I keep coming back to this track for years. Beautiful piece.

AVAILABLE FOR DOWNLOAD: https://kellyleeowens.bandcamp.com/

AVAILABLE ON LIMITED VINYL :
http://www.roughtrade.com/albums/89897
http://www.piccadillyrecords.com/prod/KellyLeeOwens-LucidArthur-NotOnLabel-103232.html

OR instore at Rough Trade, Sister Ray & Sister Ray Ace & Piccadilly Records.

Taken from KLO's debut EP.

"The perfect amalgam of songwriting and soundscaping, releases like this are why vinyl exists." - Piccadilly Records.

Written & produced  by Kelly Lee Owens.
Mixed by Kelly Lee Owens
Engineered by: James Greenwood
Mastered by: David Oversby-Powell 

Arthur

from the Hospital Productions record  "Risveglio", out July 27 2015.

BUY ALL FORMATS

02 La Sveglia

Diomedes

Taken from "Reflections 2012-2016", a 30 track mixtape of unreleased music excerpts from 2012—2016 by ¬ b (fka Lee Bannon).

The physical version is available for pre-order through 1080p in double cassette form (limited to 100 copies), and ships June 1.

Buy Tape: bit.ly/1WDB8gY
Digital: bit.ly/1WEJB2Z

Lee Bannon - 3m12 Disc 2-sideD

These remixes are exclusively available to purchase at Bleep::: http://bleep.com/index.php?page=release_details&releaseid=33954

Original songs taken from Holy Other's debut EP 'With U' available everywhere that sells good music. 

Holy Other - Know Where (Andy Stott Remix)

from 'Polybrass' [CD|2xLP|DIGITAL]
Denovali Records · den309
available on all formats at http://denovali.com/elektroguzzi

A trio of guitar, bass and drums, Elektro Guzzi overcome the boundary between analogue versus digital, performing techno live with the drive of a machine and the sonic detail of an instrument – without any computers or loopers.

For their upcoming album Polybrass, Elektro Guzzi have drastically expanded their sonic repertoire: both in the studio and on stage, they are joined by an ensemble of three trombonists, opening up a whole new realm of possibilities. With Hilary Jeffrey, Daniel Riegler and Martin Ptak, the band are joined by three brass heavyweights, each of them well renowned for both their solo ventures as well as projects such as The Kilimanjaro Darkjazz Ensemble, Sand and Zeitkratzer.

By treating the three trombones not simply as a set of extra instruments but rather as one coherent body of sound on its own, Elektro Guzzi dissociate the brass instruments from their conventional use and repurpose them into something completely different: a modular synthesizer, with each trombone representing one oscillator.

In doing so, Elektro Guzzi add new layers of depth to their music, emphasizing a more cinematic side of their music: like the soundtrack for a movie, Polybrass is bigger, darker, more dramatic, more intimate. Warm and fuzzy textures float weightlessly above fragile soundscapes and complex sonic fragments. At the same time, the band’s signature sound runs distinctly through the entire album: solid percussive grooves, stripped down to the absolute minimum it takes to make your body move. Hypnotic repetition, building tension and suspense up to a point where the energy of the music gets so intense you feel like you can physically touch it with your hands, interlaced with organic patterns of sound, constantly changing and evolving, pulsating and oscillating.

Polybrass will be released on Denovali Records on October 26th, 2018.

Polybrass

Elektro Guzzi - Black Chamber

oqbqbo "Untitled" CS 

The Russian born, Copenhagen via Tokyo resident Oqbqbo’s first solo release for Posh Isolation comes in the form of an untitled mini album released digitally and as a limited cassette, following a few self released recordings and soundcloud singles, besides her recent contribution to KYO’s remix album of “All The Same Dream”. 
Her Posh Isolation debut consists of six songs of synthetic textures and mangled, wordless voices and paints a beautiful dark portrait of the present. 
Modern melodic heartbreak. Kawaii! 

Posh Isolation 222
100 Copies

oqbqbo - Rei

http://boomkat.com/vinyl/572440-andy-stott-luxury-problems

Andy Stott - Sleepless

Taken from 'It Should Be Us', Andy Stott’s first release since 2016 and first EP since 2011 - a doublepack of slow and raw productions for the club, recorded this year and following a series of releases that started with ‘Passed Me By’ and ‘We Stay Together’ early this decade. 

There’ll be a new Andy Stott album in 2020, but in the meantime... this one’s for dancing..

It Should Be Us

Andy Stott - Versi

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

06-Luxury problems

Taken from the album Caterina Barbieri - Fantas Variations released as 2LP and Digital

Holy Other - Know Where (Andy Stott Remix)

TriAngleRecords

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