the over all tape vibe is so amazing sickly don3

@Fantasna's 'Alien's Discotheque' ambient version highlights the harmonic work developed with synthesizers on the original track, seeking calm and introspection. Forthcoming on @Halcxn.

More: https://ins-rt.net/audio/fantasna-aliens-discotheque-ambient

Article

Premiere: Fantasna - Alien's Discotheque (Ambient)

Hollowed Out

Magazyn NN6T poleca: Z okazji zbliżających się Walentynek prezentujemy miks celebrujący różne, osobliwe i często trudne formy miłości dalekie od romantycznych ideałów. Amor Fati zachęca do umiłowania losu jakże często dającego się we znaki i odnalezienia harmonii w bezładzie. Zapraszamy do podróży przez różnorodne krajobrazy dźwiękowe, tempa i nastroje z intencją odkrywania coraz to nowych zachwytów w wyboistej i pięknie chropowatej codzienności.

Zestaw utworów:
Antonia Nowacka: untitled
Christina Vantzou / Lieven Martens / Jan Matthe / Christophe Piette: Serrisme: Glisten I
Ben Bondy: Kanga
xprhesh: luh
King Softy: Mornig Ritual
Mono Fontana: Tarde, de tu lado 
Slow Attack Ensemble: Dance Four
Naomie Klaus: No More Mistakes With Drumkit 
Operating Theatre: Honey I'm Home
Gayna Rose Madder: Element
Jasperino: Drip Drop Diet
Voice of Eye: Drifting
Leif: Hold Gem Cut
Pavel Milyakov & Bendik Giske: Unititled 4
SKY H1: Topaz
Kassir feat. Shumopeleng: Mope
DJ Healer: Gods Creation
Saphileaum: Arif
Aleksi Perälä: FI3AC2263040
Salamanda: Rain-Bow
Thanart Rasanon: recall
Jake Muir: Dancing Vapours
The Humble Bee: A Day of Light and Air
perila: choo
Evgeny Masloboev & Anastasia Masloboeva: dark night

Ilustracja: Ida Lissner

Bęc Radio: Amor Fati —> Set by Ignacy Hryniewicz

Taken from the upcoming EP 'Plasty II'.

Released March 23rd 2018, digitally, and on limited edition (300) vinyl, via Tri Angle Records.

Plasty II

Hanz - Clutched

out 26 october 2018
12" & digital
track 6 featuring @aradacid
photo/layout by christian alborz oldham
typography by joseph ruddick
center logo by shy

vinyl/digi available at: https://westmineral.ltd/releases/collex-ouest096/

http://westmineral.ltd
http://christianoldham.com
http://josephruddick.com

>:)

OUEST096: exael - collex (previews)

London experimental music platform Edited Arts readies its third release, mutate3k’s ‘Static’. Hear the spellbinding title track, featuring PAN affiliate Kareem Lotfy, now

More info: https://djmag.com/music/premiere-mutate3k-static-kareem-lotfy

Static

Premiere: mutate3k ‘Static (with Kareem Lotfy)’

New Year's Substitution 2 out January 1st 2020

Loraine James x J Albert - New Year New Meh

Laila Sakini - The Potion In The Pool (Flora Yin-Wong Remix)

Dreamcycles - Future Lights and Archetypes

https://sitequeeste.bandcamp.com/album/future-lights-and-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Memory Laneways

Taken from @iptpf's new EP 'Obsession' (G&P014), out now. Remixed by @rina-priduvalova
buy: ginandplatonic.bandcamp.com/album/obsession

ptpf is an acronym derived from the surname of Russian producer Ilya Potapov. Coming from Saint Petersburg, Potapov has been self-releasing comprehensive collections of sorely wrenched music for the past couple years. His first two projects under the ptpf moniker - '1935' and 'G.D. ' (dating back to 2015 and 2016, respectively) somewhat resemble the formula fundamental for the haunting atmosphere of an early witch house or other industrial offshots. Although the experimental nature of ptpf's works is evident throughout these releases, the transition towards more abstract realms manifests utterly on his 2019 album 'Salivation'. Coming out via the already-cult label Quantum Natives, 'Salivation' sees ptpf embracing the disorder and the tensity that was previously tamed and now has been let loose entirely. Gin&Platonic are now pleased to present ptpf's follow-up musical instalment - 'obsession'.

On 'obsession', Potapov's signature distant muttering collides with abraded power electronics, together creating a four-track EP full of dreadful emotional confession not everybody is ready to hear out loud. The disturbing nature of the project evokes a gradual dissociation from a long-forgotten tenderness into an emotional imbalance and urgent confusion. What once felt like affection, now feels like an obsession.
The leading single 'Shibari' is remixed by Rina Priduvalova, a Ukrainian interdisciplinary artist who released her first EP 'The Tears Of Things' in 2019. She is now in the process of preparing multiple audiovisual projects together with Diana Azzuz as Ximena. We also reached out to Greek rhythmic alchemists Ice_Eyes, whose releases we have on heavy rotation, having received a slamming remix of 'Nobody´s Fault'. Last but not least, the endlessly creative brain behind Quantum Natives themselves - ornine - closes the release with a sublime rework of 'Last Record'.

Written and produced by Ilya Potapov
@iptpf

Mastered by Wim Dehaen
@wimdehaen

Artwork by Jiri Macku
jirimacku.tumblr.com

📜

Hanz - Clutched

TriAngleRecords

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