(00)? (04)? (07)Santos-No Rules (10)Böhm-Ethereal (14)Jark Prongo <3 (19)? (22)Blenk-Forward (25)? (28)ES-Q-No Go Zone ( 33)Known Artist- El Ritmo Fatal (Club MIx)(36)? (40)Hertz-Timballe (43)? (46)? (48)? (51)? (54)? (56)...

Cosmin TRG - Platforma Wolff 
November 2024

Cosmin TRG - Platforma Wolff 021124

Like That

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/time-space-110-jr-hartley

This week JR dives deep into some leftfield electronica introducing and playing some new promos and the spoils of a recent rummage around Bandcamp. He also gets some soundbites from a couple of the artists featured on the show, telling us a little bit about their music. Expect music from Comatone, Kreggo, NIAN, Polyfan Polyphenix, Braille, Holly Waxwing, lynyn & more.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Time & Space 110 – JR Hartley

Next up on the GROOVE Podcast is Ben Kaczor (@benkaczor). Go to bit.ly/4fLpkW6 for interview and track list.

GROOVE Podcast 470 – Ben Kaczor

Some DJs treat genre boundaries like walls; others see them as doors. Craig Gonzalez belongs firmly to the latter camp. A staple of Detroit’s underground and a resident DJ at Paxahau’s Third Thursday monthly, he has long been drawn to what happens when techno’s linear propulsion collides with the restless syncopation of drum & bass. That liminal space, the “grey area” between the two, has become one of the most fertile playgrounds in electronic music over the past decade, and Gonzalez shows why. In this mix, recorded as the opening set on the Movement main stage, he handles tempo as a fluid variable, shifting gears without friction and letting polyrhythms function as the connective tissue. It’s the kind of approach that resists the obvious peak and instead builds a topology of groove, a groove that bends but doesn’t break, carrying dancers across time signatures almost without them noticing. 

And while opening a stage that would later host Deepchord, Sama’ Abdulhadi, Octave One, and Jeff Mills could be seen as a daunting warm-up role, Gonzalez treats it less as preparation and more as architecture. Across ninety minutes, he layers patterns with patience, calibrating intensity so that tension rises and releases without tipping into spectacle. The set moves like a conversation that shifts from whispers to declarations, never overstated but always persuasive. It’s a reminder that flow is not just sequencing but narrative logic, and that true mastery lies not in domination of a dancefloor but in shaping the conditions for everything that comes after.

@craig-gonzalez
http://instagram.com/cgonz313

Write up by @gilleswasserman

Follow us on social media: 

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Delayed with... Craig Gonzalez (@ Movement, Detroit, May 24th, 2025)

SCR + TCC takeover

깊이 있는 그루브와 섬세한 감각으로 @stolarrecords 의 오너이자 디제이로  베를린과 함부르크를 누비는 Philip Priebe, 그리고 딥하고 강렬하면서도 매혹적인 사운드로 기글링같은 유명 파티의 멤버로, 그리고 수많은 주요클럽들의 플레이로 주목받는 아티스트 Orion.

TCC에 내한하는 두 아티스트가 전하는 순도 높은 전자음악이 TCC의 두멤버 Jetset Trash 와 , Darimi Table, 그리고 특별게스트 Vovian괴 함께 서울 커뮤니티 라디오의 밤을 뜨겁게 채웁니다 

6-7pm DARIMI TABLE https://www.instagram.com/darimi_table
7-8pm VOVIAN https://www.instagram.com/vovian__
8-9pm ORION https://www.instagram.com/orion_records
9-10pm PHILIPP PRIEBE https://www.instagram.com/philipppriebe
10-11pm JETSET TRASH https://www.instagram.com/trash_and_no_star

2025-08-16 - ORION - TCC TAKEOVER

Free Download

CRUSH

One of the most elusive and singular electronic music records of the century, Mothercave by Traumprinz feels like discovering a hidden world. A cavern of sound where eclectic rave samples, fragile melodies, and submerged rhythms echo into infinity. Both intimate and otherworldly, it’s a rare electronic album that defies genre and resists time—a true underground myth carved into vinyl folklore.

Traumprinz - Mothercave (Mixed Album)

Seung provided a piece of writing to accompany his wistful, evokative all-vinyl mix of ambient and dubbed out 4/4 selections. Read it below:

"When I began to work on this mix for Ben/Hyeonje, I didn’t quite know how to approach it. I think about being Korean in America often, especially in the current zeitgeist. I decided in the end to make a mix that represents the emotions that arise when my identity and status are on my mind. 

I’m not a Korean-American. I am a Korean in America. I’m not a Permanent Resident nor a US citizen. I am a DACA (Deferred Action for Childhood Arrivals) recipient, aka a Dreamer. My family overstayed our Visas, a result of many unfortunate turn of events in the late 90s. Although I was born in Seoul, Korea, and lived there for the first 9 years of my life, I have not been to Korea in 28 years. In fact, I have not been anywhere outside of the USA in 28 years. For most of those years, I simply couldn’t, as I would not have been allowed to re-enter the USA, and although now I have DACA, which allows for some travel, it has strict guidelines and it comes with risks, especially in a political climate like the one we find ourselves in currently. 

If you spent a bit of time with me, you’d probably assume with good reason that I was a Korean-American, born in the States. Even other Koreans/Korean-Americans often assume this about me. But I am what we Koreans call a 1.5 generation immigrant. I was brought to this country as a child -  I was old enough that I have maintained my Korean roots, and young enough to have fully become American in every sense (except on paper). I am fluent in Korean, yet I speak English with a neutral, Pacific Northwest accent. I do not need subtitles to watch a Korean film, and I get the humor on a Korean variety show, but I do not lead a  “typical” Korean-American life. I somehow feel more Korean AND less Korean than my American born Korean peers. 

When I think about Korea and being Korean, the overwhelming feeling I get is one of bittersweet longing. My memories of Korea are vivid and warm, yet fleeting like a dream, a past life I lived in some faraway mythical land. My current life here also feels like a dream. How did a curious little boy that used to ride the subways all over Seoul, end up on the 101 driving through Downtown LA?

My immediate family and I have been trapped in this vast land for nearly 3 decades. I recently lost both grandparents on my mother’s side who I hadn’t seen in 28 years nor spoken to much due to life, and I didn’t feel much of anything when I heard the news. It too felt like a dream. I can’t shake the feeling that had I maintained a physical connection to Korea and my family, their deaths would have felt more real. And maybe, my current life would feel less like a dream.

I hope I succeeded in translating all this into sound. This mix is dedicated to all displaced people around the world, longing to return home. 

Until the day I return to Seoul, I’ll keep on dancing."

***

Seung L is a Korean-born, US-raised house dancer and vinyl DJ with an ear for atmosphere and heady grooves. Having spent his formative years in LA’s warehouse scene in the 2000s, he has an equal affinity for house, techno, and ambient music - a breadth that informs his digging and mixing to this day. Seung is a cofounding member of the LA label & event series New Palm (@newpalm) and a core member of Gradient Campout (@gradient-campout). 

Tracklist:
1. Dasha Rush - Light and Dust
2. Rising Sun - The River Experiment III
3. Dasha Rush - Joy 100
4. Jake Muir - Dancing Vapours
5. Paralell Manifesto - Observe the Silence
6. Emile - Untitled
7. Hoavi - Siren
8. Dasha Rush - Dubby Doo
9. Donato Dozzy & Sabla - Flusso IV
10. Intrusion - Seduction (CV313 Morning Dub)
11. Move D - Ripples
12. Dircsen - Slow Float
13. Cousin - Catsu 
14. Birds ov Paradise - Åre Ljud
15. WAX - 50005A
16. Rising Sun Psyche - Reality Used To Be A Friend Of Mine
17. Amir Alexander - The Deepness

012 - Seung L - Return to Seoul

The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno.

There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB.

Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes.

That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring.

Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks.

His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there.

It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint.

@xdb

Find the tracklist and interview at ra.co/podcast/1021

RA.1003 XDB

Our new Fresh Talents V.A is here! Nice and fresh grooves from these 4 artists selected by Fran Ares! Enjoy! And Dance!



Download

Leisan - So pretty (Original Mix)

As a producer, DJ & label owner Cosmin Nicolae’s dedication to developing a rich and wholly personal artistic landscape provides the driving force behind one of dance music’s most unique & industrious individuals.

Opening the door on Hessle Audio over a decade ago - an outlet that has gone on to become a defining voice within electronic music in the 21st Century, Nicolae’s list of affiliations reads like a who’s who of top tier contemporary dance music record labels. Appearances on Amsterdam’s Rush Hour and Gerd Janson’s Running Back, as well as a brace of singles alongside LP’s Gordian and Simulat on the now defunct 50 Weapons - not to mention work for Semantica and Bleep, have cemented Cosmin TRG deep in the psyche of the ever shifting amoeba that is the dance music zeitgeist.

In many ways, what lies at the heart of Nicolae’s work - beyond the extraordinary pairing of high end sound design and club functionality, is an innate ability to bind his discography - to create a streamlined sonic vision without compromise, one that moves with purpose and vigour outwards to explore in depth structures that exist on the very periphery of House & Techno, Ambient & experimental electronics - but maintain a unique and recognisable finish. Few artists could boast a discography that marries 2016’s ubiquitous In Your Body, an anthemic spoken- word-meets-Tool-Techno leviathan released via Nicolae’s own club-focused Sportiv outlet, with Semnal - a gloriously executed LP of shifting, otherworldly Experimental music delivered under the artist’s given name via the Opal Tapes label.

Cult concept missive Hope This Finds You Well, Nicolae’s 2019 reflection on corporate culture furthers this same dichotomy - a stunning wide-angle Ambient LP on Fizic - the label operated by the artist as a home to more conceptual iterations, that followed hot on the footsteps of a remix for Bpitch founder Ellen Alien & the fourth instalment on Sportiv - both offerings heady club constructions in their own right.

On the road, both DJ sets and live performances mirror this healthy sentiment - with Nicolae as comfortable on main stages showcasing his take on hyper-modern propulsive Techno, as he is presenting the low slung avant-garde preoccupations of his more leftfield alias’. There’s the constant feeling that both these practices feed back into one another, and that from each respective vantage point, Cosmin TRG is able to make the kind of dynamic & intuitive artistic decisions that few can - keeping his work fresh & current without concession - ceding to his own desire to further his vision as a creator of sonic abstraction without losing sight of the dance floor.

Cosmin TRG - Platforma Wolff 021124

Cosmin TRG

Recent comments

MajaUlva

DJ Bigos (Mike Roter)

Beat Vox

Related tracks

Cosmin TRG - Platforma Wolff 021124

Cosmin TRG

Recent comments

__Maja__Ulva

DJ Bigos (Mike Roter)

Beat Vox

Related tracks

MajaUlva