thanks, mate. for me ... you are one of the very few (like traumprinz and his monikers, the giegling lbl and the stone in focus vid from aphex twin, et al) i've been coming back again and again after a night out or not. godspeed boy. it oesn't get better than your video artwork from it never ends. a 100 thank you's from vienna.

<a href="spotify:artist:7icoOm5fKKPo49jVxoj1Cq">Anfisa Letyago</a>'s favorite tracks. Updated regularly. Curated by Anfisa Letyago. More track IDs <a href="spotify:genre:track_id">here</a>.

Anfisa Letyago's track IDs

Are We Here? (30 Something)

Are We Here? (30 Something) [Dusky Remix]

Release It

Go (Anfisa Letyago Remix)

digitally released on december 3rd 2021
re-mastered by Isabel @ OLO mastering. 

digital download: transatlanticrecords.bandcamp.com/album/earthseed
vinyl pre-order: soon

nthng - Earthseed

nthng - Sunshine In My Eyes

Oderbruch

Menschen und Mauern

Buy/stream: https://kompakt.fm/releases/agartha_lp_dl

‘Where is Agartha? What is the specific region in which it lies? Along what road, through what civilizations, must one walk in order to reach it?.’ Saint-Yves d’Alveydre in 1886

Agartha, the debut full-length album by Japanese producer Wata Igarashi, is a mysterious, divine thing. Named for the mythical secret kingdom, understood as a complex maze of underground tunnels, perhaps designed by Martians who colonised the Earth tens of thousands of years ago, it’s a similarly mystical, perhaps even cosmic trip – but this time, exploring an inner, deeply personal cosmos. Beautifully detailed and bustling with rich incident, it takes Igarashi’s music to new places, which still retaining his unique sonic imprimatur; in this respect, it’s perfectly at home with Kompakt, a label that’s always encouraged artists to make the visionary music they need to create, to take risks and make sideways steps into uncharted territory.

An eloquent producer and DJ, Igarashi has been releasing techno for eleven years now, appearing on such imprints as The Bunker NY, Delsin, Midgar, and Time To Express; he has also self-released his productions via his WIP net label. Throughout, Igarashi has consistently explored his unique approach to techno and electronic music, one that’s eloquent and poised, even when it shifts into more psychedelic terrain; he’s a master at balancing the sensual and the functional, and he has an unerring ear for the right texture, the right tone, at the right time. He brings all of this into Agartha, his most thorough-going expression of self to date.

For Agartha, Igarashi had a strong concept he wanted to explore. Visualising specific scenes from an imaginary film based on the titular secret kingdom, he created soundtracks for those scenes, spending time during the pandemic in his studio, working away carefully at the ten tracks here. Given his background in creating music for television and advertisements, Igarashi is well-placed to explore the marriage of the sonic and the visual in such intimate ways, but freed from commercial concerns, he let his imagination run riot. He also drew on a rich palette of musical influences – techno is in there, of course, but you can also hear the smoky, improvised jazz of the likes of Miles Davis (to whom the album’s title is an indirect nod), and the minimalism and systems music of Steve Reich.

The latter is particularly pronounced on the gorgeous, beatless drift of “Floating Against Time”, where an arpeggiated sequence lingers, lovingly, around your ears for nine blissful minutes, coasting across swooning drones and waves of ambient noise. “Ceremony Of The Dead”, originally composed as part of a Sony 360 Reality Audio spatial sound concert, is a deep pass into systems composition, with various patterns overlaid and interlocking, before a wordless vocal rises from the depths, a gorgeous counterpoint to the swarming textures that gather across the track. On the other hand, tracks like “Burning” and “Subterranean Life” nudge toward Fourth World territory, painting deluxe dreamscapes of uncertain provenance; the title cut is an abstract drift-world, Igarashi painting an alien tableau dotted by shape-shifting creatures.

Agartha’s conceptual framework means that everything on the album sits perfectly together; listening to it in one sitting is a dizzying, lush experience. Its imaginings of inner landscapes recall, in some respects, the nautical, aqueous mythologies of the Drexciyan universe, though from different perspectives. But the result is Igarashi’s own creation, a deluxe, enchanting trip through the visionary Agartha of this unique producer’s cinematic mind’s-eye.

Agartha

Wata Igarashi - Searching

from ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ There Is A Place For Me

Releases July 7th
nthng.bandcamp.com/album/there-is-a-place-for-me

Written & Produced by nthng
Designed by Maciej Przężak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic

There Is A Place For Me

Infinity

The 030-Files

Shot Rhythm

A1 from i'd love to fly
releases may 30

pre-order
https://nthng.bandcamp.com/album/id-love-to-fly

music by nthng
picture by Karina Rovira
mastered by Isabel @ OLO Mastering
pressed at RAND MUZIK
distributed by Inchbyinch

I'd Love To Fly

And On

Rheist, a French producer living in Brussels, presents his latest vision of electronic techno—energetic, futuristic, and deeply emotional. No Way Back and Until We Meet Again were born from confinement, channeling the tension, frustration, and urge to break free that came from weeks of forced isolation. Strictly Physical emerged during a personal transition, transforming from raw industrial energy into something unexpected and introspective. B2 closes the EP as a dreamlike journey where synths speak louder than words, guiding the listener through darkness to discover emotion, movement, and the human pulse within sound.

[COM043] Rheist - Strictly Physical

GOD's Wheel

Blacklight Fantasy

PREMIERE > http://inverted-audio.com/premiere-aleksi-perala-uk74r1512110

Premiering on the Inverted Audio channels, we are happy to bring you the lead track from @aleksiperala 'The Colundi Sequence Vol. 1' as a taster. We trust you'll find it as instantly intoxicating as we did.

Aleksi Perälä - UK74R1512110 [Clone Records]

Shadow Work

Change

LF RMX 004

UK74R1409047 (Len Faki Deepspace Mix)

Music Label and Booking Agency based in Berlin

by @freestyler123

☆ General inquiries: hello@transatlantic.earth
☆ Booking inquires: david@transatlantic.earth

We stand for inclusivity and diversity in every direction, but are aware that we do not represent this yet. It is an important matter to us, since so much of the music and culture we love was build by marginalized communities. We want to use our platform to be a reflection of these values and evolve towards a more inclusive future.

We are working on this by being actively on the lookout for emerging talents and would hereby like to encourage artists from LGBTQI+ and POC communities to get in touch with us, whether that may be for sending demos for a release, being represented by our agency or any other potential creative cooperation.

💞

nthng - Earthseed

Transatlantic

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