Badass song but stop talking, im trying to workout lol

rétro trance

https://www.facebook.com/T.Camboya?ref=hl <---- DJ Tony Camboya

https://www.facebook.com/groups/HouseLiveCam/ <----- HouseLiveCam

Tony Camboya After La Bush 2000 "remember" (Back To The Fountain) Retro house

Franky Jones @ Retro House Party (Fuse, Brussel) 17-01-2014

Mr McKay is back on Drumcode with an EP that is very close to home, titled ‘Glasgow Safari’. Harvey has blended his synonymous synth stabs and vocal hooks together and has created another outstanding EP. The drums are fat and chunky as always and allow Harvey’s ideas to flow effortlessly over a solid foundation. The smooth use of dynamic throughout Harvey’s tracks also create impressive drops to add to another exceptional EP from Harvey.

Harvey McKay - The Cure - Drumcode - DC138

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

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D-Unity - Sensation



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

“CYCLE” is the latest album by South German producer Max Tebbert, founder of the independent label RAUWERK. Entirely self-produced — from composition to mix and master — this record is a true reflection of Tebbert’s uncompromising artistic vision.

Crafted through a hybrid production approach, CYCLE merges the warmth and unpredictability of analog hardware, modular systems, and classic synthesizers with modern production techniques. The result is a deeply hypnotic journey marked by driving beats, textured soundscapes, and a distinct signature style that bridges the raw and the refined.

Each track unfolds like a chapter, reflecting the cyclical nature of sound, emotion, and experience. With CYCLE, Tebbert continues to push boundaries, inviting listeners into a sonic space that is both meditative and relentlessly forward-moving.

Mix/Master by Max Tebbert
Artwork by Max Tebbert

Buy on Bandcamp

Max Tebbert - CYCLE 9

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FREE DOWNLOAD

UnderCover - Balikali On Acid (Blazy & Doktor Froid Bootleg)

Originally released as part of a vinyl only Drumcode Ltd release, Mark Broom sent me his own version a couple of years back but I decided it was so good that it needed to be heard so I included this never-to-be-released edit of 'Eyes Wide Open' on my Fabric 87 mix compilation. 

Eyes Wide Open

Eyes Wide Open (Mark Broom's Unreleased Edit)

Kllo share Mall Grab's rework of single 'Walls to Build'
PURCHASE HERE: http://bit.ly/2gbsbMT

Kllo's sophomore EP Well Worn - Out Now 
PURCHASE HERE: bit.ly/1ZMugvq

Released by:
Ghostly International (North America), PIAS/Different Recordings (UK, Europe & Japan) & Good Manners Records (AU/NZ, ROW)

Follow Kllo 
Facebook - www.facebook.com/kllomusic/
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Walls To Build (Mall Grab Remix)

Alan Fitzpatrick’s We Are The Brave brand has well and truly landed. Their debut sold-out club shows, held over one weekend at the end of March were preceded by three barmy house parties live broadcast from the homes of fans, and a host of well received singles have now come and gone, setting the tone for followers to expect the unexpected from the label with their self styled motto of We Do What We Want. 

It is then with a nonchalant shrug of the shoulders and poker face glare that We Are The Brave dish out their latest offering, ‘You Got Me’. As Fitzpatrick goes on to explain:

“Brave will always be the most natural home for my music, whether it be a familiar style to listeners or not. The whole point is that we are building an excitement around the music being released by not following a particular pattern or pandering to expectation. Hopefully I’ve made the point over the first three releases that We Are The Brave is about going with a flow and not letting preconceptions limit your experience, so its about time we released a good old Fitzpatrick rave banger, init!” 

Even the most fleeting of listens to the intro of thumping kick drums, precision crafted percussion and thunderous claps will give a strong clue that Fitzpatrick is back at the controls this time out. By the time the cut is in full throttle just after the two-minute mark then you can sense the knowing looks starting to shoot about the room as the familiar feeling grows. Luckily for anyone still unsure, all doubt is cast off at the half way point when the rave pads and breakbeats rip on from nowhere followed in hot pursuit by the "classic" Emmanuel Top "Play It Loud" you got me burning up vocal.

Some more recent converts to Alan Fitzpatrick may not be fully aware of the depth of his catalogues, never mind the 20+ years discography that Slam have behind them or indeed the history of remix collaboration between the two that goes back to 2010. However, despite the heavy dosing of hoovers and horns on their You Got Me rework, this Slam Track Series remix is all about the here and now as Glasgow’s techno kings turn in another example of the fine form they find themselves on right now.

You Got Me

BUY LINK

Alan Fitzpatrick - You Got Me

https://WeAreTheBrave.lnk.to/ThisIsIt

We Are The Brave stormed onto the scene in 2016, and has since released some truly epic dancefloor bangers from both the established and fresh faced talents the industry has to offer. Alan featuring some of his biggest tracks on the label, as well as inviting Reset Robot, Gary Beck, Skream, Darius Syrossian, and Sasha to be a part of their ever-growing family. 2019 is set to be the biggest year yet, with Alan Fitzpatrick’s Day just around the corner and more planned label showcases than ever before.

‘Poison’ was a vocal smash hit last year from Croydons finest – Skream. He’s teamed up with a UK duo who are already regulars on his imprint, as well as Dense & Pika’s Kneaded Pains – Melody’s Enemy.

‘This Is It’ the lead track, has a story. On a flight to play a festival in Germany, the guys decided on a concept to record Ollie, get a recording that showed a slice of who he really is, what he's all about. “We did wonder if he'd go for it actually, and we sprung it on him unawares on the day he came to our studio - but true to form, he was up for it in an instant!” adds Melody’s Enemy.

A full-on futuristic acid hook, with a driving energetic bassline sitting alongside Ollie’s spoken words which weave in and out between the synth and groove. This is MEGA!

Given the title, ‘5am’ is a bit more of a straight up banger, with its low end kicks and tight punctuation, pads glide through the track along the main rave inspired synth. “Ollie sent us a hook and parts from something he'd been working on. And we went to town on it. The motive here was maximum dance damage’.



https://www.facebook.com/MelodysEnemy
https://soundcloud.com/melodysenemy
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
https://soundcloud.com/wearethebraveofficial

Melody's Enemy vs Skream - This Is It

Buy: https://WeAreTheBrave.lnk.to/KonaLiberation

Alan Fitzpatrick’s We Are The Brave imprint continues to blossom into one of the most prominent labels in the industry today, as the latest release sees the founder link up with Grammy Award Winning duo CamelPhat on a pair of massive techno tracks via the 'Kona' EP. Here Mixmag reveals the premiere of the EP's title track, a euphoric and anthemic peak-time techno cut packed with relentless energy. 

Alan Fitzpatrick had this to say on the new collaboration: “It’s always exciting for me to work with new artists and people that I think can bring a different take on things in the studio. As individual artists our styles are fairly different, and that always sparks some magic in the studio. This time round it was techno magic, in the form of 'Kona' and 'Liberation'"

The 'Kona' EP is set for release April 19.

More exclusive music

Premiere: Alan Fitzpatrick & CamelPhat 'Kona'

With Topping describing the EP’s title track as the “heaviest” thing he’s ever produced, ‘Dungeon Freak’ is an unrelenting slab of rave techno, with Daddy Dino’s deadpan, spoken-word vocals only adding to it’s dark aura. Similarly cold and heavy, ‘Snide’ is a chunky, metallic number that continues to build in intensity across its seven minutes.     

“This EP is more like the vibe of ‘Watch What Your Doing’ EP. The title track is so dark, with mad ravey synths but the bit I’m most excited about is the vocal! 
“The phrase ‘the techno dungeon’ is really just a daft thing me and mates used to say years ago about when you are locked on the dancefloor and can’t leave because your so into the music. So it’s more a metaphorical place in your mind, than it is an actual dungeon or venue!”

TRICK was initially launched as a platform to exhibit Topping’s versatility as a producer, as well as a platform to showcase the wealth of emerging talent which he has been pushing in his DJ sets. Prior to ‘Dungeon Freak’ he has released two EPs on the label, ‘Watch What Ya Doing’ and ‘Turbo Time’. The latter of which was selected as the ‘Hottest Record’ on BBC Radio 1, gaining support from the likes of Gerd Janson, Denis Sulta, Fisher, Diplo, Eats Everything and Jamie Jones.

Dungeon Freak EP

Dungeon Freak (feat. Daddy Dino)

Patrick Topping - Dungeon Freak.Feat Daddy Dino TRICK004

DJ BIOOL - LAGOA ON SUNDAYS (50% retro/50% new)

Trick is an acclaimed dance music label and event brand owned and curated by global dance music icon, Patrick Topping.

The Newcastle native launched Trick in 2019 as a platform to spot and champion emerging artists, both in the studio and behind the decks. Since then, Trick has become one of the scene's most popular underground dance music event brands and record labels, launching the careers of some of the UK's biggest ticket-sellers and creating a cult fan following along the way.

As a record label, Trick is set to his 100 releases in 2024 and has given an outlet to many new signings who have since become some of the fastest-rising stars in the UK, such as Ben Hemsley, Hannah Laing and Ewan McVicar, who delivered platinum-certified “Tell Me Something Good” along the way. 

Trick's loyal fanbase has become one of the most passionate communities in dance music, with fans sporting Trick's signature lightning bolt on merchandise and tattoos at events throughout the UK and beyond. From completing a 9-date residency in 2022 at Ibiza's legendary DC10, to hosting a stage at EDC Orlando 2022, to attracting 10,000 ravers to The Warehouse Project in Manchester and bringing thousands to an Australian Debut in Melbourne in 2023. Then there is the Trick Weekenders, Budapest in 2022 and Tenerife in 2023. These events both saw 2,500 Trick Troops holiday and party together abroad, with Trick Tenerife this year set to double in size.

In 2024 Patrick is set to give back to his roots, bringing legions of fans to his hometown of Newcastle this summer 2024 with the launch of Trick Fest. Trick will also return to Ibiza, hosting a four-date residency in Hï’s Theatre on Wednesdays.

Patrick Topping - Dungeon Freak.Feat Daddy Dino TRICK004

TRICK

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