Bass Paradize - Hanuman JR & Ourman invitent Neffa-T (Mars 2023)

rhythmicism

Of Course U Can EP

Chase’n’Drums

End of a Line or Part of a Circle

Mambo Kahn is a French instrumentalist, producer and DJ based in Hamburg, Germany. From club-oriented bass and hip-hop heaters to more contemplative tunes inspired by electronic music and jazz, his shows offer a blend of genres inviting listeners to discover more.

Co-founder of the SHG rave-organizing crew in Hamburg, he started last year a monthly residency Cross Correlation on Hamburg-based station Hallo:Radio featuring guests from the French and German scenes. He played on various media such as Egregore (FR) or Pollination (UK), and played nights at Mojo Jazz Cafe in Hamburg. His electro-bass heater 'Raskit Boi' was recently featured on Toulouse's ClusterTraxx latest V/A, as a kick-off for more releases to come.

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Tracklist:

Silk					Schntzl
Komazawa				Lazarus
Digitalis				Sully
One Nation				Soeneido
Hyph Mngo (Neekeetone Jungle Rework) 	Neekeetone
Solstice				Janeret
Jazzypants				RoyGreen & Protone
Crooklyn				Alix Perez
Time Ticking (Total Science Remix)	Minor Forms, Rider Shafique
Aero					Qant	
Full Train				Stones Taro 	
WORST					No Nation
Roll Another One			Broken Lip 	
The Reason 				Perko 		
Lost In The Music (ft. Trophy)		Kray 		
Albany Road				Hyroglifics 	
Take It Back (feat. Pain)		Yatuza, Pain 	
Black Out				Ashyl 		
Dust 2 Dust				Holloway
Doy					COIDO 		
BREAKDOWN 666				RIKNOR 		
Mucksta					Dubzta 		
Insanity				Riknor 		
Where Ya From				Taiko

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Mambo Kahn - Subtle Radio - 31/08/2023

excess RE-EMERGE FOR THEIR THIRD ANNUAL VARIOUS ARTISTS COMPILATION ALBUM - ANY BPM VOL 3.

Packed out with a fresh cohort of underground talent, 2023’s offering continues the label's expansion out to the furthest corners of the bass music spectrum. Once again, this record was undertaken in support of a Bristol-based cause - this year we are donating to Quartet Community Foundation’s “Cost of Living Fund”.

Almost no-one has escaped the UK cost of living crisis unscathed, including the charities and support groups that help those most in need - donating to Quartet Community Foundation allows them to allocate funding to key frontline organisations such as debt support groups, food and fuel poverty organisations and charities supporting the homeless and vulnerable elderly communities.

All profits will be donated so your purchases will help change lives across Bristol and the surrounding area.

This year’s record sees moody downtempo and hyperpop go toe-to-toe with melancholy acid house and distorted tear-out breaks on this notably darker outing, all while delivering the heavy club grooves expected from an ANY BPM record. With 14 incredible contributions from a host of our favourite artists, this one sounds just as good in your headphones as it does on the dancefloor. Enjoy x

FOREVER & BEYOND ‘23

https://excessbristol.bandcamp.com/album/ab003-any-bpm-vol-03

https://soundcloud.com/dankybass
https://soundcloud.com/excessbristol

PREMIERE: Danky - Blind Turn [excess]

With a richly rhythmic journey that transcends boundaries and defies genres, Keita Sano takes his hands on Rhythmic Culture Records' first ever release called 'You Can't Save Me'. In 5 tracks, the producer hailing from Okayama, Japan connects the dots between though club and tripped-out experimental music with worldly influences from all abroad.

You Can't Save Me

Fat Riddim

Keita Sano - Fat Riddim [RC-R001]

@CRKS290 is an active dj and promoter operating mainly from Madrid. He is 1/3 of iconic collective @dembooty a really cool collective that specialize in UKG, Dubstep, D&B, Jungle amongst many other interesting genres. Here he delivers 50 minutes of pure dubstep gems, good to start the week in a fresh and wonky way. Enjoy!

TOMBOLOMIXX 110 - CRKS290

Lissajous

The only other language I know is french (translation)

私が知っている他の言語はフランス語だけです

Drawat's "Gude Huse" (released July 1st, 2025) is a masterclass in minimalist electronic music, blending breaks with subtle yet effective electro influences. The track immediately sets a laid-back, chilled-out mood, perfect for unwinding or a relaxed late-night session.

At its core are the distinctive 808 drum machine beats, which lay down a solid, unhurried rhythm that's both grounding and groovy. These beats are complemented by a chill, dubbish chord piano, which drifts in and out, adding a hazy, atmospheric layer to the soundscape. It’s the kind of piano work that feels both improvisational and perfectly placed.

Underneath it all, a techno bassline provides a subtle, driving pulse. It's not aggressive or overpowering; instead, it offers a deep, resonant foundation that keeps the track moving forward without disrupting its overall tranquility. The beauty of "Gude Huse" lies in its minimalist approach. Each element is carefully chosen and given space to breathe, contributing to a cohesive and captivating listening experience without ever feeling cluttered.

Overall, "Gude Huse" is a testament to Drawat's ability to craft an evocative electronic journey using just a few key components. It's dubby, a little bit trippy, and thoroughly chill, making it a great listen for those who appreciate understated yet impactful electronic production.

Gude Huse

bookings & inquiries: hello@tristanarp.com
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1/3 of @asa-tone
cofounder @humanpitch 
resident @thelotradio

End of a Line or Part of a Circle

Tristan Arp

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