Name: DJ Technique - My Technique (DJ Dan Mix) by TribeCalledJon
Duration: 5 min 11 s
Description: From DJ Dan's 1998 mix album 'Beats 4 Freaks.'

Trackist: https://bit.ly/aecovmix
Read the cover feature: https://bit.ly/aemixmag

"In this mix there’s music that was inspirational for the album, both sonically and spiritually. It also got some of the album itself, an old favorite or two, and some songs that have been taking up space in my playlists but I never quite seem to be in the right moment to play them out during my DJ sets lately. I recorded this one over the course of two afternoons at home on the mountain." @avalonemerson

Tracklist

The Cover Mix: Avalon Emerson

Next up with the Catharsis Cast #39 is no other than @blind-observatory!

Blind Observatory is a DJ, music producer, designer and visual artist who's body of work is orbiting around topics of science-fiction, futurism and astronomy.
Conceived as a philosophy of treating dance floors as the "observatory for the blind", the name stays a constant reminder and loose set of rules for David when investigating both, the infinite freedom and loneliness found in the universe. 
This unique approach and a deep understanding of a night's flow make him a true master of riding the thin line between melancholy and euphoria, earning him the reputation of a DJ's DJ. 
Since 2016 he is running the small label @gravitationalrecords, not only as an outlet for his own music but a hub for like-minded artists.
David's sets are best described as cinematic journeys into the unknown. 
This is so well represented in this journey he created for us.
Tune in & tune out!

Soundcloud: @blind-observatory
Instagram: https://www.instagram.com/blind.observatory/
Bandcamp: https://gravitational.bandcamp.com/
RA: https://ra.co/dj/blindobservatory

Artwork by Aurim
www.instagram.com/aurim.ra

💫💜💫💜💫💜

Catharsis Cast #39 by Blind Observatory

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

hello dears
I happy to share with you my set from the most magical festival from Poland- LAS festival.
 it was such a honor to play after legendary RAY Okpara and before magically Roman Fluegel.
huge hugs for all festival team
Thank you guys for this perfect adventure, hope you are will jump again in this festival when you will listen to this set.

kisses, your MIURA
meow

MIURA set (LAS festival 2023) Poland

with 6moons' Srajan Ebaen

👉🏻 This episode is brought to you by Cambridge Audio's Made by Music podcast:
www.cambridgeaudio.com/row/en/made-b…music-podcast

PATREON:
www.patreon.com/johndarko

SHOW NOTES over at Darko.Audio

Producer: Nick McCorriston www.nickamc.com
Music: Ben Pit -- Beniospit – Hybrid-rhythms

John & Srajan review the Zu DWX

Live recording from a DJ set at the Radiant Records night at Den Anden Side, Copenhagen 29/09/2023

Courtesy (DJ) live at Den Anden Side, Copenhagen 29/09/2023

From DJ Dan's 1998 mix album 'Beats 4 Freaks.'

DJ Technique - My Technique (DJ Dan Mix)

https://www.nts.live/shows/courtesy/episodes/courtesy-2nd-february-2024

NTS 02.02.24 With COURTESY

Of all the Berlin DJs who make a living spinning strange, I'm-not-sharing-the-tracklist kind of records, Sugar Free, originally hailing from Madrid, might be the most fun. She plays bold, colourful tracks with an air of sci-fi and sleaze, somewhere between Italo, hi-NRG, electro and house. (Her Dimensions Mix last year was one of our favourites of 2023.) She's the kind of DJ who messes with your perception of genres and tempos by how she blends tracks together, and also a DJ with a rare grasp of mixing melodies and moods—just check out the first transition of this RA Podcast for a spine-tingling example.

Sugar Free doesn't speak much publicly, and you won't find a lot about her on the internet. She prefers to let her DJing speak for itself. And her RA Podcast says a lot: proggy basslines, heart-in-mouth descents into reverb-heavy breakdowns, eerie vocals and a general feel of psychedelia and '80s decadence. It's difficult to tell what era these records are from, which is part of the charm. For a bonus point, try and pick out two just-completed Sugar Free originals, some of her first productions ever after her debut track came out on Limousine Dream in 2022.

@freesugarfree

Read more at https://ra.co/podcast/927

RA podcast

RA.927 Sugar Free

Continuing the series is Mancunian producer, dj and music teacher Tom Burford who just released his LP 'Elevations' with us as Contours (@contoursmusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Tom. You just returned from a big hike, how was it?

TC: Hey! Yeah, we were able to get out on some beautiful hikes around the Anaga national park in the north of Tenerife. It’s a stunning landscape and a nice change from the overbearing grey we get in Manchester for half the year. 

MFM: Does nature play an important role in your life and music?

JC: Definitely in life, and then I guess that just seeps into my music. I grew up in a pretty rural part of Cumbria. It was very beautiful landscape but with very little to do from an entertainment perspective, so getting out in the landscape or jamming with friends always felt like the two most freeing things to do. 

MFM: About jamming with friends... Your new album Elevations includes a lot of collaborations with other musicians, of which you did the recordings yourself. Can you highlight one special moment from those recording sessions?

TC: When recording Pots, I had initially written and recorded the percussion and synth parts at home and hit up Abraham to see if he wanted to add some Trumpet parts. He is based in London and so he recorded initial takes remotely and sent them through. They sounded great, but I really wanted to transform and process his parts for the track to manipulate them into sounding more synth like at points. Doing, that without him in the space felt like there was dialogue missing. In the end I went down to London and we recorded and dubbed them out in the same space at the Rhythm Section studio (shouts to Mali on engineering duties). Being able to respond to his playing and him in turn being able to respond to the dubbing of his parts felt like it was able to capture some really special elements.  

MFM: The A side of your new LP has Elevations 1, 2 and 3. Was it intentional for these tracks to end up separately or did they used to be one larger piece?

TC: When I started writing Elevations 1, 2 and 3 it just began as a series of jams and recording sessions in my flat bouncing ideas back and forth between myself, Beka, Abel and Simmy. These sessions were always just me and one other collaborator at a time, partly down to schedules, the size of the flat, but also the chance to not have to rush the process and to really dig into how we worked together. I continued building out the same project over multiple sessions so that I could have access to all the material collated in one place. Specific sections and ideas started to come together, but I liked the idea of them forging part of a wider piece. I’d previously worked in a largely self-contained track basis but had been listening to a lot of pieces like Six Marimbas, Music for 18 musicians and Tehillim by Steve Reich that build over a long period and loved the scope this gave to get completely lost in the music. I love the hypnotic nature created when polyrhythms morph over each other for a long enough period, shifting emphasis and eventually melting away.  

MFM: What can you tell about the mix you've made?

TC: I wanted to create a mix that was able to showcase the variety of sounds that influence me, both as a DJ and Producer. I love listening to mixes and radio at home and the best club experiences I’ve had have always been when a DJ is able to surprise you and really take you on a journey. The album makes heavy use of strings through the violin and cello, but also the Guzheng, a Chinese Zither and the Clàrsach a Celtic Harp. The initial three tracks of the mix focus on these sounds before skirting into more percussive and jazz focused influences and then into some deeper acid-tinged downtempo tracks and sub heavy club sounds. Hopefully this mix takes people on a journey and is something for people to get lost in.

DJ Technique - My Technique (DJ Dan Mix)

TribeCalledJon

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