Stuff and things

Buy/stream: https://kompakt.fm/releases/hack_the_system_feat_futuradora

Renowned for her genre-blending approach and sharp production skills, Brazilian-Austrian artist Joyce Muniz returns to Kompakt with her powerful new single, “Hack The System.” This track marks a bold artistic statement that goes beyond the dancefloor, merging infectious electronic rhythms with a deeper socio-political message.

Featuring vocals by Futuradora, “Hack The System” is a call to awareness—an urgent and rhythmic critique of structural inequalities and digital surveillance culture. With pulsing basslines and hypnotic synth work, Muniz crafts a track that is as politically charged as it is club-ready.

This is Muniz’s second release on Kompakt, following the critically acclaimed “Beats & Lines” with Sara Bluma. Where that track explored personal connection, “Hack The System” speaks to a collective resistance and the need for systemic change, aligning with Muniz’s roots in underground culture and activism.

“Hack The System” will be available via Kompakt’s digital platforms and streaming services.

Hack the System (Instrumental)

Joyce Muniz - Hack the System (Instrumental)

Man, how cool is that?
The story behind Phantom of the Paradise is that Robag Wruhme saw/heard this songvon YouTube during a live set in Kyiv with Die Vögel. Upon request, Jakobus Durstewitzvand Mense Reents, aka Die Vögel, created a version for Robag. And this is exactlyvwhat's now being released in a sound-rich outfit and old-rose color on Tulpa OvivRecords as a Secret Weapon. We're very excited!
Tulpa Crew

@dievoegel

T.O.R. 013 Die Vögel - Phantom of the Paradise

At Traum Schallplatten, we have always been dedicated to discovering forward thinking artists whose music expands the boundaries of electronic sound. With a careful curation of talents who share our vision for innovative, emotionally resonant music, we are proud to present Wukah’s „Spiralformig“ EP.
Hailing from Cork, Ireland, Gavin (aka Wukah) is an educator of young, eager minds by day, and a keen raver by night.
Classically trained in piano and with a background in short film scoring, his music takes influences from cinematic music, and he likes to incorporate film music samples and ideas into the progressive/melodic house format to make music which is deep, melodic, and very emotive and occasionally emotionally overwhelming!
For his new „Spiralformig“ EP, Wukah has decided to fuse his usual progressive, melodic sound with a slightly more left-field, euro-electronic sensibility in his sound design, and is also bringing in a lot of personal story into the production. The story that runs through the 3 tracks speaks to a succession of personal challenges faced at a crucial turning point. For instance, the spiraling synth arps in the breakdown of the titular track „Spiralformig“ speak to a life spiralling out of control, and being left in an unresolved emotional state. The progressive movement and spiraling synths of „Suchen“ speak to the sense of searching for a new identity as a person in the wake of dramatic changes in life. The slow pace of „Slow Down“ followed by a select few moments of dramatic rises followed by sudden edits into quiet speak to the feeling of escalating desperation to resolve emotional issues instantly, but accepting the reality of having to slow down and to allow processing to take its time.
Wukah has releases on multiple underground labels, and is slowly building a name for himself in the London progressive house raving scene, gaining a lot of interest from significant labels, so is one to watch.



Slow Down

Anna Schreit is a Berlin-born DJ and producer known for sets that cut across genres with a mix of groove, grit, and edge. Growing up in a musical household – her father the frontman of East Germany’s cult art-rock band Stern Combo Meissen – music was never just background. For Anna, it was a way to make sense of things.

Raised in the middle of Berlin’s techno scene, it wasn’t until a night out in Munich that things really clicked: a chance encounter with house music lit the fuse. The rhythm, the warmth – it stuck. From there, she dove deep into sound.

Since 2012, she’s been building sets that go beyond the obvious. From sunrise slots at Sisyphos, to stripped-back live streams on HÖR or The Lot Radio, to records like her Duck EP on Compost, Anna brings a sound that’s raw, grounded, and unmistakably her.

One highlight: her ARTE Concerts set – a moment that took her sound to a wider audience without losing its edge. As a resident at Sisyphos, she’s become a steady presence in Berlin’s underground – not chasing trends, just playing with intent.

You might know Ben Evers from Adana Twins – but this one's all him. Stepping out solo, he’s dialled in a sound that hits hard and stays with you. His remix? A peak-time weapon. Tight arrangement, proper weight, and a sonic punch that could rattle the mainstage. Every detail locked in – made for the floor, no fillers.

Written by Anna Schreit 
„2 Be Free“ Produced by Anna Schreit & Clemens Kynast
„Wanna See You Dance“ Produced by Anna Schreit, Kees van ‘t Klooster, Clemens Kynast, Philipp Stoya
Vocal Recording by Jonathan Gradmann
Published by Copyright Control.
Mastered by Lopazz. 

„Wanna See You Dance (Ben Evers Remix)“ Mixed & Mastered by Matthew Styles-Harris.
Published by BMG RIGHTS MANAGEMENT - Edition TAU Rights
Distributed by Kompakt.
Artwork by studio mizuiro.
Also available on Bandcamp and all the other digital platforms.

Label: Live At Robert Johnson, 2025
Catalog No: Playrjc 128

Wanna See You Dance

Anna Schreit - Wanna See You Dance

Tojami Sessions

Release Date
2025-08-01

Label
Haute Musique

Catalog
HM063

Tojami Sessions - Amor Virtual BDTom remix Cut version

Nae:Tek, Deemkeyne - Backward Flowing Rivers (Moodeep Rmx) [Superordinate Dub Waves]

We're delighted to welcome back Amount, aka Nayan Soukie, to Darkroom Dubs as he returns with four subterranean throbbers that effervesce with trance-inducing lawlessness.

A Darkroom Dubs favourite who first debuted in 2013 as one-half of house-combo Soukie & Windish. Since then, he's flourished as a renowned producer, DJ, and seasoned live performer, developing a penchant for sleazy burners primed for the darkest of rooms and those hazy, sunrise-lit, after-hours moments.

This latest offering from the Berlin native, entitled Zeroton, is an essential addition to an already impressive back catalogue, with appearances on imprints such as Feines Tier, Running Back, Frank Music and his own URSL label.

Play 'em loud & play 'em proud!

Mastered by Conor Dalton at Glowcast Audio.
Art by Elena Galkina.
Design by made.by.andy
℗ & © 2025 Darkroom Dubs
https://darkroomdubs.bandcamp.com
https://www.darkroomdubs.com

https://soundcloud.com/amounttechno
https://soundcloud.com/darkroomdubs

Amount - Story [Darkroom Dubs]

More music: https://wearesoundspace.com
Submit your repost: https://wearesoundspace.com/submit-your-repost

Instagram: bit.ly/soundspaceinsta
YouTube: bit.ly/soundspaceyoutube
Facebook: bit.ly/soundspacefb
Spotify: spoti.fi/3QKRWCl

YokoO
https://soundcloud.com/yokoo

Cali Lanauze
https://soundcloud.com/calilanauzemusic

Ryan Crosson
https://soundcloud.com/ryancrosson

Opulence
https://soundcloud.com/opulencerecordlabel

MORE MUSIC

Premiere: Cali Lanauze & Ryan Crosson ft. Greg Paulus - A Matter of Time (Yokoo's Remix) [Opulence]

Francesco Tamburrano - Metapontum (Radio Badjay Rmx) [Superordinate Dub Waves]

Melopee is proud to present you their third RETROFUTUR compilation, including 6 tracks by their most regular artists.
 
Endrik Schroeder opens the ball with the pure warehouse banger "Automated" ! The track's sonic intensity never falters, driven by a relentless rhythmic structure and saturated synthetic textures. The modulated layers and the syncopated break recreate the visceral urgency worthy of the underground raves of the 90s.
 
With "Happy End," Brandski distils a contagious euphoria, designed to set the dancefloor ablaze with collective joy. A leading figure of the Italian-French new wave, he creates a track as jubilant as it is unstoppable, where rhythmic mastery flirts with festive instinct. An invitation to luminous abandon: arms raised, shared smiles, communion guaranteed.
 
With "Eldorado" John Lord Fonda reaffirms his status as a key ambassador of French techno on the international scene. The track unfolds a relentless, extremely tense groove, where darkness becomes driving tension. A rigorous, almost martial sound signature, serving an uncompromising vision.
 
"White Light" by Panthera is a polished track that transports us on a euphoric journey. The heavy, incisive kick blends with atmospheric layers and heady arpeggios, creating a constant tension that culminates in thunderous drops. The whole thing is supported by a deep, vibrant bassline, typical of the 90s rave scene.
 
Once again, Berlin's My Secret Playground stands out as the architect of a muscular German nu-disco, flirting with the boundaries of techno. "Don't Panic" combines percussive pulses and dark tension, while distilling subtle reminiscences of the disco aesthetic. A masterful sonic hybrid, between retro hedonism and contemporary intensity.
 
Club Mayz delivers a masterful closing performance with "Tonight I Have To Hide", an electro track fueled by the raw heritage of Detroit techno and the dark textures of EBM. The track combines dramatic tension and synthetic precision in a nocturnal and introspective aesthetic.
 
soundcloud.com/melopeerecords
instagram.com/melopeerecords
facebook.com/melopeerec


Automated - Endrik Schroeder [Mélopée Records]

Written for the MIT Media Lab's Mediated Matter Group. The video can be seen at https://vimeo.com/136764796

Written and Produced by Jeremy Flower.
Many thanks to Carla Kihlstedt - Violin.

From their Vimeo page:

Glass 3D Printing (G3DP)
Additive Manufacturing of Optically Transparent Glass developed by the Mediated Matter Group at the MIT Media Lab in collaboration with the Glass Lab at MIT.
Ancient yet modern, enclosing yet invisible, glass was first created in Mesopotamia and Ancient Egypt 4,500 years ago. Precise recipes for its production - the chemistry and techniques - often remain closely guarded secrets. Glass can be molded, formed, blown, plated or sintered; its formal qualities are closely tied to techniques used for its formation.
From the discovery of core-forming process for bead-making in ancient Egypt, through the invention of the metal blow pipe during Roman times, to the modern industrial Pilkington process for making large-scale flat glass; each new breakthrough in glass technology occurred as a result of prolonged experimentation and ingenuity, and has given rise to a new universe of possibilities for uses of the material. This show unveils a first of its kind optically transparent glass printing process called G3DP.
G3DP is an additive manufacturing platform designed to print optically transparent glass. The tunability enabled by geometrical and optical variation driven by form, transparency and color variation can drive; limit or control optical light transmission, reflection and refraction; and therefore carries significant implications for all things glass. The platform is based on a dual heated chamber concept. The upper chamber acts as a Kiln Cartridge while the lower chamber serves to anneal the structures. The Kiln Cartridge operates at approximately 1900°F and can contain sufficient material to build a single architectural component. The molten material gets funneled through an alumina-zircon-silica nozzle. The project synthesizes modern technologies with age-old established glass tools and technologies producing novel glass structures with numerous potential applications.
The G3DP project was created in collaboration between the Mediated Matter group at the MIT Media Lab, the Mechanical Engineering Department and the MIT Glass Lab. Researchers include John Klein, Michael Stern, Markus Kayser, Chikara Inamura, Giorgia Franchin, Shreya Dave, James Weaver, Peter Houk and Prof. Neri Oxman.

Glass

Bandcamp: ochre.bandcamp.com/album/beyond-the-outer-loop
Spotify: open.spotify.com/album/6gOkTOsw1ax9UYZ5zVghOu
Apple: itunes.apple.com/us/album/id1203813166
http://ochremusic.com

Beyond the Outer Loop

Anaphora

Bandcamp

Dovim "Cryo Gemini" (Traum V196) available at
https://pro.beatport.com/release/cryo-gemini/1686280
https://itunes.apple.com/de/album/cryo-gemini/id1073175186 

Release Date: 05th February 2016

See video at YouTube - https://www.youtube.com/playlist?list=PLf4vXE-5-YtHmLAuxxSzkAl20gKqTILM6

See more at Traum Schallplatten webpage
http://www.traumschallplatten.de/traum/traumv196/traumv196.html

Cryo Gemini

Dovim - Cryo Gemini (Traum V196)

This remix medley of mine, based on various themes taken from Nintendo’s Legend of Zelda  game franchise, seems to pop up now and then on the radar of various blogs, so I thought it might be useful to offer a few notes about the circumstances under which it was written. Although I’m a huge fan of the franchise, with many happy memories playing Zelda: A Link to the Past  on my SNES, the remix didn’t come about purely as a celebration of the game and its music; it was written for a 2003 competition (I think it was 2003 anyway — my memory’s pretty hazy) hosted by UK games mag Computer and Video Games, and sponsored by Nintendo and Turnkey (a chain of UK music stores). The possibility of winning a Gamecube bundled with Zelda: Wind Waker, plus an Access Virus Indigo 2  VA synth, was too good to pass up. So over the course of one weekend I set about writing a little remix medley homage to the music of Hyrule.

As luck would have it, after completely forgetting about the competition, I got a phone call a few months later, from one of the competition organisers notifying me of my win, and a couple of days later I received the Gamecube and Access Virus, feeling like an excited kid on Christmas morning. Somewhat regretfully, I then sold the Virus a month or so after, as at the time I was wholly convinced VSTi synths were all I’d ever need (oops), and that the proceeds of the synth would be better spent purchasing another UAD-1 DSP card, as they were a just couple of hundred quid short of a grand at the time. Ah well, at least I still have the Gamecube (mostly used for Mario Kart!).

Buy on Bandcamp

Zelda rmx

detektivbyran - om du moter varg

DEMOS for any of our labels: TRAUM, TRAPEZ, TRAPEZ LTD, MBF, MBF LTD, ZAUBERNUSS - please send all info to this email: demo@traumschallplatten.de

Dovim - Cryo Gemini (Traum V196)

TRAUM Schallplatten

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