Japanese
------------------------------------------------------------

ugomeite iru yami o watte sono naka no yodomi o bute

keisan to hoshu jibun katte na RUURU yugande iru jijitsu kitai o shoukyo shite

mukau beki mirai no me tsunde iru shoutai sagashidashite
sono te o tsukande hikari no sasu asu e kage mo tsureteku
kitto tsumetakute kurai ame datte dareka sukutte iru kara
heikousen o tsunageba wa ni naru hikari ni kaete

oto o tatete zurete yuku sekai SOS no mure boku o shoumou shite

chikasugite boyaketa genjitsu to mirai mada te o nobaseru kotae o sagashite

mukau beki mirai no me sono naka mimi o sumashite mireba
mada minu sekai ni hikari o inotte matte iru fuan mo sotto daite
kitto itsuka tsukarete subete o keshite shimaitaku natte mo kimi no koe ga boku o yobimodosu

hora yoku mite mite kazemuki sukoshi kawareba hareru
yajirushi no hou e sore ga shimesu asu e furatsuita tte yukeru
kitto ibitsu na sekai no sono saki chiisana hikari ga aru
subete ga kanau rakuen ja nakute mo kimi ga koko ni iru
kaze wa sotto boku no senaka o oshite iru (aa kinou made no jibun ga senaka o oshite iru)
sou heikousen no saki o tsunaida nara hikari no wa ni naru



English
------------------------------------------------------------

Split the darkness we’re crawling through; strike the hesitation that lies within.

Calculation and maintenance are selfish rules. The facts are bending – eliminate your expectations.

I search for my true self, who’s gathering the buds of the future we must turn to.
I grab that hand to the tomorrow that light shines on, taking along my shadow.
I’m sure that in the cold and dark rain, someone is saving us,
So if we connect the parallel lines, they’ll become a wheel and change into light.

If I make a sound, I’ll slip away from the world. This mass of SOS calls exhausts me.

Reality and the future are so close they’re getting out of focus. I can still stretch out my hand, searching for the answer.

Inside the buds of the future we must turn to, if you try listening carefully,
They’re praying for light and waiting in a world we haven’t seen yet, softly carrying their unease.
I’m sure that even if I get tired someday and want to erase everything, your voice will call me back.

Hey, try looking closely. If the wind’s direction changes a little, the weather clears.
To the sign, to the tomorrow it points to, we can stagger on.
I’m sure that there’s a small light just past this distorted world.
It’s not an Eden where everything is granted, but you’re here.
The wind is gently pushing at my back. (Ah, my self from up until yesterday is pushing at my back.)
Yes, once we connect the ends of the parallel lines, they’ll become a wheel of light.

Light Prayer - Yumi Uchimura

LUPIN the Third -峰不二子という女-

作詞、作曲、歌：NIKIIE / 編曲：中島ノブユキ

Duty Friend

Not intended to infringe copyright whatsoever.  All rights belong to Kill la Kill and Sayonara Ponytail. 

Shinsekai Kokyougaku  FULL - Sayonara Ponytail - Kill la Kill


VIDEO GIRL AI OST 1 KIMURA MAKI - ANO HI NI LYRICS

Tsumetai kaze ga mado o nagasu no samishii yoru
 Kogoeru mune atatametakute
 Ripurei ano natsu o
 Namiuchigiwa de odokeru anata tanoshisou yo
 Hutari dake no omoide no bideo
 Hitori de nagamete iru no

 Sukoshi terenagara suki da yo to
 Tsubuyaiteru
 Usotsuki no anata no kao namida iro de
 Nijindeku

 Anata setsunai yo gomen ne konna ni
 Ima mo omoi wo nokos***eru
 Hutari no subete wa kono hikari no naka naraba
 Mada maki-modoseru no ano hi ni

 Ryoute ippai no omoide o shinjite ita
 Kurikaes***e kazoeru kedo
 Koyubi kara susumenai no

 Anata soba ni ite sos***e uso da yo to
 Itte kokoro wo dakishimete
 Hutari no subete ga kiete shimau nara
 Ima sugu ni maki modos***ai ano hi ni

 Anata setsunai yo gomen ne konna ni
 Ima mo omoi wo nokos***eru
 Hutari no subete ga kiete shimau nara
 Ima sugu ni maki modos***ai ano hi ni

『Video Girl Ai』-  Ano Hi Ni (Ending Tema)

Egao ni Naru - Rina Satou & Asuka Oogame -Koufuku Graffiti

Nadesico Movie - Dearest Ed

IBAN ILLU. KAKINONO BY RMI BAND

A nocturnal soul ride through wet London streets, confessionals with bite, doo-wop shadows, and brass that snarls. All 20 tracks revolve around love, relapse, and guts, with both swagger and scars.

Nadesico Movie - Dearest Ed

traiya

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