Ahoy, maties, enjoy this epic outtake culled from the Diamond Bay album sessions. 

Paired with a set of remixes from heavyweight Groove-master The Mole and cult-favourite funk maestro Zongamin, this freaky little ep of bonus bits packs a fair hunk of vegan meat on the digital bone.

Grab a digital slice of the pie over at @multiculti 

https://dreemsdreems.bandcamp.com/album/flying-tiger
https://multiculti.bandcamp.com/

Opium Tiger, Flying Again

This is like the 'B3' cut on the record.. that didn't actually make the cut 😕. Contains some serious nods of the head to a fav old acid track.

Blue Water

Free DL on the DL

Untitled (emo Acid Tab)

The ICE LP was created by Maxim Wolzyn over a period of three years, mostly whilst touring throughout Germany by train as part of the Günther Lause duo. Spread over eight tracks, the LP poetically captures the complex networks of railways and tunnel systems that carry with them the thoughts and feelings of millions of people, aspiring to attain an overall impression of the collective consciousness of a society on the move. 

Inspired sonically by the soundscapes of urban spaces, rail stations and the pulsing motions of modern mass transportation, various field recordings are mixed with reverberating synthesizer patterns and percussive composition, creating a mixture of straight forward techno and dystopian ambiences. 

While being reminiscent of Berlin's dub techno tradition it also transcends the typical club context, moving into the realm of the intimate and personal.

Time to

The Phoenix Suburb (And Other Stories)

08 Taqiya

Die Wilde Jagd - Drachenfels

Mothership 40
Etwas warmes braucht der Mensch

Trapho Volvo - Blume bleibt offen!

Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per- cussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Düsseldorf stands Wolf Müller, master of the tropical drums and se- ven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt, Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted Euro dance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a Crash Bandicoot victory dance...so stretch out and step in to ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergar- ten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1. Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece; but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excel- lent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom, the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for mental health.
(wordsmith: Patrick Ryder!)

Instrumentalmusik von der Mitte der World

Wolf Mueller & Niklas Wandt - Traum 4 (6:51) snippet

Pauline Melech a.k.a. @https://soundcloud.com/stroppy_pie ( Belarus, Minsk )
Pauline began with a career as a DJ and over time she switched to writing music
"Ethnosound of various geographical spaces (in particular, Afro-Voodoo-Arab) always works as a source of inspiration. Now I am working hard on the project, which consists in “introducing” cymbals (Belarusian folk instruments) into electronic music, and this already looks like a search for a Belarusian ethnic group.
I especially like to extract sounds from everything related to the microphone)
As for this track, this is my first release. Everything is recorded in my home studio (drums, pipes, harp ..). The track was created quickly: in a few weeks,  with inspiration from afro music and this atmosphere

Bandcamp

Stroppy Pie- Wild Cuckoo

three tracks made for nightclubs. late night or morning hours. best would be to listen on high volume.

Smoke Kraut

Dreems latest instalment is a collection of b-sides, alternate versions, and didn't-quite-make-its from his latest album 'Diamond Bay'. 
Music for swimming around the cosmos from the comfort of your own living room. 

Purchase it over here : 
https://dreemsdreems.bandcamp.com/album/in-deep-waters

Tracklist below : 
	1.	Rays In the Shallows
	2.	Bathing in Myrtle Suds
	4.	The Bends (Re-bent)
	5.	In The Ditch
	6.	Oyster Cove 
	7.	Coasters Retreat (Ambienté Version)
	8.	Meltdown / Recovery (Angophora Remix)
	9.	Moonlight in the Depths

˚∆˚ Bandcamp ˚ ∆˚

Dreems - In Deep Waters ∆ snippets ∆  [MCLP005DD]

https://soundcloud.com/abstraxion
Buy Release: https://lionsdrums.bandcamp.com/
Youtube Stream: https://youtu.be/vPRXrQfXy2o

In May 2019, Lion's Drums recorded an album at a Kogis' (Kagabas*) village, in the Sierra Nevada mountain of Santa Marta in Colombia.

Kagabas are indigenous people who consider themselves to be the guardians of the Earth and are concerned by the modern world's attempts to destroy it. The mountain - in Colombia - is their home, it is quite literally a microcosm, a mirror of the planet in which every ecological zone is represented. The damaging lifestyles which stems from the capitalistic dogma are affecting their environment and from their vantage point on the mountain they can see how this is straining the rest of the planet. 

Singing is a staple feature of the Kagabas culture, it is considered as a way to connect with the environment. There are for example a song of the monkey, of the deer, snake, laughing or even death - singing is a way for the Kagabas to feel safe around these animals and concepts and to live peacefully among them without fear and without the need to chase them away. As there's no writing, music and singing are a way to pass memory, knowledge and awareness down through generations. 

The ongoing ecological disaster, the uncertainty of the current times and the temptation for many of the youths to leave the mountains for the big city life make this transmission issue all the more critical.

As we exchanged prior to my visit and while I was there, the recording and sharing of these songs was a recurring topic and we agreed to have singing at the core of this musical project. 

Lions's Drums was welcomed to spend a week within their community to record this album. I spent most of the time there with the Máma of the village (Mámas are spiritual and intellectual guides that keep the memory of the civilization) and his son Camilo, with help from Franz who has been working with the Kagabas for about 15 years now as part of the Native organization which he runs.

This album combines songs, field recordings of the village and of its surrounding nature, as well as musical compositions he made in his studio. They liked the result and approved this album to be released. Fully aware of the responsibility the Kagabas have entrusted him with. he decided to self release this album and will give all the benefits to the Nativa organization to support its fight for the replanting of trees and getting land back.

* Widely known as « Kogis », the name they were given to by the « civilised man », they actually call themselves « Kagaba ».

Kagabas EP

Alouatta

PREMIERE: Lion's Drums - Alouatta (hembra)[Lion's Drums]

Max Rotor gives you a warm welcome to my very own personalized Industrial disco groover pattern boy:

PowerPoint

He is the shaking Shark in the Soup of Ivan Katerfeld´s spicy Radius Miller Westend Smarty Bowl, quiet very hot served in his wonderful endless Garden of Steel and Roses.

(VolvoLane)

Trapho Volvo - Blume bleibt offen!

PowerPoint

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