When I first heard this song, I thought it was sung by a male and then a few years after hearing it. I quickly learned that it's a female singing This song

so sad that Luke combs took all the credit for this amazing song😭

Insta

Seventeen Going Under

Samples from Sandi's platinum Debut album Smile…it Confuses People.
To License a song please contact ashley@guardianangelsrecords.com
FREE DOWNLOAD at http://www.sandithom.com

Sandi Thom - I WISH I WAS A PUNK ROCKER

FREE DOWNLOAD: https://suicideboys.bandcamp.com/album/7th-or-st-tammany
https://G59Records.com
G59Records@gmail.com

7th or St. Tammany

40 OZ & SOBER (REMIX) [PROD. JCKRUBY]

Back to Bedlam

High

Sunny Side Up

No Other Way (album)

Wisemen

Goodbye My Lover

Tracy Chapman

Fast Car

FREE DOWNLOAD: suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

[Verse 1: Anthony Mars]

got these xans on me ima do em
got these prescriptions that need to be filled
poppin these pills til i'm buried in fields
percocets, heron, the oxy and dills
got a rig on me ima shoot it
drugs in my veins have it no other way
bitches keep askin if $licky okay
he a zombie
he the walkin decay
disgrace they say to my family name
learned behavior yet i'm to blame
pills ingested got me runnin late
i can't move an inch i can't feel my face
got bitches that want me to put down the drugs
but i'd rather be loaded then fallin in love
rather be duckin than in your bitch fuckin
slumped with the drugs ain't got time no cuffin

[Verse 2: Norman Atomic]

pop a perc 
yeah to stop the hurt
i got a problem now
gotta work it out
got a lot of loud
never heard a sound
but they heard the pow from the glock
i'm down
dialing up 911
they don't know whether to pump my stomach or stick the hole in the back of my head
EMT said time of death right at 7:00
Ruby get up like he walkin to heaven
my body don't move but my soul shows it's presence
dig me a hole i don't need no remembrance
i'm headin back home yeah the place where the devil lives
Ruby so devilish
looks like my penance is findin a plug at the bottom of hell
i been looking for PKs
been looking for 3 days
i woke up and then heard the priest say the devil lives

Now the Moon's Rising

I THINK I'M IAN READ

FREE DOWNLOAD: suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

[Verse 1: Oddy Nuff da $now Leopard]

it's that grey playa 
ima dame slaya
playin game hoes peelin off my layers
fuck a hater
ima blame it on the Navigator
never gettin paper but i got a pair of boots that was made from alligator
fuck boy see you later
keep your mouth shut 
i don't fuck with traitors
gotta make a dent in this world
gotta find a flavor
cherry marmalade bitch i spread it on my bread like a baker
bitch i'm fuckin sunk like an anchor
let me sink down i don't need a lifesaver
bitch i made a fuckin promise to the devil that i'd trade my fuckin soul
so i settle with the motherfuckin razor

[Verse 2: $witchblade $crim]

walk into the mind of a $uicide God
chalk drawn lines with a body inside
ridin with the blade or the mac or the gauge
lil Gage in the back make the blunts rotate
no fuckin role model i'll die before 40
got xans on me now i'll pop more in the mornin
bitches be snappin their tits but it's borin
rather that hydrocodeine when i'm pourin
that codeine too weak for a fiend with a tolerance
strip her down, fuck her once, then i go rob the bitch
grey in my eyes and my heart don't feel nothin
my fuckin drug use never up for discussion
forever ever pour yellow yellow
tomb stone header readin 666 and that's forever ever

GUTTING CATFISH

Sledgehammer

Digging In The Dirt

(What's The Story) Morning Glory?

Wonderwall

At the 1987 WEA sales meeting in Miami, Elektra Chairman/CEO Bob Krasnow introduced his newest find, a young African-American singer/songwriter named Tracy Chapman. The Cleveland-born folksinger – who would have fit perfectly on Jac Holzman’s early Elektra roster – stood at the podium, alone with her guitar, and sang emotionally resonant songs with provocative titles like “Talkin’ Bout a Revolution.” Those assembled were blown away by Chapman’s passion and talent, but mainstream commercial potential? Not so much.

Krasnow, on the other hand, heard in Chapman an authentically original voice and personality, fresh and distinct from the current music scene. By the time the two returned to the annual WEA gathering the following August, Chapman’s self-titled Elektra debut album had proven an unlikely #1 phenomenon on the Billboard 200, highlighted by the top 10 pop hit, “Fast Car.” Ultimately certified six-times platinum by the RIAA, Tracy Chapman also earned Chapman her first two Grammy Awards, for “Best Contemporary Folk Album” and “Best Female Pop Vocal Performance.”

The album should have been impossible to follow, but 1989’s Crossroads proved an inspired, platinum-certified second act. Matters of the Heart was released in 1992, followed three years later by New Beginning, featuring the platinum-certified single, “Give Me One Reason,” a top 3 hit on Billboard’s “Hot 100” and 1996 Grammy Award winner for “Best Rock Song.”

Two further Elektra releases followed before Chapman made her Atlantic Records debut with 2007’s Where You Live. Hailed as being among the most powerful works of her career, the acclaimed collection fully ratified Tracy Chapman’s continuing status as pop’s preeminent folk voice.

Fast Car

Tracy Chapman

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