Non ci sono parole! Scioccante!! Outstanding as usual! ❤️❤️❤️❤️

Following a remix on Kynant in 2018, IORI returns with the kaleidoscopic ‘Andromeda’, phasing DJ ammo in ‘Transit’ and ultra-deep sonics in ‘Under The Water’. Fellow Tokyo-based artist Wata Igarashi delivers a remix in his unique, mind-bending style.

Available on 12” vinyl and digital from May 14, 2021.

A1 Andromeda 
A2 Transit
B1 Under The Water
B2 Under The Water (Wata Igarashi Remix)

Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome.
Artwork by Christopher Honeywell
Distributed by N.E.W.S.

B2 IORI - Under The Water (Wata Igarashi Remix)

The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.

The EP's opening track "messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. 

124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.

PRE-ORDER NOW: bit.ly/124-bc
@donato-dozzy

messy kafka world

Buy 12" / Digital

Donato Dozzy - messy kafka world

10 Years Of Acid Test

Morena

Traversing The Vale

Buy on Beatport

Prag - Magtizm - Traversing The Vale

Digital: 
https://marcoshuttle.bandcamp.com/album/flauto-sintetico

Vinyl:
https://clone.nl/item40762.html

Dozzy and Neel's exciting new label Spazio Disponibile serves up a third release this summer, with the latest one coming from Italian Marco Shuttle. The techno stylist and Eerie boss serves up three tracks that continue to mark out his heady and hypnotic aesthetic. 

'Flusso Dinamico' opens up the EP with sevens minutes of brooding, streamlined and slick techno that is spooky and haunting. A gentle cacophony of big bells stomp over slick rubber drums and suck you deep into the groove. ‘Danza Cinetica’ is then darker and more intense but just as spacious and involving, with paranoid melodic daubs falling from above as suggestive little synth sounds bleep below. Lastly, 'Flauto Synthetico' is an adventurous 11 minute opus with slow, undulating drums forming a basis for experimental synth patterns, rugged phasing and distant bleeps to all colour the airwaves with a sense of late night and futuristic menace. It is music that is both cerebral yet visceral and fits in nicely with the MO of the Italian label so far.

A1.	Marco Shuttle - Flusso Dinamico
A2.	Marco Shuttle - Danza Cinetica
B1.	Marco Shuttle - Flauto Synthetico

Spazio003 - Marco Shuttle - Flauto Synthetico

from ostgutlp24-hr-usb

Barker & Baumecker | Promises In The Dark

Kannabi - Meimu Takaaki Itoh Remix - Katharsis 001

DJ Clea - Love Is So Confusing (Anthony Linell Remix)

Full track stream of "B2. Orange" from my "Orange EP" on Stilla Ton Records.

This track was recorded as a live take in my studio in Berlin, at the beginning of 2018 in the dead of Winter. A yearning for Spring, positive anticipation, new growth, blooming.

Available on Bandcamp and at major vinyl outlets:
https://stillaton.bandcamp.com/album/orange

Orange EP

Fugal - B2. Orange (Stilla Ton 005) OUT NOW!

Acronym- Rotation Matrix

Listen to the exclusive GROOVE-Premiere of Donato Dozzys Remix of Amandra & Karims track „Sqala 3", taken from the „Sqala EP” on Tikita. Released digitally and on vinyl on February 19th.

Read our introduction here: https://bit.ly/3q6oA31

Sqala (TIKITA012)

Amandra & Karim - Sqala 3 (Donato Dozzy Remix)

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Donato Dozzy - messy kafka world

Tresor Records

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