End of a Line or Part of a Circle

I was kindly asked by the amazing VST/Plug-In creators Arturia to make a track utilising the new version of Pigments in return for being laced up with a copy and the new complete Arturia V Collection (which has been an absolute must for me for ages - beautifully made and almost impossible to tell the difference VST re-makes of some of the greatest hardware synths in history)

I thought I'd get cocky and make an entire track purely using Pigments - I enjoy limitations, but this was not a limitation; Pigment's is so insanely versatile while also being wide open, nothing hidden so idea to sound to composition was extremely free and exciting.

I used 9 instances of Pigments for this track, no external effects as the effects and modulation you can link up in Pigments is incredible - I highly recommend to fans of Vital, Serum & Massive - this takes things a step further in every way.

As for the track itself I went with a pretty raw 'minimal but confusing' approach - taking a lot of influence from Grime, Dancehall & Techstep DnB and a slight bit of footwork - I often enjoy runnning different sequences in different timings e.g. kicks in triplets, snares in dotted, and delays, reverbs & LFO's all in different speeds of the above - while not a complex track by any means it's proof that you can create a pretty hoofing and mentally engaging track with purely one synth and a few simple tricks

I'm hugely against Hardware Fetishism and hate how electronic music (music as a whole) is becoming an art form for the privaleged - you don't need anything but ideas and great and affordable software.

Cop Pigments here -https://www.arturia.com/products/software-instruments/pigments/overview

Etch - Centurion Tap Dance [ARTURIA PIGMENTS DEMO] (free download)

WELCOME TO THE EGG WITH FLISS MAYO

how do you make mayo... lots of OEUFS

@felicity-mayo

SCRATCH N SNOEUF 002 - FLISS MAYO

@resourcesmusic is a Parisian label run by DJ and producer @tommykid, also co-host of the eponymous bi-monthly show on Rinse France along with @sourcedecalcium, @blame_sound, @bobsleigh1 and more. Since 2014, the label has been dedicated to a hybrid form of club music, influenced by grime, UK funky, jersey club, dancehall, and bass music.

Tune in for [re]sources every 1st & 3rdSunday of the month from 20h to 22h [CET] on rinse.fr

Rinse France Podcast

[re]sources 9th anniversary EP special avec Leto, Nasty J, Qant & Ravl - 09 Avril 2023

Out July 24 on Catch22 EP, Samsara Beats.

@root4thevillain
@samsarab

[Premiere] RFTV - Catch22 (out on Samsara Beats)

Panspecies Rights

Branching Streams

The Language Change

A Livable Earth

1. Watch Them
2. Pick a Fight
3. Midnight Clip
4. Infinite Chant
5. Drop It

Midnight Clip

Buy on Bandcamp

Kid Kun - Midnight Clip Showreel - Out Now

The fifth transmission on BRUK comes from Chewlie, a breakthrough artist from Switzerland adept at sculpting tense, sharply defined atmospheres with eerie amounts of space and dreadful amounts of bass. Following up on her 2022 Creature LP for YUKU, this eight-track deep dive explores nervous hallways of dislocated rhythm with a UK soundsystem attitude and a subtle but striking approach to sound design.
 
In contrast with the strident melodic tones of Creature, Chewlie demonstrates her versatility as a sonic artist (alongside her established work as a graphic designer). Understated moodiness is the key here, resulting in powerful heads-down immersion heaters with stand-out moments to make the floor fall in line amidst meditative, patient pauses in between. In the field of leftfield dubwise club music, Chewlie’s voice strikes out with purpose and poise, slotting into the firmament of BRUK as another natural misfit in the many-sided bassweight landscape.

Chewlie - Flood Me

Fin du monde et confitures - Mayflo invite Jason Code (Octobre 2023)

Produced, composed, mixed, performed and written by @johanpaulson

Stockholm, Sweden 2023

Copyright: @celinitamusic

Musiche Moderne

Bianco

Stream On Spotify!

Dario Rex, Johan Paulson & Loops R Us - Bianco

Dans une ère ou l’IA est en pleine expansion, ce morceau est ma petite lutte contre (celle-ci).

À la base, elle me semblait pouvoir être utile et parfois drôle comme beaucoup de monde.

Mais rapidement j’ai compris qu’elle était un très grand problème.

Des métiers qui s’essoufflent, d’autres qui meurent et certains qui le sont déjà.

Une course à savoir qui fera mieux que l’autre (encore un concours de b*te) qui nous mènera vers un avenir qui m’effraie.

En plus de devenir instable, elle est utilisée maintenant dans tous les domaines, et malheureusement (aussi celui) de l’armement.

Matrix étant ma saga préférée, j'ai attendu d'avoir selon moi la maturité qu'il fallait afin de lui rendre pleinement hommage.

Et cela coïncide en fait parfaitement avec la situation actuelle qu'est la nôtre.

Rave on cependant, prenez soin de vous mais aussi de vos proches 🫶🏼

DR. PACO

Key : G
Bpm : 167
Mix : Me 
Artwork : @overload.48


Haunted by the code

Mastered instrumental versions of the selected few I was happy enough to release. 

Silent Hill

1/3 of @asa-tone
cofounder @humanpitch 
bookings & inquiries: hello@tristanarp.com

End of a Line or Part of a Circle

Tristan Arp

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