Name: AI Blender by Trapgh0st
Duration: 1 min 13 s
Description: Machines chop the beat into vowels and glitches, a synthetic storm of bass.

An immersive blend of darkwave and industrial trap, where pulsing basslines, metallic rhythms, and haunting synth layers create a hypnotic, shadow-drenched soundscape.

S1DEP01NT

With Rockability, aZzma rewrites the rules of freedom in rock form. The grunged version drips with sweat and distortion, carried by pounding bass and jagged guitars. Her vocals move between whispers and screams, shaping the track into a rebellious statement. It’s dirty, alive, and entirely hers.

Lyrics :

Intro 
- Hey Jimi, they still playin’ it safe out there?  
- Safe is dead, mama, safe is six feet under.

Couplet 1 
In the 50s they dressed so neat, 
Tied their shoes, kept their beat. 
Families framed like TV screens, 
Smilin’ faces, plastic dreams.
Then the 60s came, brushed in paint, 
Love was loud but still so quaint. 
Pretty art in Sunday clothes, 
But freedom whispered, “break those codes.”

Refrain  Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 2 
70s hit with smoke and fire, 
Psychedelic fuel took us higher. 
Good acid, truth in every chord, 
We tore the cage, we cut the board.
Whiskey lips and freedom’s kiss, 
Stage was holy, pain was bliss. 
Screamed my soul till the lights went blind, 
Left the neat and clean behind.


Pont Plug the fuzz, light the night! 
Drink the blues, burn it right!  
Music’s mad, but music’s true, 
Rockability / it bleeds through you.

Refrain Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 3 
I saw the 90s crawl in the street, 
Concrete beats, no shoes on their feet.
Raw and real, the underground rose, 
But the ghost of the 70s still knows.

Now the 2000s polished the flame, 
Slick machines, but never the same. 
The spirit’s a shadow, chasing the past, 
Cause the wildest fire was the 70s blast.

Refrain final Rockability / set me free, 
Wild and dirty, that’s the key. 
Rockability / don’t you see? 
The 70s live eternally. 


Outro  
“Freedom ain’t polite, honey.”  
“Turn it up till it bleeds.”  
“And ride the storm, forever.”

Rockability

Rockability (Grunged Version)

A pure instrumental designed for festivals. The build rises with sweeping synths and tight percussion before detonating into a wall of melodic supersaws. Every frequency is balanced for impact, creating an overwhelming but clean energy.

Neon Highways

Futur Drops

The title track, both a love song and an anthem to Tokyo itself. Vocals describe kisses in digital twilight, while the drop feels like acceleration down an infinite road. Side-chained bass simulates motion, and shimmering pads paint rain-slick asphalt. Both intimate and euphoric.

Love not found, glitchy melodies, broken kicks, a bassline searching through static.

Dr0pit

Machines chop the beat into vowels and glitches, a synthetic storm of bass.

AI Blender

Trap’s final echo, heavy freestyle energy, ghost bass fading into the night.

Last Drop

The drop he ignored is now your heartbreak anthem. 

Senpai

KAWAII KICK TO THE FACE!

I’m the Ghost… in the Shell returns in a rare Breakbeat minimal cut, uniting Dark Earl, Lotus Pastel, and Ghost of Maya for the first time on record. Their friendship has stretched for years, crossing paths in shadows and echoes, but never converging in one song until now.

Here the beat sharpens, stripped down to raw pulse, carrying three voices that weave into each other like fragments of the same dream. Dark Earl’s alien confession meets Lotus Pastel’s spectral warmth and Ghost of Maya’s elusive presence. Together they shape a track that feels at once fragile and unstoppable, an answer not just to messages but to history itself.

This meeting is more than collaboration. It is resonance, the long-awaited alignment of three hidden worlds.

Dark Earl, Lotus Pastel, and Ghost of Maya chose to merge because they share the same vision: that their presence is not to be consumed as biography, but to be lived as art.

This collaboration is an indirect reply to the curiosity of fans. Not everything must be known, verified, or exposed. Their existence is a personal matter, their names only roles inside a wider universe. What matters is the message: sound as a mirror, art as the only truth.

I’m the Ghost… in the Shell (feat. Lotus Pastel, Ghost of Maya)


J’ai bu ton nom is the first absurd anthem from Intolérence. OldNEO’s fractured electronics meet Bob Salim’s voice in a strange ritual where words lose their meaning and sound becomes intoxication. It is not about logic. It is about delirium, obsession and the pleasure of breaking language apart until only rhythm remains.

Intolérence is born from the encounter between Moroccan DJ OldNEO and French singer Bob Salim. Two voices from different horizons, united by a need to break through limits.

OldNEO carries the weight of heritage, bending Andalusian echoes and classical muwashshah into electronic landscapes built on breakbeat, darkcore, and drum & bass. Bob Salim brings a sharp French lyricism, a voice that cuts between chant and poetry, intimate and violent at the same time.

Their music is not polite. It grows from conflict, from the refusal of silence, from the fracture between cultures and generations. Intolérence crafts soundscapes where Arabic modes and French words face each other, overlap, and collide.

The result is raw, unsettling, and magnetic. A band that does not hide behind masks, but steps forward with noise, tension, and beauty, uncompromising and direct.

J’ai bu ton nom

Born in the deep pulse of Georgia, USA, TrapGhost are a young couple who treat trap as both ritual and rebellion. Their music is not just bass and beats, it is haunted storytelling where Southern grit collides with futuristic sound design. Raised on the legacy of Atlanta’s trap pioneers yet drawn to the shadows of underground EDM, they carve a sound that is both intimate and spectral. Dark pads drift like memories, robotic vocal chops confess like ghosts in the night, and every 808 they drop feels like a heartbeat echoing under purple fog. For TrapGhost, trap is not a genre but a séance, a way of summoning love, loss, and survival from the other side of silence.

AI Blender

Trapgh0st

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