Fonetica Amara

untitled

Guest Mix from @bungalovv

Original cover by Tavi Lee

.exe - girlfriend
Neutro Gris - ???
500 - afraid to love riddim
brea - wth (whytepplproblams)
bdstf - onlytrance
Neutro Gris x Marco Henri - ???
syntrovert - Sinfonia RKT
Lag Switch - Banshee (KAVARI Remix)
Slipknot - Insert Coin
oklou - 140 drh
Varg2� - SIREN CALL _ CCGG (4 M4J4) BLOW POP CROP TOP
Abssys - Its Good To Hear Your Voice
Anima - M2I
Ausschuss - True Partner
aamourocean - Ciel
opal - flashbang riddim
Tufi Meme - ???
Isaka x Enayet - ???
Bungalovv - ???
Okay Vivian - in your jaws
Bungalovv - ???
indigoblue � Diatomea
bdstf - Can't you stop shining_
Kyo - 4EVA
Samuel Organ - Magic Circle
LEXXI - METALS (GODUMB DUB)
Bungalovv (ft Avernian) - ???

Genome 6.66 Mbp w/ Bungalovv on Bahui Radio

"One of five recordings made on 15 April 2023 in Richmond, VA. Cassette/full released tba."
@scim1
@deskulling

Scim & deskulling - Bonk

Anunde

https://formforum.bandcamp.com/album/rim

BRYYA is a genre of music created by artist @Kat-Nzingha, exploring the restructuring of formless sonic materials into metamorphic affect.

All music by Kat Nzingha
Art by Dylan Van Roost

BRYYA - Slita

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record, out now on 29 Speedway, summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

Misty Ghost

@V3n3c3nt

V3n3c3nt fav kinder is Kinder Pingui 💋
Perfect mix to listen after the sunday mess  

« this mix is a love letter for my friend who is always there for me, Alicia <3 composed of a bunch of drone, ambiant, cute n scary stuff » 

♫ <33333333333333333333333333 ♫

❣ tracklist ❣
o_down - xenia reaper
sleep donation - sleep inc.
hospital corners - emre girginkaya 
saved - j.albert
no weaver - sef
halcyon edit - tenderness
asarja - belmont girl
flora - elysia crampton feat. jeremy rojas 
poem w/ivy - tina dj
heaven sent ft. calsutmoran x slavery - jak3
event horizon - hoodie
angel’s break - buttechno
i luv ya pretty boy - lizzle bizzle & yung bukkake

❣ ♫KINDER COUNTRY CLUB <3 #5 ⏤ santiagZZ invite V3n3c3nt♫ ❣

Passkey Radio invites Poison Damage - 14/06/2024

a love story for bugs by @nenuhir

this release was kindly supported by Arts Promotion Center Finland (Taike)

nenúhîr - i was adored

탁자를 치는 절절한 공짜 연설에 대하여 (short)

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect.

---

Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In Portland, OR, Ledesma co-founded and directed numerous organizations focused on experimental sound and community engagement such as S1 (an artist-run space) and the Synth Library (a lending library for electronic music equipment). Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin. 

releases January 29, 2021

mastering :: Ess Mattisson

cover artwork :: Felisha Ledesma

design ++ layout :: Robin JM Vanderheyden

all proceeds to Equitable Giving Circle :: www.equitablegivingcircle.org

Sweet Hour

Felisha Ledesma - 7:00 AM [Excerpt] (ENXPL04)

***M3g’s EP "Retrogrades" is up on bandcamp finally. Featuring five tracks in total, fresh four by M3g and a remix track by dn\d affiliate Shin Sung Hoon.
https://dingndents.bandcamp.com/album/retrogrades

탁자를 치는 절절한 공짜 연설에 대하여 (short)

M3g

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