such as Bunker, Touchin' Bass, Kommando 6, Musar and about 40 other labels worldwide.
An artist that couldn’t care less about trends nor hypes, and whose main driving force is that authentic passion for the genre.
Some of his tunes resemble a future horror movie soundtrack, others a visit to a mental clinic but most sound like what exactly hostile aliens would listen to while attacking Earth.
Currently based in Xiamen, China.

Links:
Bandcamp : manasyt.bandcamp.com
Discogs : www.discogs.com/artist/124483-MANASYt
Facebook : www.facebook.com/manasyttt
Instagram : www.instagram.com/_manasyt
SoundCloud : soundcloud.com/manasyt
YouTube : www.youtube.com/@_manasyt

Dystatik Podcast - MANASYt [DSTKP051]

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Jeremiah Soft - Flight Of The Vesper Bat [Dalmata Daniel] (2024)

Artist » Jeremiah Soft - https://soundcloud.com/jeremiahsoft

Ep Name » A Quiver Full of Golden Arrows - DDCS05

Label » DALMATA DANIEL - https://soundcloud.com/dalmata-daniel

Budapest, Hungary

Format: Tape + Digital Album

Release date: May 03, 2024

💲 BUY HERE 💲>>> https://dalmatadaniel.bandcamp.com/album/a-quiver-full-of-golden-arrows

Join us on a journey through space and time with the debut album of Jeremiah Soft, the mystical figure now returning to Dalmata Daniel. He made the album between November 2021 and June 2022, a time during which he got closer to nature, long walks, and existing in forests in general. Through 9 tracks and 60 minutes, we can wander around atmospheric universes, walk up the hills and down the paths of the mind of the artist.

Throughout the whole album, a sense of calmness is prevalent regardless of the rapidity of the songs. A dichotomy is created by the soft, acoustic sounding melodies and the quick, abruptly changing, metallic drum patterns. Just like the wilderness, it becomes a balanced system of tranquil harmony and tense alertness.

Side A of the cassette starts out with two melodic pieces, ‘Quicksilver Qualities’ and ‘Vermillion’, operating with ambient-like synths and delicate drums. Then, almost as if nightfall came, we venture into darker territories. The next two tracks, ‘Chiroptera’ and ‘Flight of the Vesper Bat’, as the titles suggest, serve as musical notations of the aeronautics of the nocturnal creatures; the kick-drums arrive, the basslines are getting heavier, and the playfulness of these songs turns into almost chaos. ‘The Pacific Crest Trail’ features as an interlude, and we experience a few moments of stillness in the dark with a muffled, dubby soundscape.

Side B rushes into an 11 minute heavy-hitter, ‘PNW’, packed with action and amen break. ‘Amber Eyes’ is of the same weight, which is perhaps the coldest in tune out of all with its strikingly digital sound design, is the track for the freezing minutes just before dawn. Sunrise strikes with the rework of Bach’s cantata in which the morning birds also start to sing. ‘Elliptic Routes’ comes with a bittersweet melody and a comforting rhythm, and accompanies us back to daylight, the universe most known to humans.

– Borbála Kovács 

DDA05/DDCS05
Written & Recorded, Mastered by Jeremiah Soft in Budapest 2022

Art Director / Artwork by Daniel Jani (Studio Jetski)
www.instagram.com/studiojetski

Curated by Max Sinclair (Executive Producer)

© 2024 Dalmata Daniel
www.dalmatadaniel.com

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#acid
#JeremiahSoft
#electro
#commedeslarmes
#dalmata
#electronicmusic
#industrial
#techno
#ebm
#newbeat
#dalmatadaniel
#Hungary
#Budapest
#idm
#newwave
#tape

A Quiver Full of Golden Arrows - DDCS05

PREMIERE CDL || Jeremiah Soft - Flight Of The Vesper Bat [Dalmata Daniel] (2024)

The Astronauts are coming, see the lights? 
Nah this track does have those lyrics hidden in there through an instrument.
Fast paced solid kick with a melodic touch, the sound creation was a blast with this one.

Astronaut

Marguerite Records proudly welcomes Northern Europe's machine funk masters, @harlemelectronics, as the 17th label output.

Cagey is a punchy cocktail of sly bass hooks, raw machine grooves, and found sounds, all tied together by vocals that shape-shift from staccato statements to haunted murmurs and back again. Featuring six tracks including a remix by Colombian producer Filmmaker. The opener Cagey sets the tone with an elastic, Liaisons Dangereuses-esque bassline coiling around its tail and a propulsive electro beat juxtaposed with the track's cadenced vocals. Blynde amps up the hypnotic feel a notch by throwing a momentum-building bass, snatches of words from the experimental film Anti-Clock, and detached vocals into the blender. The result is street electro evoking a secret discotheque in Rimini in 1985, overtaken by disaffected mutants. Ending the A-side is the slow burner Lawn Preacher, which builds cinematic tension with a synth hook straight from the depths of Ralf Hütter's subconscious. The sly hip-wrecker Coast to Coast kicks off the B-side by setting the tempo to a syrup-laced new beat pulse. This is the soundtrack for a car cruising along the outer reaches of a tropical beach at night. Next, Slovak Casinos picks up the pace with funky techno at its dirtiest. The track's coy vocals beckon the listener to enter a dizzying gambling world of random numbers, slot machines gone kaput, and card counters losing track. On the record’s final track, Colombian beat wizard @flmmkr kicks the gears into turbo drive on his demented speed-addicted remix of Slovak Casinos. Cagey is defined by a dry, cheeky irreverence that keeps it uncompromisingly fresh and forward-leaning. Prepare yourself for a mind-altering experience with each listen, as this record sets a new standard for electronic music operating at the outskirts of the dance-floor.

Limited edition of 50 professionally dubbed tapes.
Produced by Johan Skugge and Martin Thomasson.
Slovak Casinos remixed by Filmmaker
Mastered by Francesco Brini (Spectrum Mastering)
Artwork by Alessio Di Mezza
Duplicated in Milan, 2024.

TL PREMIERE : Lab Personnel - Conveyor Belt [Bella Ursa Recordings]

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