Detroit original, Terrence Dixon, returns to Tresor Records to kick off 2026 with ‘When Stars Remember’. Despite his thirty-year career, Terrence has always managed to keep a lower profile than his peers; he has given few interviews, preferring instead to speak through his music, with cryptic song titles hinting at the thoughts swirling around their creation.

However, ‘When Stars Remember’ finds him stepping forward. “I wanted to get closer to the dancefloor. I consciously made this one feel louder…made with Tresor specifically in mind.”
And the EP does just that: whilst many of the hall marks of a Terrence Dixon production are present, the drums are more forward; the synth arpeggios so bold that ‘monumental’ seems a better descriptor than ‘minimal’.

“I put three or four sounds together on the same track, layering to make something bigger”, he says of opening track ‘Mono Collapse’, though the statement could apply to any of the music appearing on the release as all four pieces fold in sonics to create something hypnotic; more than the individual parts:

“If you stick with the same layered tones, and repeat it over, after a while your brain changes it on its own; you hear a lot of things: things that you didn’t notice at first, things that maybe aren’t even there.”

The absence of things is another main theme of the EP, especially what Dixon sees as ‘The Forgotten’, a group of fundamental principles like common sense, trust, loyalty, honesty and respect that are missing from modern life. “This world is different…the love is gone. But I love everybody, man. I think, secretly, everybody love everybody, but they just don’t know it.”

Terrence Dixon - When Stars Remember

As with the band’s 2023 release of the same name, Refreshing Part 2 is a decisive and fierce collection of percussive techno that nonetheless travels its path with a heightened level of funkiness.

The Italian duo describe the concept behind this collection as being “not about resetting, but about balancing. Refreshing means reconnecting with the present and with the future…focusing on one’s own way in order to prevent the flow from becoming automatic, uncontrolled, and without orientation. It is more a direction than a path.”

The four tracks on the 12” are hypnotic dives into a full spectrum of club music: the rhythms and sound design guiding the subconscious into visions of past, present and future intermingled, a reminder that all moments co-exist simultaneously. 

Side A passes from the stripped-down intensity of The Way through to Elisir (Elixir), which manages to pull off a trick of feeling light and floaty while maintaining the power of its predecessor. The flip side opens with the forceful drive of Activate before making way to the percussive elasticity of Family Tree, a track which closes out the EP by recalling, in both name and sound, how that which came before deeply affects the now, though often in ways only subliminally perceived.

Digital-only track Fixed in Flux continues this concept, and the overall themes of Refreshing Part 2, with further evocations of intent and movement; remaining present in change, without resisting it, yet without dissolving into it.

Fireground - Refreshing Part 2

BANDCAMP

TYGAPAW - Together You Gather All Power Applied Worldwide

As the label turns 35 years, Tresor Records’ ongoing reissue series comes round to Scan 7’s 1999 album, Resurfaced.

A true exemplar in the canon of Detroit techno, the LP is a further reminder of Scan 7’s confidence to patiently let the music unfold, never needing to overplay their hand. This is demonstrated from the first second as Random Soul opens with a slow downbeat and soft, almost imperceptible synths before quickly settling into a perfect groove whose power is present without the need for a hard edge. This strategy is utilised throughout the album in tracks like Black Wall and Unit Seven, while Invisible Invasion and Twisted Groov add in some intensity for deeper moments in the club.

Remastered by Mike Grinser from the original DATs, the double vinyl features the original eight tracks from the album, while the digital version (and cassette tape) includes two bonus tracks: Custom Made and Mind Trap.

Scan 7 - Resurfaced

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness. Transport – the new full length effort of the Borderland collaborative project – brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.

The Detroit-Berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. Borderland remains caught in a state of enraptured stillness, invisibly moving between every
imagined future for electronic sound making. The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.

Juan Atkins & Moritz von Oswald present Borderland - Transport

A rare mix from the originator of Techno, Juan Atkins, as part of the celebration of three decades of Tresor, the German nightclub, label, and institution.

Recorded at the Tresor club in Berlin at the beginning of 2020, before the Covid-19 pandemic turned the world upside-down, the mix spans the full spectrum of sub-genres that Techno has evolved into from its beginnings with Juan and his peers in 1980s Detroit. As such the mix is true testament to the genre from one of its founding fathers.

Juan’s classic track I Love You features on the forthcoming Tresor 30 compilation - 52 tracks of classics and exclusive commissions that map the flight path of Techno from the pioneers to the producers of today and tomorrow. This alongside the recent reissue of the seminal 3MB record Juan made alongside Moritz Von Oswald and Thomas Fehlmann perfectly encapsulates the long-lasting connection between Juan Atkins and Tresor, between Detroit and Berlin.

https://shop.tresorberlin.com/store/tresor30-clear-vinyl-boxset/
https://tresorberlin.bandcamp.com/album/3mb-feat-magic-juan-atkins

2020-01-10 - Juan Atkins at Tresor

Juan Atkins Live At Tresor 10.01.2020

Buy Tresor 30 Boxset

Juan Atkins - Live at Tresor 10.01.2020

Writing about techno is quite difficult without falling into clichés: there are only so many ways that you can say something about a music whose core elements are forged on deliberate repetition; where real talent is attributed to those who can find the perfect groove where nothing needs added or subtracted to hold the listener's attention for upwards of five minutes. 

Such tracks are the hallmark of Tresor's catalogue, and this joy in repetition can be found in works from Detroit, Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the Tresor chronology. 

The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene. 

Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.; each of the tracks showcase the artist's burgeoning talent for creating the essential foundations of techno; perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones. 

Backward Improvement marks the addition of a new name in the list of techno's best producers and proves that while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are worth unearthing.

UFO95 - Sexual Tension

Techno producer .VRIL brings his sublime hybrid live set to Globus for the Kotti Island showcase recorded May 11th 2023. 

-----

Follow .VRIL
Instagram: https://www.instagram.com/vril_01
Facebook: https://www.facebook.com/vrilofficial
Resident Advisor: https://ra.co/dj/vril
Soundcloud: https://soundcloud.com/vril_01
Bandcamp: https://vrilofficial.bandcamp.com/album/animist

.VRIL (Hybrid Live) | Live at Tresor - 11.05.23

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

Cybotron - Parallel Shift

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANCDACMP

Helena Hauff - Multiplying My Absurdities

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops.
Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape.
Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

Helena Hauff - Humanoid Fruit

Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. 
Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12"s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.

Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7's debut LP, Dark Territory. 
First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released. 

Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7's leader, Trackmaster Lou, clearly had when writing "I hope you enjoy my records in the phuture to come" in the sleeve notes nearly 30 years ago.

Shipping on or around November 29th.

Scan 7 - Planet Energy

Life

DJ Plant Texture - Ripetitivo (Stretch Mix)

Berlin-based producer and DJ, @ryanjamesford, delivers 2.5 hours of sounds from across the techno spectrum. Recorded live at the Tresor Records 33 Anniversary event October 5 2024.

Follow Ryan James Ford
Instagram: https://www.instagram.com/ryan.james.ford
Bandcamp: https://ryanjamesford.bandcamp.com
Discogs: https://www.discogs.com/artist/3949886-Ryan-James-Ford
Resident Advisor: https://ra.co/dj/ryanjamesford
Soundcloud: https://soundcloud.com/ryanjamesford

Ryan James Ford | Live At Tresor - 05.10.24

Berlin-based techno producer and DJ MYTHON brings a live set recorded from the basement at Tresor Klubnacht January 11, 2025

Follow @mython_music
Instagram: https://www.instagram.com/mython_music
Discogs: https://www.discogs.com/artist/7148487-Mython 
Resident Advisor: https://ra.co/dj/mython
Soundcloud: https://soundcloud.com/mython_music

MYTHON (Live) | Live at Tresor - 11.01.25

Irish techno producer, Kerrie, returns to Tresor Records on the 24th of October 2025 with her second EP for the label. Entitled Echoes Of The Live Wire, this collection captures the beauty and essence of live performance; a moment in time never to be repeated.


This fixing of time is also given a different meaning as the EP explores the ways in which intense moments in our lives, both joyful and painful, are crystallised into memory, both beautiful and haunting, lingering long after they've passed.  


Layered meanings are employed throughout as Kerrie explores this idea: Live Wire draws connections between circuit boards and the human nervous system, whilst also toying with multiple meanings of the word “live”.  


Echoes Of channels classic Detroit techno influences, resonating with the distant hum of memories that refuse to fade, while Moment To Memory is a beatless, floating piece which slowly builds to an ecstatic crescendo.  Digital bonus tracks Recircuit and Reclaim add further depth to the core metaphor: the former a driving, minimal yet building techno work-out, and the latter a cathartic and emotionally open track that delivers intensity with vulnerability.  


Echoes Of The Live Wire reflects on memory as a complex, dual-sided force where joy and pain coexist with equal weight. Her creative process becomes a form of meditation and emotional processing, using machines to process, reflect, and let go. The result is a body of work that loops back on itself, telling a story of fleeting moments and their lasting emotional imprints.

Kerrie - System Awakens

Tresor Records announces the first-ever reissue of Drexciya’s 'Fusion Flats' 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos. 

Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series. 

25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.

Drexciya - Fusion Flats (Octave One Remix)

A pulsating techno set from Italian duo Dynamic Forces, recorded live at Tresor Meets Kerrie, July 18, 2025.

Follow Dynamic Forces
Soundcloud: @dynamic-forces
Instagram: instagram.com/dynamic_forces/
Resident Advisor: ra.co/dj/dynamicforces/

Photo credit: Marie Staggat: marie-staggat.com/
-----
About Tresor Berlin
At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future.

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Dynamic Forces | Live at Tresor - 18.07.25

Dopplereffekt - Olbers Paradox

Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025.

This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.

Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.

Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form. The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.

Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:

a mirror reflecting in a mirror
harmony within a system
identities in perfect balance

Dopplereffekt - Collapse of Simultaneity

Dopplereffekt - Time Modulation-Graviton Pulse

The term annex typically describes a structure joined to a main building, offering extra space or function. In this spirit, Tresor Records revives the ANNEX series with a new end-of-year collection that serves as an extension of the label and club’s output, adding to the creative life that has unfolded within Köpenicker Str. 70 over the past years.

Since the club moved in 2007, the Kraftwerk complex has been repurposed from its original use as a power station to fulfil multiple functions that bring people together to collaborate and congregate: Office, venue, club, exhibition space, and home to the Berlin Atonal festival, the Tresor Foundation, and the Academy of Subcultural Understanding. With the arrival of the Hard Wax record shop in 2023, the building now offers another way for the like-minded to come together and to share ideas in a common space.

ANNEX echoes the many roles of the building by fostering introduction, connection, and creation: all of the music within was created by individuals directly linked to Tresor: from club staff and residents to Hard Wax employees and long-time friends.

Across 28 tracks, the compilation unites artists from various backgrounds and generations, some collaborating for the first time, creating a moment in motion as Tresor heads into a new year.

Endrew - Overcome (Do It Mix)

Substance - Relief

Mython & Jonas Xenon - Nudge

UFO95 - Desire

IMOGEN - Speak Your Mind

Ryan James Ford - Geodesic Domain

Shed - YQWA

Terrence Dixon - The Art Of Possible

Terrence Dixon - Mono Collapse

Terrence Dixon - Code Of The Forgotten

A funky and driving live set from @viikatory, recorded at Tresor Still Awake?!, January 2, 2026.

Follow Viikatory
Soundcloud: @viikatory
Instagram: instagram.com/viikatory/
Resident Advisor: ra.co/dj/viikatory

Photo credit: Marie Staggat: marie-staggat.com/

VIIKATORY (Live) | Live at Tresor - 02.01.26

Two and a half hours of locked-in grooves, courtesy of DJ NORTHERN, recorded live in Globus, January 24, 2026.

Follow DJ NORTHERN: 
Soundcloud: @djnorthern
Instagram: instagram.com/dj.northern
Resident Advisor: ra.co/dj/djnorthern

Photo credit: Marie Staggat: marie-staggat.com/

DJ NORTHERN | Live at Tresor - 24.01.26

PREMIERE: Fireground - Activate

PREMIERE: Fireground - The Way

PREMIERE: TYGAPAW - Duppy Know Who Fi Frighten

Scan 7 -  Mind Trap

Scan 7 -  Random Soul

Scan 7 -  Custom Made

Scan 7 -  Black Wall

Scan 7 -  Invisible Invasion

Transport

Lightyears

Odyssey

Riod

Merkur

Juan Atkins & Moritz von Oswald present Borderland
Transport Remixed (Tresor.298)

A. Transport (Carl Craig Remix - 12” Edit)
B. Transport (Carl Craig Remix - DJ Deep & Roman Poncet Rework)
Digital. Transport (Carl Craig Remix)

Closely following the release of the last Borderland single, the focus returns on Transport, the last collaborative album by Juan Atkins and Moritz von Oswald. 

Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side.

The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally. Both are available to anyone who purchases the record, through the enclosed download card.

On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.

Tresor.298 will release on November 3rd on 12” vinyl and digital.

Juan Atkins & Moritz von Oswald - Transport (Carl Craig Remix - DJ Deep & Roman Poncet Rework)

Mike Huckaby - The Tresor Track

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Tresor Records

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