A multi-national project featuring members of Shape Of Despair, Eye Of Solitude, Panthiest, Officium Triste, Imper Luminis and Hamferd, CLOUDS orchestrate solemn odes of pain and sorrow dedicated to departed souls. Forged following the passing of someone close and dear, to hear CLOUDS is to lose yourself in a grievous journey through paths of desolation, anguish and despair.

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Clouds - You Went So Silent

Luke John Ingram, Luke Ingram, 2025, rock

Lonely

Angel Motel


Laughing at the Riverside is a nostalgic indie rock ballad that captures the emotional texture of a summer evening reunion among old friends. Set by the riverbank at dusk, the song explores themes of memory, time, and quiet connection. Through poetic verses and a melancholic male baritone voice, the lyrics reflect on shared stories, lost moments, and the bittersweet beauty of aging friendships. The chorus, anchored by the line “Laughing at the Riverside,” evokes a sense of timeless joy and emotional release. Instrumental sections—ranging from ambient intros to orchestral crescendos—mirror the emotional arc of the night, making the song feel cinematic and deeply personal.

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🎵 Laughing at the Riverside
Lyrics by Martin Oliver Beinersdorf

[Intro – Twilight Pulse (0:00–0:45)  
Soft piano arpeggios in low register.  
Muted bass pulses gently.  
Ambient pads with tremolo shimmer.  
Delay-washed electric guitar textures.  
No drums yet, slow emotional build.  
Mood: dusky summer evening, anticipation, warmth.]

Verse 1  
We parked the cars by the willow bend  
Sun bleeding out like a quiet friend  
You brought the cheap wine, I brought the old jokes  
Someone lit a fire, someone almost choked  

The river moved like it knew our names  
Skipping stones, trading old mistakes  
You said, “Remember that night in June?”  
I said, “I barely remember you”  

Pre-Chorus  
But the laughter came easy, like it used to  
And the silence felt softer than truth  

Chorus  
Laughing at the Riverside  
Where the past comes back but never bites  
We were ghosts in denim and light  
Laughing at the Riverside  
Like nothing ever changed  
Like everything was right  

[Instrumental Bridge – Echoes in the Current (2:10–2:40)  
Drums enter with off-kilter rhythm (5/4).  
Muted trumpet and trombone add melancholic accents.  
Dissonant guitar chords slowly resolve.  
Synth sweeps mimic water movement.  
Mood: flickering memories, emotional tension.]

Verse 2  
You played that song from senior year  
It cracked like vinyl, but we all cheered  
The moon hung low like a borrowed time  
And someone cried without a sign  

We talked of jobs, of kids, of loss  
Of how we all got a little lost  
But no one judged, and no one lied  
We just let the river decide  

Chorus  
Laughing at the Riverside  
Where the past comes back but never bites  
We were ghosts in denim and light  
Laughing at the Riverside  
Like nothing ever changed  
Like everything was right  

[Instrumental Interlude – Denim Ghosts (3:30–4:10)  
Strings (violin, cello) play a nostalgic theme.  
Piano repeats intro motif, higher and fragile.  
Slide guitar adds emotional texture.  
No drums, ambient bass carries the mood.  
Mood: time suspended, quiet reflection.]

Bridge  
The fire burned down to a whisper  
And I wished I’d said more to her  
But maybe that’s the point of nights like these  
You feel too much, and speak too little  

[Build-Up – Firelight Crescendo (4:40–5:10)  
Drums return with driving rhythm.  
Brass and strings swell into crescendo.  
Open guitar chords with tremolo.  
Warm synth pad underneath.  
Mood: emotional climax, shared joy and sorrow.]

Final Chorus  
Laughing at the Riverside  
Where the echoes feel like lullabies  
We were young, we were terrified  
Laughing at the Riverside  
Like nothing ever changed  
Like everything was right  

[Outro – Riverside Fade (5:40–6:20)  
Sparse piano notes like water drops.  
Reverse guitar effects echo memories.  
Slow bass pulse like a heartbeat.  
Field recording: river sounds, distant laughter, crickets.  
Mood: closure, memory lingering, peace.]

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© Lyrics and concept by Martin Oliver Beinersdorf. All rights reserved.

Laughing at the Riverside

Elegant... And Dying

And The Kiss Of God's Mouth - Part II

Beloved

Sovran

Pale Tortured Blue

Katatonia, the Swedish purveyors of dark progressive rock/metal, have released their eagerly awaited 10th studio album The Fall of Hearts, through their long-time home of Peaceville Records.
The official follow-up to 2012’s acclaimed Dead End Kings was recorded at Stockholm’s Studio Gröndahl & Tri-lamb Studio, and was self-produced by Anders Nyström & Jonas Renkse. Mixing and mastering duties were carried out by Jens Bogren (Opeth, Ihsahn, Devin Townsend) at Fascination Street Studios, with Karl Daniel Lidén (Switchblade, The Ocean, Greenleaf) brought in as engineer.
The dramatic yet desolate artwork was created by long time Katatonia designer and illustrator Travis Smith.
Katatonia have spent the past four years since the release of Dead End Kings touring the world, as well as expanding their fanbase through two special albums on Kscope, the sister label of Peaceville. 2013 saw the release of Dethroned & Uncrowned which exploded the core of the songs on Dead End Kings creating new moods and textures. In 2015, they released the live acoustic album and concert film, Sanctitude. Both releases illustrate the band’s journey toward this, their current more progressive sound.
The Fall of Hearts is the first record to feature new drummer Daniel ’Mojjo’ Moilanen and with the addition of their recently recruited guitarist Roger Öjersson (Tiamat), who came in just in time to sprinkle some blistering solos on the album, Katatonia will continue to push their musical boundaries beyond their roots in the metal scene while drawing in new fans from across the musical spectrum like peers such as Opeth and Anathema have also done, cementing Katatonia’s place as one of the most revered and cherished of all bands in the world of modern heavy music.
Katatonia comment on The Fall Of Hearts “This album is probably everything we unknowingly ever dreamed of to release. It’s a bleak but adventurous journey through our elements, we haven’t held back, we have pushed to get forward and backward in the ever spiralling night of our musical legacy.”
The Fall Of Hearts is available on the following formats - Deluxe 12” hardbook, 2 Disc CD & DVD Mediabook, CD, 2LP (inc. download code)
Formats are available now to order
CD / LP / Deluxe Edition / exclusive bundles: 
peaceville.com/store  
omerch.eu/shop/katatonia/
Digital: smarturl.it/KAT_TFOH_DIGITAL

Katatonia will be playing European Summer festivals before embarking on a headline tour of South America and Europe – for full tour details www.katatonia.com 


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