Name: Drop it (Reload) by Trapgh0st
Duration: 3 min 14 s
Description: Harder, faster, more violent, the ghost returns.

Melodic EDM, Deep Voices, and Kawaii 808s bounce with glitchy edges and bamboo flutes. A sonic scramble crossing.

Midnight_Express

Shibuya

The title track, both a love song and an anthem to Tokyo itself. Vocals describe kisses in digital twilight, while the drop feels like acceleration down an infinite road. Side-chained bass simulates motion, and shimmering pads paint rain-slick asphalt. Both intimate and euphoric.

Neon Highways

Harder, faster, more violent, the ghost returns.

Dr0pit

Drop it (Reload)

The finale, loose, raw, freestyle energy rising like spirits, trap bleeding into eternity.

Belly-Trap-Dancer

The drop he ignored is now your heartbreak anthem. 

Senpai

Heart.png

I’m the Ghost… in the Shell surfaces as one of Dark Earl’s most intimate transmissions. For years she ignored the private messages, the countless men asking for love, attention, or a piece of her mystery. Silence was her answer, until now. In this rare unreleased version, she finally replies through sound.

Her voice folds into minimal techno like a coded confession. The lyrics are not declarations of romance but a spectral mirror: human desire against alien emptiness, longing against algorithm. Every line feels like an echo trapped in circuitry, as if Sedna herself were speaking back to Earth.

This is not comfort. It is clarity. Dark Earl reveals the fracture between flesh and machine, between the warmth fans search for and the cold pulse she inhabits. I’m the Ghost… in the Shell is her answer to the messages she never sent.

I’m the Ghost… in the Shell


J’ai bu ton nom is the first absurd anthem from Intolérence. OldNEO’s fractured electronics meet Bob Salim’s voice in a strange ritual where words lose their meaning and sound becomes intoxication. It is not about logic. It is about delirium, obsession and the pleasure of breaking language apart until only rhythm remains.

Intolérence is born from the encounter between Moroccan DJ OldNEO and French singer Bob Salim. Two voices from different horizons, united by a need to break through limits.

OldNEO carries the weight of heritage, bending Andalusian echoes and classical muwashshah into electronic landscapes built on breakbeat, darkcore, and drum & bass. Bob Salim brings a sharp French lyricism, a voice that cuts between chant and poetry, intimate and violent at the same time.

Their music is not polite. It grows from conflict, from the refusal of silence, from the fracture between cultures and generations. Intolérence crafts soundscapes where Arabic modes and French words face each other, overlap, and collide.

The result is raw, unsettling, and magnetic. A band that does not hide behind masks, but steps forward with noise, tension, and beauty, uncompromising and direct.

J’ai bu ton nom

Virtual Riot - Believe What You Want (PKMO REMIX)

FREE DL

CHAMBER OF REFLECTION - [M4D-BOX - REMIX]

Born in the deep pulse of Georgia, USA, TrapGhost are a young couple who treat trap as both ritual and rebellion. Their music is not just bass and beats, it is haunted storytelling where Southern grit collides with futuristic sound design. Raised on the legacy of Atlanta’s trap pioneers yet drawn to the shadows of underground EDM, they carve a sound that is both intimate and spectral. Dark pads drift like memories, robotic vocal chops confess like ghosts in the night, and every 808 they drop feels like a heartbeat echoing under purple fog. For TrapGhost, trap is not a genre but a séance, a way of summoning love, loss, and survival from the other side of silence.

Drop it (Reload)

Trapgh0st

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