Really like that rhythm guitar and nice vibe.

Well laid down an enthralling, fast-paced, sweaty-eyed dancefloor track, calling it an open collab. 
Stonerjazz picked it up, marrying it to his expressive voice and instruments. As the ancient art of 
maieutic (look it up) serendipity (look this one up as well) would have it, Jeff and I had just finished 
an amazing poem which finely expressed what he heard in Well's sound. I can only guess how many 
hours he spent adding this, fine-tuning that, getting the balance right. In the end it sat there, all 
groomed in its weekday suit and asked to go out and play. Yeah, why don't you do that? (That's how 
jo tells the story at least).
 


My good and dear friend Jo Richter and I have been practicing a form of commando Free association poetry for a little bit now, Firing multiple replies to each others words across the void, rapidly --This Poem is one such project-- Initially done lightning Fast and then refined and modified for lyrical Flow and meaning-- To further complicate the process, i with Jo's encouragement used these word and some Sounds from my deepmind 6 to answer an open collaboration with music by our friend Well aka Hakan Skeneby

Poem / copyright Jeff Gardiner and jo richter:
 Original tile: Kung Tze in the Subway Car

 in the nick of time
 he gave in to dissent
 for the mute perceptive mime
 manically made him raise his head and unmaimed hand in mine


 praise the unerring rebellion
 in subconsentious unison 

the empty shells of every single silly little thing
 ahh, the knell, the bells, fashioned from our fathers’ coral vaults 
selling out, shelling round, all around in disarray 

vainly making everybody wane and wade into the fray
 with withered, bamboo-watered canes - - - fracking shist
 where our homes are still purported to exist
 while scattered scraps of all things past, scantily, scantily clad, 

protrude and flutter in the wind, strained and restrained by the net 
of pleasant pleas -  and subltleties are colors bright and crude - 
watch the Mad Hatter's stint unwind in minor keys - 

i thought that that  - that hat that sat so squat- was you
 at the academy of sovereignty
 where massive piles of bones and crows
 dominate the dark demeanor of the distant 

tears of laughter, tears of loudly lovin’ laughter, that's exactly what we're after

in the purple land of diffidence
 buying purple brands of pale deliverance 
in the hidden forgotten region, religion
 
where forgetting – like neglecting - is an optional behavior
 and of course, everybody's carcass, corpse keeps looking for a savior
 down by the trodden, the unsavoury sovereign shouted 

raw with the rotten game of galactic gallows and thrones 
ah the one and only poet of starvation
 standing in the market of used emotion
 endless isles, end base piles of sadness
 masters mean and dirty and their slaves

 bargain bins of binary longing, belonging, unrequited love
 there’s a sale on betrayal - two for a dollar and three for none
 thought i saw a broken bit of joy that once belonged to me 
Though when i had it, it was absolutely free
 Now they're askin’ fifty, literally  frivolous dollars

mother of deception of the self
 see me on my knees, subordinate 
to her immaculate calamity
 that has transactional realities cooperate
 under towers dark with blinded blinds 
of my infantile infinity-

i asked my shadow: would she follow me 
like a puppy with a crush, herself a pet invertebrate,
 to inclinations more persian, more parisian than her will or mine 
where i might find a package deal on Love 

on the moon, it read in slowly moving neon letters - 
shadows neither show nor speak concerning prinal matters!
 no, said I, shadows squall and squeal and squeak
 drinking gin on the rocks is not that bad at all
 since it became impossible to find an Avocado
 or my favorite alcohol
 just don't answer when she fails to call

Hakan's Shuffle(the Nitro club mix) in collaboration with Well and Jo Richter-140bpm

Aurora-Borealis-Magnetic-Version

Until The End Of Time

37°

Baby Girl (Remix 2025)

immature

An old classic Cookie Jay track.  Black Rabbit. Produced by Cookie Jay

Black Rabbit

“Hope is one thing that can help us get through the darkest times.”

mix & mastering by @amin-pishehvar

original release: 2018

Crossing the Shadows

Composer: Franz Schubert (Theme from Impromptu Op. 142 D 935 in A flat )
Theo Bina: Arr., guitars, mix.
Cover : Bodo Bremer
Release : 2025-04-22

Impromptu In G

Impromptu In G  (Theo Bina)

This album is used for Royalty Free Content on all Social Media Platforms and in all Libraries that contain audio - Just search Moodscapes - we are universal with contracts in place, touching every operating audio catalog in the world!


Once in a Lullaby (Over the Rainbow)

Sauvage-[-instrumental]

https://vincentprojects.net
https://vincentprojects.bandcamp.com
https://open.spotify.com/artist/6P8kClrXTKESI4G5bwW6gJ
https://music.apple.com/us/artist/vincent-projects/1176726116

Les Étoiles ("The Stars") is a genre-defying journey from the muddy waters of the bayou to the infinite night sky, where ancient rhythms meet modern machines. Under the name Bayou Rythem, this project blends roots reggae, vintage French chanson, and swamp soul with the pulse of today’s electronic soundscape.

Each track shimmers like a distant star, with echoes of old soul, dusty dub grooves, and accordion-laced melodies orbiting around warm synths, hypnotic basslines, and crisp digital percussion. French tones dance with Caribbean riddims, while the heartbeat of the American South grounds it all in the humid, mythic atmosphere of the bayou.

Les Étoiles is both a tribute and a transformation, honoring the sounds of the past while projecting them into a future shaped by technology and imagination. It's about looking up toward the stars with feet still deep in the earth.

DANSE DU MARAIS

Tricky Cat Records,  The exclusive label for the non-profit 'Rose Pro Studio'.  We work with artists that are non-professional and do something in the local community and we don't charge. 

This page is for Demo's of up coming tracks to get some kind of feedback before release.  Also for our back catalogue of previously released Albums, tracks and keepsakes.

Absolutely no money is made, gained, sort or demanded from the artists who record with us. 

Sound Engineers - Kit Gratrix
                             - Will Sidebottom
                             - Mike Bryant
Head Producer    - Kit Gratrix

Tricky Cat Records Artists & Band Members

The Mand'rols (Mini Mand'rols)								Kit Gratrix - Guitars & Vocals
					Shadow - Vocals
					Alex Nuewham - Vocals
					Dinky - Drums
					Chuck Batsmear - Rock Bass

Tom and the Cats
					Tommy Catalos - Vocals
					Dexter Rohan -  Lead Guitars
					Les Shipperbottan - Drums
					Nick Botham - Bass
					Kittarix - Synths & Pianos
					Phil Limpton - Rhythm Guitars
					Betty Roadford - backing Vocals

Tabby and the Cats
					Tabby (Shadow) Northford - Vocals
					Dexter Rohan -  Lead Guitars
					Les Shipperbottan - Drums
					Nick Botham - Bass
					Kittarix - Synths & Pianos
					Phil Limpton - Rhythm Guitars
					Betty Roadford - backing Vocals
Radiance
					EVERYONE

Hawks Quest				
					Kit Gratrix	- Vocals, Synths, guitars
					Mike Bryant - Vocals & Acoustic & Electric Guitars
					Will Russell - Vocals & Ac Guitar
					Jana - Vocals & Bass
					Saz - Backing Vocals
					David Higham - Guitars, Drums & percussion

Oracles Oath
					Rob Lehane - Vocals
					Kit Gratrix	- Vocals, Synths, guitars
					Psi Hancock - Guitars and Lead Guitar
					Mike Bryant - Vocals & Acoustic Guitar
					Jana - Vocals & Bass
					Gwynn - Vocals
					David Higham - Drums & percussion


The Magick
					Muffy Numpitt - Vocals
					Will Russell - Ac Guitars & Vocals
					Kit Gratrix - Guitars & Synths
					Mike Bryant - Guitars & Vocals

Betty and the Boohoo's
					Betty Roadford - Vocals
					Dexter Rohan -  Lead Guitars
					Les Shipperbottan - Drums
					Nick Botham - Bass
					Kittarix - Synths & Pianos
					Phil Limpton - Rhythm Guitars
					Tommy Catalos - Backing Vocals

Head Case
					Bad Boy Lew - Vocals
					Dexter Rohan -  Lead Guitars
					Phil Limpton - Rhythm Guitars
					Les Shipperbottan - Drums
					Chuck Batsmear - Rock Bass
					Kit Gratrix - Synths

Shadow 
					Shadow - Vocals
					Dexter Rohan -  Lead Guitars
					Les Shipperbottan - Drums
					Nick Botham - Bass
					Kittarix - Synths & Pianos
					Phil Limpton - Rhythm Guitars
					Betty Roadford - backing Vocals

Falcon
					Mike Bryant - Guitars & Vocals - Writer
					Kit Gratrix - Synth’s & Percussion - Writer

Muso’s

Dexter Rohan -  Lead Guitars
Phil Limpton - Rhythm Guitars
Mike Bryant - Guitars & Vocals/Writer
Will Russell - Guitars & Vocals/Writer
Psi Hancock - Guitars
Dave Higham - Guitars Drums & Vocals
Kit Gratrix - Guitars/Writer
Tommy Catalos - Vocals

Chuck Batsmear - Rock Bass
Lyndon Johnson - Soul Bass
Nick Botham - Pop Bass

Kittarix - Synths & Pianos

Dinky - Drums
Les Shipperbottan - Drums

Jana - Vocals
Saz -Vocals
Kerry Bennett-King - Vocals
Betty Roadford - Vocals
Shadow / Tabby Northford - Vocals
Muffy Numpitt - Vocals
Alex Nuewham - Vocals

Black Rabbit

Tricky Cat Records

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