Inland - Hallen

'Rushing, constructing, experiencing, humanizing, celestial, exploration, excitement, and expansion.'

PLUR is the new record label from Ryan James Ford. The inaugural release 'Ripping EP' begins a new path of club focused tracks from himself and other like minded contemporaries. PLUR will act as a tool to discover new energy on modern dance floors.

Written & Produced by Ryan James Ford
Mastered by Alden Tyrell
Artwork by Delphine Lejeune
Distributed by Clone NL

PLUR001 - Ripping

Ripping Greg (Mike Mix)PLUR001

Stojche - Asset 008 (Tangible Assets 08)

A1  Frontline
A2 Body Language
B1  Farewell
B2 Nihilism

https://www.syncrophone.fr/stojche-asset-08-a4568.html

Worldwide Distribution : Syncrophone

Mastering & Lacquer Cut : Keith Tenniswood @ Curve Pusher, UK

Artwork by Aleksandar Tanchevski

Manufactured by MPO, Averton France

All rights reserved by Tangible Assets (c) 2023

From the very beginning in 2011, Tangible Assets imprint has been reluctant to exclude the musical essence of underground Techno culture as we know it.With the 8th instalment on the label, Stojche continues to harm the dancefloor by showcasing 4 distinctive, podium-focused Techno jackers. ASSET008 demonstrates powerful Tech funk character and the overall dynamics of the record lays in an up-tempo stomping ground. The protagonist behind Tangible Assets is very familiar with this territory. Tangible Assets drama continues. Feel the force!!!

Stojche - Asset 008 (Tangible Assets 08)

buy it here

Christoph Faust - A Sunshine Moment (Live Cut)

Fireground's live sets brim with joy and Mediterranean warmth, so as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo? 

As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:

"We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe.

In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part."

This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody&hellip;every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.

BANDCAMP

Fireground - Etereo

Supported by Kia, Ben UFO, Nastia, Batu, Soraya, DVS1, Sister Zo,  Akanbi, CCL, Pariah, Jon Hester, Yushh, French II, Gigi FM, Jurango,  Doctor Jeep, Madam X, Dj Rolando, Sybil, Sunju Hargun, Om Unit, among others.

"La creación de las aves," the third release from Andy Martin's own imprint, Diaspora Echoes, takes inspiration from the surrealist vibes of Remedios Varo's artwork. This EP dives deep into rich, textured sounds that are perfect for getting lost in. It's got those deep beats that pull you in, layered with intricate sounds that echo a mysterious and fantastical vibe. Each track feels like a journey, making this release a unique and immersive experience.

4.- Andy Martin - The Observer Is The Observed

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops.
Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape.
Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

Helena Hauff - Humanoid Fruit

3 Steffi & Rosati - Big Rooms

Wrapping up the dolly TS year with a surprise single by label boss Steffi and Rosati!! 
“Bring the Beat” is a powerful, driving track with hypnotic vocals, deep grooves and pulsing bass lines. This high-energy single, crafted to captivate and ignite the dance floor was recorded at the Candy Mountain studio earlier this year and is the fist single of a bigger collaboration that will drop in 2025. Hope you’re ready. 



Steffi & Rosati - Bring The Beat

Support the Label here: osmium-lab.bandcamp.com

Track: Nitro
Artist(s): Strathy
Album: Various Artist - OSMVA001
Label: OSMIUM 
Catalog: OSMVA001
Format: digital
Genre: #electronic
Style: #techno
Release date: 25.04.2025
Mastering: @farkas_erdoben
Artwork: @Frieder_S

Support the Artist:
IG: https://www.instagram.com/strathy_dj/
SC: https://soundcloud.com/strathy

Support the Label:
SC: on.soundcloud.com/osmium-lab
IG: www.instagram.com/osmium.lab

Premiere: Strathy - Nitro [OSMVA001]

Get this compilation here https://www.beatport.com/release/selected-50/4947950

Label owner @florian-meindl selected 50 tracks throughout the history of the label to form a contemporary selection, enjoy the ride!

All tracks mastered by Riemann Mastering Berlin

Florian Meindl - Chord Raider (Decka Remix)

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Fireground - Etereo

Tresor Records

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