I also love the other songs you made for the show Tree, the one that goes "It's in your hands it's in my hands, it's in your hands it's in my hands" when Siringo arrives at the Danforth Hotel. And the song that goes "All these questions in life...aint nothing for you here, aint nothing for you here! Be careful what you ask for! Aint nothing for you here!" when Siringo searches through the barn. I'd love it if you could upload those songs too!

Love So Hard 05

Teach Me Tonight

DOWNLOAD THE ALBUM: http://bit.ly/ReachMeOST
SUBSCRIBE: http://www.youtube.com/LakeshoreRecords

PARTIAL TRACK LISTING 
01. Opening Theme 0:00
02. Kiss My Ass 0:30
03. Frank On The Golf Course 1:00
04. Bank Robbery 1:30
05. Shut the Door 2:00
06. Colette Gets Out 2:30
07. Henchman Road Trip 3:00
08. Thumper Finds The Book 3:30
10. Confessional 4:00
11. Adios 4:30
12. Roger Doesn't Believe 5:00
13. Tourettes Stuntman 5:30
14. Wolf Goes To See Father Paul 6:00
15. I'm Free 6:30

Tree Adams - Reach Me Soundtrack - Official Preview

CLEXA Love Scene

We Are Grounders

I wanted to put my spin on Tree Adams' score and contribute to the huge world of the show, "The 100". There's some grit, hope, and the unity of two clans of people saying that our fight is never truly over.
*Extended version is coming eventually!*

The 100 Alternate Theme - "Our Fight"

Youtube clexa video for this song:  https://www.youtube.com/watch?v=8DAe0rq1YRk  check it out!

A song dedicated to Clarke and Lexa from the 100. In the wake of episode 3x07 and episode 3x09 I couldn't figure out my emotions... So I wrote a song about how I felt and posted it. Please let me know how you like it, and please don't cry! Rate, comment, subscribe!

Twitter: @lilmurray519 
Facebook: www.facebook.com/sarahmurraymusic

Lyrics:

You're like a flame in the ocean,
And I'm a ball without a chain,
We fought together side by side
But I was dying every day

Cause when you looked at me
I fell down to my knees
And now it's too late
But I should've said this to you.

And I will love you until the earth dies again
Until we fly together way up in the sky again
And now you will never know
The things I couldn't tell you so
I'll be living in flashbacks and all that we left unsaid.
May we meet again.

I remember once I said 
Maybe life is about more than just surviving
And you didn't know, the weight those words would carry now
So I'm here, staring at your bed
Your face running through my head
And now I'm screaming out your name
My one true heart's regret

And I will love you until the earth dies again
Until we fly together way up in the sky again
And now you will never know 
The things I couldn't tell you so 
I'll be living in flashbacks and all that we left unsaid
Reshop, Heda, may we meet again. 

After countless betrayals and "nothing can save us" 
We always came back to the ground

And I will love you until the earth dies again
Until we fly together way up in the sky again
And now you will never know 
The things I couldn't tell you so
I'll be living in flashbacks and all that we left unsaid
Commander, may we meet again.





Sky Commander (Original- Free Download!)- Sarah Murray

St Peter

Tree Adams approaches the sound of a wooden spoon mashing potatoes, church bells tolling in Corsica, or air/a signal pushing through a tube mic pre with equal interest. Any of these could inspire a fresh way to tell a story with music, which is what he does. Equally at home conducting a large orchestra, programming beats in the studio, cranking out loud guitar solos in an amphitheater or arranging vocal parts with a gospel choir, Tree lives to create original and unique work for his every project. 

Over the past 20 years, Tree’s adventures in film and television have given him the opportunity to collaborate with great talent in diverse styles. Recent projects include a haunting battle score for Jason Rothenberg’s THE 100 (CW.) The score is rife with middle eastern colors and epic orchestral themes. Ken Biller’s international espionage thriller, LEGENDS (TNT) features a more minimalist approach combining solo cello and electronic soundscapes. For the John Hertzfeld’s redemption film “REACH ME” (MIllenium Films), a traditional orchestral score.  A gritty rock score for “CALIFORNICATION” (Showtime), an urgent cerebral score for the crime drama, “PERCEPTION” (TNT) a high energy electronica score for action/thriller “RUN” (Millenium Films.) A dusty western score for “SWELTER” and hip hop for Denis Leary and Bob Fisher’s comedy “SIRENS” (USA). 

Tree was somewhat reluctantly immersed in classical piano training at an early age.  When he was around 10 years old, he heard Hendrix, at which point he picked up the guitar and found his love o’ the sport.  He spent most of the ‘90s on the road as the frontman for a rock band called the Hatters, who released several records on Atlantic.  They were road warriors, touring with bands like the Allman Brothers, Tribe Called Quest, King Sunny Ade and Jimmy Cliff.  While in the studio recording the band’s last album, Tree had the opportunity to produce an end title song for a studio feature film and he had his first taste of music as an applied art.  He found the process of working to picture exciting and intriguing and when his band dissolved later that year, Tree set out on a new course as a composer.  

Since then, Tree has enjoyed collaborating with filmmakers to craft music with storytelling.  He says that typically, a composition forms in his head before he even picks up an instrument and often, the centerpiece of an idea will evolve by experimenting with a sound or a piece of gear in the studio in the initial stages of the process.  Although his primary skills as a performer are as a singer and a guitarist, he employs a much more expansive palette with his adventures in film and television.  

Born in Berkeley, raised in New York City, Tree lives on the east side of Los Angeles with his wife and kids 


St Peter

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