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 Selector Jah Rich is proud to drop his latest mix CD titled, “Peter Tosh Tribute – 33 Shots – Strictly 45s.”  This 100% live all vinyl mix presents a range of Tosh’s music, all in a vintage format – original 45 records (and all from Jah Rich’s vinyl collection).  This well thought out mix CD does not drop a thousand songs each played for 30 seconds, but instead presents 33 meaningful tunes showcasing Tosh’s lyrical skills, unrelenting message, and overall musical talent.  From vintage Rock Steady tunes like the popular “Treat Me Good” and “I Am the Toughest,” a Tosh anthem, to 1970s classics such as “Can’t Blame the Youth” and the essential “Stepping Razor,” all the way to gems of the early 80s like “Buckingham Palace” and “Peace Treaty,” this mix CD has it covered!  Of course, the mix also features rarities such as “Don’t Look Back” on the renowned Coxsone label and the groundbreaking “Rasta Shook Them Up” from 1966.  Peter Tosh Tribute also presents several dub tracks or “versions” which highlight the many outstanding musicians (including the versatile Tosh) that played alongside the Bushdoctor.  

Tosh fanatics, Wailers fans, reggae addicts, this mix CD is something special, so get your hardcopy mix CD for the whip or download the mix online!  Massive, in the famous words of Tosh manager Copland Forbes (who often introduced Tosh at concerts in this very way), “Extinguish your cigarette and light up your spliff…you are about to take off…”  Respect!  

FOR PROMOTIONAL USE ONLY.

CD Insert Artwork:  Brave Prince
CD Graphics:  Budegreen 

www.jahrich.com
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Reggaeville: Jah Rich
dubplatesteel@gmail.com


Peter Tosh Tribute MIX CD by Jah Rich

[APWW #524] (Originally aired in 2007]
The prestigious annual WOMEX award for excellence this year goes to Andy Palacio and his producer, Ivan Duran. Andy Palacio is the leading international exponent of the culture of the Garifuna people, a primarily Afro-Caribbean community that stretches along the coasts of Honduras, Belize, Guatamala, Panama, and Nicaragua. Former punta rock star Palacio is from Belize and he now leads the multi-generational Garifuna Collective which recently made their New York City debut. The charismatic 78 year old singer Paul Nabor did a guest spot and brought down the house. We'll hear highlights from that concert and listen to Andy Palacio tell the fascinating story of the Garifuna. Andy tells us about the songs on his debut international release, "Watina." We'll also hear other surprising, unreleased music from around Belize.

Andy Palacio

Super Cat - Best Of Super Cat & JR Cat - Justice Sound.
Super Cat (born William Anthony Maragh in Kingston, Jamaica, 25 June 1963)[1] is a deejay who achieved widespread popularity during the late 1980s and early 1990s dancehall movement. His nickname, "Wild Apache", was given to him by his mentor Early B.[1] He is the elder brother of reggae artist Junior Cat and is considered one of the greatest deejays within the Jamaican dance-hall scene to date.
Born to a Black mother and Indian father,[2] Super Cat was raised in Kingston's tough Seaview Gardens neighbourhood, then known as Cockburn Pen, home to ground-breaking deejays like Prince Jazzbo and U-Roy.[1] At the age of seven the Soul Imperial sound system allowed him to assist them at a local club called Bamboo Lawn. He auditioned for Joe Gibbs as a singer but was unsuccessful.[3]

He began appearing as a deejay under the name Cat-A-Rock, but soon switched to the name Super Cat.[4] He also appeared as 'Wild Apache'.[4] His first single "Mr. Walker", produced by Winston Riley, was released in 1981 and established his recording career. He went on to record for Jah Thomas ("Walkathon", on which he was billed as 'Super Cat the Indian'),[2] but his career was interrupted by a period of incarceration.[4] After his release he began working with Early B on the Killamanjaro sound system in 1984,[3] and his debut album, Si Boops Deh!, was released in the mid-1980s, and included the hit singles "Boops" (which was based on Steely & Clevie's updated "Feel Like Jumping" rhythm and sparked a craze for songs about sugar daddies),[2] and "Cry Fi De Youth", establishing his style of dancehall with conscious lyrics.[4]

He started his own Wild Apache Productions label and began producing his own recordings, including the 1988 album Sweets for My Sweet.[4] He featured on the album Cabin Stabbin in 1991 along with Nicodemus and Junior Demus.[1] He had been scheduled to perform at the One Love concert in the UK in 1991, but his appearance was cancelled after the shooting death of Nitty Gritty, for which Super Cat was initially suspected but cleared in 1992.[5] Continuing success saw him move to the United States and sign a contract with Columbia Records, releasing one of the first dancehall albums on a major label, Don Dada (1992).[4] The following year, Sony Music issued The Good, the Bad, the Ugly, and the Crazy, teaming Super Cat with Nicodemus, Junior Demus and Junior Cat.[4]

Super Cat had a number of hit singles in the early 1990s, including "Don Dada", "Ghetto Red Hot" and "Dem No Worry We" with Heavy D. In 1992, he was featured on the remix of "Jump" with Kris Kross,[5] and he also collaborated with them in 1993 for their song "It's Alright". These hits made him The Source magazine dance hall artist of the year in 1993.[1] He was also an early collaborator with The Notorious B.I.G., featuring the then unknown artist (along with Mary J. Blige, 3rd Eye and Puff Daddy) on the B-side remix of "Dolly My Baby" in 1993.[citation needed] The title song, "Don Dada" was a reply to many jabs made by Ninjaman.[citation needed]


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