Trevor Felix release songs

THEO//PURA VIDA// PODCAST//live session

“Colombian Gangster” tells the story of a rebel with a purpose — a street legend who takes from the corrupt to give back to the people. It’s not about greed or glory, but justice with swagger. Blending gritty realism with Latin rhythm and cinematic storytelling, the song paints a portrait of a modern-day Robin Hood: fearless, loyal, and dangerous only to those who abuse their power.

This is the sound of defiance, loyalty, and redemption — the rise of a gangster with a heart for his people.

Columbian Gangster

“How Do You Love Me and Forget Me” is a raw, emotional ballad about the confusion that comes when someone loves you deeply — then disappears as if it meant nothing. It’s about the ache of being remembered in moments but forgotten in reality, the bittersweet echo of something that once felt eternal.

The song blends vulnerability with strength — asking the question we all face after love fades: How can someone hold your heart, then walk away like they never did?

How do u love me

"Same Bowl" is a soulful reggae anthem that transforms the concept of limitation into a testament of power. Through the potent metaphor of a fishbowl, the song explores how two souls navigate the same confined space—one feeling trapped by its walls, the other finding a universe within them. It’s a celebration of inner depth, ancestral strength, and the profound truth that our environment doesn't define us; our perspective and resilience do. With layered harmonies and a steady, uplifting rhythm, this track is a reminder that true freedom is built from within, turning any "bowl" into a sacred kingdom.

Title_ Fish Bowl

“Ego in the Static” is a dark rock confessional — raw guitars tangled in distortion, pulsing beneath soft, aching vocals. It captures the disorientation of living in silence and static, trying to find a sense of self in a place that never truly feels like home. The song balances tension and tenderness: verses whisper through the fog of loneliness, while the chorus breaks open like electricity, desperate and human. It’s about isolation, ego, and the quiet rebellion of surviving unseen.

Echo in the Static

Different Faces” is a smooth reggae–R&B fusion about the quiet power and pain of being an empath. The rhythm moves like a heartbeat — steady, soulful, and honest — while soft harmonies carry confessions of feeling too much in a world that hides behind masks. It’s the story of someone who sees the truth behind every smile, who feels love and heartbreak in every glance, and who finally learns to protect their own energy. The beat is warm and island-infused, but the emotion runs deep — a song about balance, boundaries, and finding peace within all the “different faces” you meet.

Different faces

Song Description for "WHY ME / WHY NOT ME (The Divine Paradox)"
"WHY ME / WHY NOT ME (The Divine Paradox)" is not merely a song; it is a hip-hop opera and a spiritual excavation. Structured as a dramatic dialogue between the fractured human ego and the omnipotent soul, the track chronicles the violent, beautiful awakening to one's own divinity.

Over a haunting soundscape of dusty piano loops, trembling sub-bass, and ethereal choirs, the listener is plunged into an internal schism. The journey begins with the desperate, frantic lament of "Why Me?"—a cry against the burden of consciousness, generational trauma, and the painful clarity of seeing the world's strings. This is the "Cocoon" of human suffering.

The track then undergoes a seismic shift, breaking open into a vast, oceanic soundscape for the "Why Not Me" declaration. Here, the voice transforms into a resonant, god-like authority, claiming ownership over every facet of existence—the pain, the parents, the path. It is the moment the "Caterpillar" recognizes itself as the "Butterfly," understanding that the prison was, in fact, a self-designed playground for evolution.

Utilizing a technical arsenal of shifting vocal personas, intricate internal rhyme, classical rhetorical devices, and generative flow, the song is a dense, lyrical labyrinth. It is a confrontational and ultimately transcendent piece that poses the ultimate question: What if your deepest suffering is not a punishment, but a curriculum you wrote for yourself?

Key Themes: Spiritual Awakening, Non-Duality, Theodicy, Generational Trauma, Self-Deification, Hip-Hop as Literature.
Sonic Palette: Haunting Piano, Atmospheric Choirs, Oceanic 808s, Glitching Samples.
Vocal Style: A one-man ensemble featuring frantic anxiety, lethargic despair, and divine authority.



Why me why not me

Song Description for "The real me"
"The real me " is a raw, lyrical journey into the heart of a survivor. This is not a song about tragedy; it's a testament to the quiet, fierce resilience that remains after the storm has passed. It chronicles the weight of generational loss, the chilling touch of grief, and the unique agony of mourning through a screen.

With minimalist production—a haunting piano loop, a heartbeat pulse, and raw, shifting vocal delivery—the track creates an intimate space for a story of profound pain. It’s about carrying the names of departed friends, touching the cold reality of death, and navigating the unresolved sorrow of a funeral you couldn't physically attend.

Yet, at its core, "Still Kind" is a defiant anthem. It poses a powerful question: After being broken by the world, how do you keep your heart open? The answer is the song's thesis and its triumph: a relentless, bulletproof kindness that becomes the ultimate act of rebellion. This is a hymn for the survivors, a tribute to the ghosts who walk beside us, and a reminder that the deepest scars often birth the greatest strength

The real me

**"THE BLUEPRINT"** is a minimalist, defiant hip-hop track that dissects the quiet violence of artistic gatekeeping. Built on a stark, clean beat punctuated by the sounds of sketching and bureaucratic rejection, the song unfolds like a formal complaint set to music.

Lyrically, it weaponizes the language of architecture and design to expose a system that praises potential while actively blocking its realization. The central metaphor is razor-sharp: the artist holds the complete, undeniable plans, while the industry, obsessed with deconstructing the genius, refuses to provide the tools to build. It’s an anthem for every creator who has been told they are "brilliant" but treated as a problem to be managed, not a talent to be unleashed.

The delivery is cool, measured, and dripping with analytical contempt, culminating in a powerful, spoken-word outro that serves not as a plea, but as a final notice: the time for their approval is over; the construction is already underway.

obsessed with the blueprint

DL LINK https://app.box.com/s/u659ctp8rw1bwigrqt6f2gxnbrxme9mt

Soca Kingdom Roadmix Machel Montano Ft Superblue SMJ X Dj Bonz

GC - PRIDE 2K18- by BEN BAKSON

2K18 Exclusive House Podcast for THICK Madrid.
Next thursday 5th July Iván Pequeño will be playing at THICK during Madrid Gay Pride.

Booking Contact: ivanpequenomusic@gmail.com
www.facebook.com/dj.ivan.pequeno
www.youtube.com/ivanpequenomusic
www.twitter.com/DjIvanPequeno
www.hearthis.at/rptnz8kl/
www.instagram.com/ivan_pequeno

Download

Ivan Pequeño - THICK PRIDE

28 Smash Hits remixes by  Bruno Knauer, Filipe Guerra, Apollo Oliver, Luis Erré, Elias Rojas, Altar, Mallover, Andre Grossi, Maycon Reis, Zambianco, Taylor Cruz, Thiago Antony,Leanh, Zuccare, Brian Solis, Eduardo Lujan and more...

Mixtapes

Divadrag

Quarentine Bagahitz Premium Deluxe - The Farofa's House Party Edition (ONLY SMASH HITS)

The Ciara London Edition 

The Perfect Mix to get you through your home workouts. 

Mashing up my favourite cuts across Dancehall, Afrobeats and Afrohouse, these up-tempo blends will keep you on your toes and get your heart-rate pumping. 

Mixed by Mercedes Benson

Quarantine Glow Up | The Ultimate Workout Mix 2020 (dancehall & afrobeats)

Trevor Felix is a photographer, author, and visionary artist creating emotionally driven music and visual stories. For inquiries or collaboration, contact: neweustace@yahoo.co.uk

Why me why not me

Trevor Felix

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