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In mythology, folklore and speculative fiction, 
shape-shifting
 is the ability to physically transform oneself through unnatural means. The idea of shape-shifting is in the oldest forms of totemism and shamanism, as well as the oldest existent literature and epic poems such as the 
Epic of Gilgamesh
 and the 
Iliad
. The concept remains a common literary device in modern fantasy, children's literature and popular culture.


Popular shape-shifting creatures in folklore are werewolves and vampires (mostly of European, Canadian, and Native American/early American origin), ichchadhari naag and ichchadhari naagin (shape-shifting cobras) of India, the huli jing of East Asia (including the Japanese 
kitsune
 and Korean 
kumiho
), and the gods, goddesses, and demons and demonesses like succubus and incubus and other numerous mythologies, such as the Norse Loki or the Greek Proteus. Shape-shifting to the form of a gray wolf is specifically known as lycanthropy, and such creatures who undergo such change are called lycanthropes. Therianthropy is the more general term for human-animal shifts, but it is rarely used in that capacity. It was also common for deities to transform mortals into animals and plants.


Other terms for shapeshifters include metamorph, the Navajo skin-walker, mimic, and therianthrope. The prefix "were-", coming from the Old English word for "man" (masculine rather than generic), is also used to designate shapeshifters; despite its root, it is used to indicate female shapeshifters as well.


Examples of shape-shifting in classical literature include many examples in Ovid's 
Metamorphoses
, Circe's transforming of Odysseus' men to pigs in Homer's 
The Odyssey
, and Apuleius's Lucius becoming a donkey in 
The Golden Ass
. Proteus was noted among the gods for his shape-shifting; both Menelaus and Aristaeus seized him to win information from him, and succeeded only because they held on during his various changes. Nereus told Heracles where to find the Apples of the Hesperides for the same reason.


In other tales, the woman appealed to other gods to protect her from rape, and was transformed (Daphne into laurel, Corone into a crow). Unlike Zeus and other gods' shape-shifting, these women were permanently metamorphosed.


Fairies, witches, and wizards were all noted for their shape-shifting ability. Not all fairies could shapeshift, some having only the appearance of shape-shifting, through their power, called "glamour", to create illusions, and some were limited to changing their size, as with the spriggans, and others to a few forms.[3] But others, such as the Hedley Kow, could change to many forms, and both human and supernatural wizards were capable of both such changes, and inflicting them on others.[4]


Tales abound about the selkie, a seal that can remove its skin to make contact with humans for only a short amount of time before it must return to the sea. Clan MacColdrum of Uist's foundation myths include a union between the founder of the clan and a shape-shifting selkie.[6] Another such creature is the Scottish selkie, which needs its sealskin to regain its form. In 
The Great Silkie of Sule Skerry
 the (male) selkie seduces a human woman. Such stories surrounding these creatures are usually romantic tragedies.


Scottish mythology features shapeshifters, which allows the various creatures to trick, deceive, hunt, and kill humans. Water spirits such as the each-uisge, which inhabit lochs and waterways in Scotland, were said to appear as a horse or a young man.[4] Other tales include kelpies who emerge from lochs and rivers in the disguise of a horse or woman in order to ensnare and kill weary travelers. Tam Lin, a man captured by the Queen of the Fairies is changed into all manner of beasts before being rescued. He finally turned into a burning coal a

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Please keep in mind that I only have the PC version of these games, but as far as I know the Mac codes are the same for all games. All cheats are done during gameplay and are based on the default control configuration. If you have changed any controls, either try the cheats with the corresponding keys you've assigned, or revert to the defaults before entering cheats.



All-Weapons & Ammo:
 Walk one step forward, one back, release walk and turn around three times in either direction (left or right arrow), then back flip (Alt + down arrow). (NOTE: This cheat does not give medipaks. You can use a savegame editor to add extra medipaks.



All Weapons & Ammo:
 Light a flare (/ key), then walk one step forward, walk one step back, turn around three times in either direction, then back flip. This cheat also provides extra medipaks. (Note that this cheat does not work in the last level, Home Sweet Home.)



All Weapons & Ammo:
 Draw PISTOLS.* Walk one step back, one step forward, crouch, release crouch, turn around three times in either direction and immediately back flip. This cheat also provides medipaks.




IMPORTANT:
 Many people have emailed to say that these cheats don't work. It may have to do with some systems not accepting multiple alphanumeric keys at the same time. If they don't work for you, consider using a savegame editor to add extra weapons or ammo. Or, if you're trying to skip a level, you could download a saved game instead.







All Weapons:
 Use the compass to position Lara facing due north.** Then do the All Items cheat (above). Exit inventory by pressing Escape but continue facing north. Open inventory again, highlight the large medipak icon but don't select it. Press and hold the keys W E A P O N S for a moment. (This is not case sensitive, but you do need to hold all the keys down together.) Exit the menu by pressing Escape.




IMPORTANT:
 No, you're not hallucinating. There is no compass in TR Chronicles. So any cheat that directs you to face due north is incorrect. Please feel free to send in additional cheats, but to the best of my knowledge, these are the only PC/Macintosh cheats.



I'm not aware of any of the usual PC/Mac cheat codes for this game. However, there are trainers you can download and detailed instructions for entering command line parameters, including all-weapons, flying and god mode. Tombraiderchronicles.com provides the most detail, so please visit them to download trainers or read detailed command line instructions.


As far as I know, the PC cheat codes for Legend do not work on Macintosh systems, though you're welcome to try. Otherwise, the codes are similar for all platforms. Please see the Legend Cheats page. Legend save files for PC are here.


As far as I know, the PC cheat codes for Anniversary do not work on Macintosh systems, though you're welcome to try. Otherwise, the codes are similar for all platforms. Please see the Anniversary Cheats page. Anniversary save files for PC are here.


Thanks to Taylor and RG for sharing the Underworld info and Laracroftswest, who apparently made the original discovery that some of the 
Legend
 cheat codes work in this game. For more info on how the codes work and links to the forum threads where these discoveries were first posted, please visit RG's Tomb Raider Fan Site.


Dr. Mark Griffiths of Nottingham Trent University described Lara Croft as a psychological tabula rasa.[13] Richard Rouse of 
Midway Games
 attributed the character's appeal to a loosely defined personality, which permits players to imprint their own onto her.[157] Jeremy Smith stated that the minimal personality allows players to form a relationship with the character, and that rather than taking

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The microscopic particles that float in the air are of many kinds: resuspended soil particles, smoke from power generation, photochemically formed particles, salt particles formed from ocean spray, and atmospheric clouds of water droplets or ice particles. They vary greatly in their ability to affect not only visibility and climate, but also our health and quality of life. These airborne particles are all examples of aerosols. An aerosol is defined in its simplest form as a collection of solid or liquid particles suspended in a gas. Aerosols are two-phase systems, consisting of the particles and the gas in which they are suspended. They include a wide range of phenomena such as dust, fume, smoke, mist, fog, haze, clouds, and smog. The word aerosol was coined about 1920 as an analog to the term hydrosol, a stable liquid suspension of solid particles. Aerosols are also referred to as suspended particulate matter, aerocolloidal systems, and disperse systems. Although the word aerosol is popularly used to refer to pressurized spray-can products, it is the universally accepted scientific term for particulate suspensions in a gaseous medium and is used in that sense in this book.


An understanding of the properties of aerosols is of great practical importance. It enables us to comprehend the process of cloud formation in the atmosphere, a key link in the hydrological cycle. Aerosol properties influence the production, transport, and ultimate fate of atmospheric particulate pollutants. Measurement and control of particulate pollutants in the occupational and general environments require the application of this knowledge. Aerosol technology has commercial application in the manufacture of spray-dried products, fiber optics, and carbon black; the production of pigments; and the application of pesticides. Because the toxicity of inhaled particles depends on their physical as well as their chemical properties, an understanding of the properties of aerosols is required to evaluate airborne particulate hazards. The same knowledge is used in the administration of therapeutic aerosols for the treatment of respiratory and other diseases.


Aerosol technology is the study of the properties, behavior, and physical principles of aerosols and the application of this knowledge to their measurement and control. The particulate phase of an aerosol represents only a very small fraction of its total mass and volume, less than 0.0001%. Bulk properties of aerosols, such as viscosity and density, differ imperceptibly from those of pure air. Consequently, to study the properties of aerosols, one must adopt a microscopic point of view. This reduces the problem of understanding the complex properties of aerosols to that of understanding the properties of individual particles. The microscopic approach considers one particle at a time and deals with questions about the forces on that particle, its motion, and its interaction with the suspending gas, with electromagnetic radiation, and with other particles.


Liquid aerosol particles are nearly always spherical. Solid aerosol particles usually have complex shapes, as shown in 
Figs. 1.1-1.5. In the development of the theory of aerosol properties, it is usually necessary to assume that the particles are spherical. Correction factors and the use of equivalent diameters enable these theories to be applied to nonspherical particles. An equivalent diameter is the diameter of the sphere that has the same value of a particular physical property as that of an irregular particle. For approximate analysis, shape can usually be ignored, as it seldom produces more than a twofold change in any property. Particles with extreme shapes, such as long, thin fibers, are treated as simplified nonspherical shapes in different orientations. The complex shape of some fume and s

Aerosol Technology: Properties, Behavior, And Measurement Of Airborne Particles William C. Hinds

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Cavalerul celor șapte regate
 este un volum ce cuprinde primele trei nuvele din seria 
Povestirile lui Dunk si Egg

 
scrisă de George R. R. Martin. Colecția a fost lansată pe octombrie 6, 2015.[1][2]


Serialul este inspirat din trei nuvele ale lui Martin: The Hedge Knight, The Sworn Sword și The Mystery Knight, publicate toate în 2015 într-o singură carte sub titlul Cavalerul celor șapte regate. Cartea a fost publicată și sub forma unor benzi desenate, cea mai recentă dintre ele fiind The Mystery Knight.


Nu este primul prequel la Urzeala Tronurilor pregătit de către HBO; acum se lucrează la House of the Dragon. Acest serial este plasat cu 300 de ani înaintea acțiunii din Urzeala Tronurilor, la apogeul puterii dinastiei Targaryen în Westeros, atunci când puternica familie se află pe punctul de a porni un război civil care va hotărî viitorul ținutului Westeros. Povestea cuprinde și aventurile celor doi, Dunk și Egg, Ser Duncan fiind desemnat să îl protejeze pe moștenitorul dinastiei Targaryen.


Am terminat repede de citit Cavalerul celor Șapte Regate (iar ultima povestire, Cavalerul rătăcitor, o mai citisem deja de două ori pentru că apare și în antologia Războinicii I editată de G.R.R. Martin și Gardner Dozois și în antologia Epic, editată de J.J. Adams). Nu cred că o să am timp să recitesc primele cinci volume până la apariția celui de-al șaselea așa cum mi-am propus, dar acum, după ce a apărut Lumea de gheață și foc, sunt puțin mai liniștită în privința detaliilor pe care le-am uitat. Oricum, dacă mai amână mult cred că vor apărea cărți cu fișe istorice pentru fiecare personaj. Mai ales că în ultimele știri pe care le-am citit despre The Winds of Winter și A Dream of Spring se zvonea că vor avea mai mult de 1000 de pagini fiecare. Ar trebui să fie destul ca să satisfacă aviditatea fanilor. Teoretic.


Acțiunea din cele trei nuvele care alcătuiesc Cavalerul celor Șapte Regate, adunate pentru prima oară într-un singur volum, are loc cu un secol înainte de evenimentele din Urzeala tronurilor, în epoca în care dinastia Targaryenilor controlează Tronul de Fier. Încă mai trăiesc oameni care au văzut dragonii zburând deasupra orașelor distruse, iar Westerosul e plin de urzeli regale, rivalități, dar și de eroi.


Inainte de Tyrion Lannister si Podrick Payne, au fost Dunk si Egg. Sir Duncan cel Inalt, un calaver novice, dar curajos isi intrece rivalii cel putin prin statura, daca nu prin experienta. Alaturi de el se afla varianta lui in miniatura, Egg, un baiat al carui nume adevarat (ascuns de toti cei pe care-i intalnesc) este Aegon Targaryen. Desi eroi mai neverosimili nu se gasesc in tot Westerosul, cei doi au in fata lor aventuri extraordinare, in mijlocul intrigilor regale, al raufacatorilor si al celor inebuniti dupa putere.


Actiunea din cele trei nuvele care alcatuiesc Cavalerul celor Sapte Regate, adunate pentru prima oara intr-un singur volum, are loc cu un secol inainte de evenimentele din Urzeala tronurilor, in epoca in care dinastia Targaryenilor controleaza Tronul de Fier. Inca mai traiesc oameni care au vazut dragonii zburand deasupra oraselor distruse. Iar Westerosul e plin de comploturi regale, rivalitati, dar si de eroi.





Taramul uitat al luptei si razbunarii, al vrajitoriei si razboiului. O poveste in care fecioarele se aliaza cu nebunii, fratii comploteaza unul impotriva celuilalt, iar mortii se ridica pentru a intuneca pamantul. intr-un climat al incestului si al fratricidului, al alchimiei si al crimei, pretul gloriei va fi masurat in sange si va fi platit celor mai cruzi invingatori.


La 20/30 mai retragerea francezilor a fost încetinită de vânt și maree și de faptul că, datorită preocupărilor de cost a Ministrului Naval francez, multe dintre nave aveau ancore necorespunzătoare pentru a rezista puternicelor valuri mareice din zonă. De asemenea, era și lipsa u

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Up to three players can play at once, guiding their selected characters through eight stages, battling various enemies and bosses.[3] There are four playable characters, each with their own strengths and weaknesses: Jack (balanced type), Hannah (skill type), Mustapha (speed type), and Mess (power type). The game's titular dinosaurs make appearances as neutral characters that may attack both player characters and enemies.


The story begins in the 26th century, when an ensemble gang called the Black Marketeers begin hunting the dinosaurs to serve their unknown purpose. The continuous hunting process has made the dinosaurs violent and now they have started attacking villages and people. Four heroes: mechanic and shaman Jack Tenrec, diplomat and explorer by profession Hannah Dundee, friend and engineer Mustapha Cairo, and mysterious Mess O'Bradovich, have decided to team up against the Black Marketeers.


The protagonists journey to the "City in the Sea" where they suspect the whole hunting network being operating from. As they reach the top of a building they fight Vice Terhune. After being beaten, Vice tells them about Butcher, who had been hunting in the northern woods. Following the information, they go through the swamp forest where they find a lot of dead dinosaurs before reaching and defeating the Butcher.


This is when they receive a message from an old villager who tells them about the weird behavior of the dinosaurs and asks for help. In response to the call, the heroes reach the village where they notice dinosaurs violently attacking the people and that the village has been set on fire by someone. Going ahead further, they meet the old villager again as he tells about the whole network and as soon as he is about to reveal the name of the person behind all of it, he is shot dead by Morgan, who attacks the group as well. During the fight, Morgan talks about the powers of "doctor" transforms himself into a dinosaur-like creature called Morgue. By now, they have come to know that some doctor is trying to create new lifeforms.


Proceeding ahead, the heroes reach the coal mine and another jungle, where they face a dinosaur trying to stomp them. They eventually reach a place where they fight a tentacled creature called Tyrog that attaches itself to the bodies of the gangsters as a monstrous dinosaur-human hybrid. With all the leads and hints, Jack has now realized that Dr. Simon Fessenden is the mastermind behind all that is happening.


The battle between the Spinosaurus and the Tyrannosaurus Rex in Jurassic Park 3 is the stuff of legend, but not necessarily for the right reasons. Watching two giant dinosaurs unleash terrifying roars as they thrash, stomp, and charge through a misty tropical jungle might be one of the most awe-inspiring special effects achievements in the franchise's history. And though its T-rex opponent puts up a pretty good fight, the Spinosaurus emerges victorious after it snaps its rival's neck between its jaws. It's a clash of epic proportions featuring two of the dinosaurs in Jurassic Park that were actually real before the franchise turned to gene splicing and mutant dino creations.


How would a T-rex/Spinosaurus showdown go down? One thing's for sure about the Spinosaurus: its impressive biological stats make it an undervalued dinosaur in the Jurassic Park franchise, but not in the way some may think. The predator is downplayed as a hulking apex predator, which is not true and the portrayal removes all nuance. And as for the question of whether it would beat the monstrous Tyrannosaurus Rex in a fight? Concrete answers are hard to come by, because of the differences of opinion in even expert communities, but such a comprehensive victory is basically impossible. Yes, the Spinosaurus was markedly larger than the T-Rex, but it also lacked the muscle and bite power to do

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3DVIA composer
[2] is 3D technical communication software that lets users explain products using existing 3D data. Users can create high-resolution 2D illustrations and 3D animations to support a variety of product deliverables such as technical documentation, 3D work instructions, animated service applications, and sales and marketing collateral.


In 2007, 3dvia.com (renamed from teapotters.com) was released, and it focused on creating a social network and content community for 3D artists and modelers.[8] The site allowed users to upload 3D content in numerous 3D formats and then interactively view them through a web-browser. Later in 2007, the company released a free 3D modeling application called 3DVIA Shape. It was targeted at consumers and used in partnership with the Microsoft Virtual Earth program. The Microsoft Virtual Earth Shape version of the product was released as the official 3D modeling application for Microsoft's 3D globe application.[9]


The brand extended its reach into the indie-game market with the release of a free real-time game engine called 3DVIA Studio in March 2010.[11] The product game users the ability to create and publish interactive 3D games and experiences to Facebook and 3dvia.com. It also allowed users to purchase content for use in their projects from the 3DVIA Market, an eCommerce service for 3D content, launched at the same time on 3dvia.com.


Companies no longer need to rely on conventional workflows that require engineers to provide exploded views, annotations, or vector line images to support product documentation creation. All of these elements can be produced directly in 3DVIA composer right out of the box.





When creating a composer document using the animation timeline, any movements of the camera, be it zooming or rotating, is recorded on a camera path. By default this path is linear; as a result of this an animation with lots of camera action may seem quite jumpy.
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