Did this track a while back for @anastasiakristensen 's compilation "Rewire & Acquire". 

All profits go to equalitynow.org - a global charity that works actively towards achieving legal equality for women, with a vision of ending normalisation of harmful practices and sexual violence towards women.

Buy link: https://anastasiakristensen.bandcamp.com/album/v-a-rewire-acquire

Cressida - Eye Of The Needle

Klaftertief

With the VOI 030 — »Sense«, the project Z.I.P.P.O (@zpakazippo) enters a new sphere within its own sound direction. This release is characterized by IDM texture work, glitchy percussion and drum patterns, that find their room within deep atmospheric spaces and carefully placed delay programming. Certainly, recognizable is Maffei’s eclectic taste for more complex electronic bits, which are also known from his more demanding DJ sets. »Sense« brings together different factettes of his nicely equipped studio arrangement, as you get to hear a range of grainy saturated hardware synthesis to innovative and more complex sound design. The sound of this record combines a bit of everything while keeping its very own character. If you like to give it a name, then it might feel like Aphex Twin meets Doppler Effekt and Pan Sonic.

VOI 030 B2 Z.I.P.P.O | F17th

Sydney Hard Dance w/ HEADNOIZ - 27.03.22

Slinky, a new album from The Fear Ratio, the collaborative project of Mark Broom and James Ruskin, is forthcoming on Tresor Records. In their first outing since They Can't Be Saved, released on Skam in 2020, they enlist British rapper King Kashmere, who features on two tracks. Where James Ruskin has appeared on Tresor Records for his seminal albums Point 2, Into Submission, The Dash and his recent Siklikal EP, the only appearance of Mark Broom on the label is a 2002 remix of The Golden Apple by Eddie "Flashin" Fowlkes. The duo unveiled this new work and collaboration with King Kashmere in a live show for a 30th Anniversary event for Tresor Berlin televised on Arte, performing amidst a battery of lights and fogged-up refraction. It demonstrated their rough-hewn fundamentals, roving melodies and investigative power, newly advanced by voice. 

Death Switch is the first appearance by King Kashmere, savaging questions on segregation and suffering, encoding into our brains the much-repeated refrain - "You wanna know, why they wanna flip the death switch". Spinning Globe captures Kashmere in a gritty flow over a swaggering beat, bouncing and resonant. This unsanded voice lends an enhanced texture and tension to the highly-processed sonic palette of Broom and Ruskin, accumulating with innate mettle.

Elsewhere, Appi dredges depths as widescreen beats lurk, digital artefacts pave the way to a hauntingly melancholic coda. Lacovset features singer Ella Fleur who has worked with Mark Broom on his solo release F&uuml;nfzig. It enacts a pointillist gated vocal alongside dolphin-like percussive communications. On LFIVE, the duo embalms their sonic textures with digital effects that flutter austerely with syncopation in the crosswind of a beat that recalibrates at points. An urgency slowly draws in on title track Slinky through fizzing electronics and fractured drums all corroded. Effem locates a semblance of euphoria, with a trance-inducing release led by swirling arpeggios. Closer KZAP finds the calmest moment on the record, with its wafting, nebulous synths and swamped hip hop beat. 

Slinky finds an ever-evolving project, The Fear Ratio shapeshifting by bringing in the voice into their work and continually pushing with their incredibly-effected rhythmic styles and peculiar, wandering synthesis. 

https://tresorberlin.bandcamp.com/album/slinky

The Fear Ratio, King Kashmere - Death Switch (feat. King Kashmere)

Originally reissued on the occasion of the 300th release on Tresor Records and the 20th anniversary of the mysterious Scopex imprint, Tresor is happy to present the long awaited re-edition of the package. 

The three crucial Scopex records and the previously unreleased track “Optimal Flow” are now joined by “Pressure Point”, a new track on the H-Side - available on vinyl for the first time on the 2022 edition.

Re-mastered from the original DAT tapes, the 4 records come together in a beautiful gatefold sleeve featuring the original and idiosyncratic Scopex designs with delicate spot UV print. Essential...

Tresor.300x will release on July 15th

https://tresorberlin.bandcamp.com/album/scopex-1998-2000

BANDCAMP

PREMIERE: Simulant - Pressure Point

A 1.5h breaks extract from our 4.5h set at Bike Jesus
Artwork by Alex Chudá

Teletext at Summer Season Opening [Extract, Bike Jesus - 21.5.2022]

Artist: Binary Algorithms
Label: Furatena
Title: Identity Crisis
Format: Digital
CAT: FTA EP03
Release Date: 07.10.2022

TRACKLIST:
01. Enhanced Bodies 
02. Génesis Cyborg
03. Artificially Programmed Memories

Buy the EP here:
Bandcamp: https://furatena.bandcamp.com/album/identity-crisis

Follow FURATENA here:
Facebook: https://www.facebook.com/furatena 
Instagram: https://www.instagram.com/furatena_/ 
Soundcloud: https://soundcloud.com/furatenafta

Follow BINARY ALGORITHMS here:
Facebook: https://www.facebook.com/binaryalgorithms.01 
Instagram: https://www.instagram.com/binaryalgorithms_/ 
Soundcloud: https://soundcloud.com/binaryalgorithms

TC Premiere: Binary Algorithms - Artificially Programmed Memories [ Furatena ]

A cyber-trap journey through neon streets and digital shadows.
Glitch energy, cold pressure, heavy bass — a soundtrack for those who move in silence and strike with precision.
Feel the pulse. Become the signal.


PARADIGMA

Riddim oddly?

FREE DOWNLOAD:
https://hypeddit.com/unsafe/nrvnpulsadenura

FOLLOW NRVN: https://soundcloud.com/nrvn_wav

Instagram: https://www.instagram.com/heynrvn_/

FREE DOWNLOAD

NRVN - PULSA DENURA

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

PREMIERE: Simulant - Pressure Point

Tresor Records

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